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Showing 589 results for Chet Lo

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Spiky Boatneck Gown

Chet Lo

spring/summer 2025

Mini Spike Checked Gown

Chet Lo

spring/summer 2025

The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas — The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto)
1648

The Tears of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas — The Tears of Saint Peter
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1612–13

Pursuit of Happiness, Thomas G. Lo Medico American, Bronze — Pursuit of Happiness
Thomas G. Lo Medico
1948

Pursuit of Happiness, Thomas G. Lo Medico American, Bronze — Pursuit of Happiness
Thomas G. Lo Medico
1948

Saint Francis Receiving the Stigmata, Lo Spagna (Giovanni di Pietro) Italian, Point of the brush and brown ink, heightened with white (partly oxidized), traces of black chalk, on paper washed with light brown. — Saint Francis Receiving the Stigmata
Lo Spagna (Giovanni di Pietro)
early 16th century

Measure, I. Ruault, Pewter, French, St. Lô — Measure
I. Ruault
V. Hamel
late 18th–early 19th century

Abandoned Mine Slope

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

Chet La More

WPA

1935–43

The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi), Lo Spagna (Giovanni di Pietro) Italian, Charcoal or black chalk; outlines pricked and pounced for transfer — The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)
Lo Spagna (Giovanni di Pietro)
1514–16

Dino Lo Curto

1924

A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso), Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash, over black chalk (recto); black chalk, graphite, or leadpoint (verso) — A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso)
Jusepe de Ribera (called Lo Spagnoletto)
17th century

Study for a Crucifixion of St. Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper — Study for a Crucifixion of St. Peter
Jusepe de Ribera (called Lo Spagnoletto)
1628–30

Head of a Satyr Facing Left, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk on brownish paper — Head of a Satyr Facing Left
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–30

Virgin and Child on Crescent Moon with Putti, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing on beige paper — Virgin and Child on Crescent Moon with Putti
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652

Adoration of the Shepherds, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash — Adoration of the Shepherds
Jusepe de Ribera (called Lo Spagnoletto)
1645–50

Man Wearing a Large Cloak and a Small Naked Man on His Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash (recto). Lined with a very thin sheet of paper (verso) — Man Wearing a Large Cloak and a Small Naked Man on His Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1637–40

Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk and brush and red wash on beige paper. Composition outlined on all borders with ruled lines in black chalk — Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652

Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper. Sheet is set into a thin mat (with annotations on the mat) — Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652

Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching with drypoint, engraving, and burnishing — Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto)
1628

Large Grotesque Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving — Large Grotesque Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622

Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching, engraving, and drypoint; first state of two (Brown) — Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
1621

The poet, standing crowned with laurel, leaning on a stone, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching — The poet, standing crowned with laurel, leaning on a stone
Jusepe de Ribera (called Lo Spagnoletto)
1620–21

A winged putto flogging a satyr tied to a tree, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching — A winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50

Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving — Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1621

St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving — St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1624

Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving — Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
Multiple artists/makers
1766–67

The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body
, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint; second state of two (Brown) — The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body
Jusepe de Ribera (called Lo Spagnoletto)
1624

The Poet (copy in reverse), Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching — The Poet (copy in reverse)
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–80