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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,353 results for Domenico Mauro

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Stage set with an artist painting Venus and Cupid; from Aurelio Aureli, 'Il Favore De Gli Dei', Gianantonio Lorenzini Italian, Etching — Stage set with an artist painting Venus and Cupid; from Aurelio Aureli, 'Il Favore De Gli Dei'
Multiple artists/makers
1690

Plate 2 [counterproof]; stage set with allegorical figures seated among the clouds, with a large colonnade in the background; from Aurelio Aureli's "Il Favore De Gli Dei", Gianantonio Lorenzini Italian, Etching — Plate 2 [counterproof]; stage set with allegorical figures seated among the clouds, with a large colonnade in the background; from Aurelio Aureli's "Il Favore De Gli Dei"
Multiple artists/makers
1690

Francesco Sassetti (1421–1490) and His Son Teodoro, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood — Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1488

Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi) Italian, Fresco — Saint Christopher and the Infant Christ
Domenico Ghirlandaio (Domenico Bigordi)

Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684 — Il Ritratto di Venezia
Domenico Martinelli
1684

A Sheet of Heads, Mauro Gandolfi Italian, Pen and brown ink — A Sheet of Heads
Mauro Gandolfi
late 18th–mid-19th century

Andromeda and the Sea Monster, Domenico Guidi Italian, Marble, Italian, Rome — Andromeda and the Sea Monster
Domenico Guidi
Francesco II, Duke of Mantua and Reggio
1694

Bacchus, Domenico Poggini Italian, Marble, Italian, Florence — Bacchus
Domenico Poggini
1554

The Youthful Saint John the Baptist, Domenico Pieratti Italian, Marble, Italian, Florence — The Youthful Saint John the Baptist
Domenico Pieratti
ca. 1625–30

The Parable of the Mote and the Beam, Domenico Fetti Italian, Oil on wood — The Parable of the Mote and the Beam
Domenico Fetti
ca. 1619

Salvator Mundi, Domenico Fetti Italian, Oil on wood — Salvator Mundi
Domenico Fetti
ca. 1622–23

The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk. — The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770

The Burial of Punchinello, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and yellow wash, over black chalk. — The Burial of Punchinello
Giovanni Domenico Tiepolo
ca. 1800

Punchinellos Felling (or Planting) a Tree, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over rough black chalk — Punchinellos Felling (or Planting) a Tree
Giovanni Domenico Tiepolo
late 18th–early 19th century

Anointment of the dead Christ, Fra Domenico Portigiani, Bronze, Italian, Florence — Anointment of the dead Christ
Fra Domenico Portigiani
Giambologna
17th century?

The Glorification of the Giustiniani Family, Giovanni Domenico Tiepolo Italian, Oil on canvas — The Glorification of the Giustiniani Family
Giovanni Domenico Tiepolo
1783

Landscape with Moses and the Burning Bush, Domenichino (Domenico Zampieri) Italian, Oil on copper — Landscape with Moses and the Burning Bush
Domenichino (Domenico Zampieri)
1610–16

The Departure of the Gondola, Giovanni Domenico Tiepolo Italian, Oil on canvas — The Departure of the Gondola
Giovanni Domenico Tiepolo
mid-1760s

The Lamentation, Domenichino (Domenico Zampieri) Italian, Oil on copper — The Lamentation
Domenichino (Domenico Zampieri)
1603

A Dance in the Country, Giovanni Domenico Tiepolo Italian, Oil on canvas — A Dance in the Country
Giovanni Domenico Tiepolo
ca. 1755

Head of a Man Wearing a Cap, Domenico Ghirlandaio (Domenico Bigordi) Italian, Metalpoint, heightened with brush and white, on reddish orange prepared paper. — Head of a Man Wearing a Cap
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1495–1505

Portrait of a Man, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood — Portrait of a Man
Domenico Ghirlandaio (Domenico Bigordi)

Alpheus and Arethusa, Battista di Domenico Lorenzi Italian, Marble, Italian, Florence — Alpheus and Arethusa
Battista di Domenico Lorenzi
1568–70

Drawing for a Frontispiece, Mauro Soderini Italian — Drawing for a Frontispiece
Mauro Soderini
1704–39

Framed Design for a Stage Set, Mauro Berti Italian, Pen and brown ink, brush and gray and brown wash, over graphite — Framed Design for a Stage Set
Mauro Berti
1772–1842

Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue, Mauro Berti Italian, Pen and brown ink, brush with brown and gray wash — Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue
Mauro Berti
1792–1842

Vignette with an Allegorical Figure of Astronomy, Mauro Gandolfi Italian, Pen and brown ink, watercolor, over black chalk; framing lines in pen and brown ink — Vignette with an Allegorical Figure of Astronomy
Mauro Gandolfi
ca. 1798

Alfabeto Di Lettere Iniziale, Mauro Poggi Italian, Engraving — Alfabeto Di Lettere Iniziale
Mauro Poggi
Lorenzo Lorenzi
before 1760

Alfabeto Di Lettere Iniziale, Mauro Poggi Italian, Engraving — Alfabeto Di Lettere Iniziale
Mauro Poggi
Lorenzo Lorenzi
before 1760

Judith holding the head of Holofernes and a sword, her maid behind her at right, Mauro Gandolfi Italian, Engraving — Judith holding the head of Holofernes and a sword, her maid behind her at right
Multiple artists/makers
1819

The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni, Mauro Gandolfi Italian, Engraving — The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni
Mauro Gandolfi
Guido Reni
1812

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper. — Reclining Female Nude
Domenico Tintoretto
early 17th century

Seated Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Seated Female Nude
Domenico Tintoretto
early 17th century

Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1739

Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Mountainous Landscape with a Rock, Trees, and Buildings, Domenico Campagnola Italian, Pen and brown ink — Mountainous Landscape with a Rock, Trees, and Buildings
Domenico Campagnola
ca. 1520

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on faded blue paper. — Reclining Female Nude
Domenico Tintoretto
early 17th century

Reclining Female Nude, Domenico Tintoretto Italian, Black and white chalk on blue paper — Reclining Female Nude
Domenico Tintoretto
late 16th century