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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Charles Meryon

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The Clock Tower, Paris, from "Etchings of Paris", Charles Meryon French, Etching — The Clock Tower, Paris, from "Etchings of Paris"
Charles Meryon
1852

Rue Pirouette aux Halles, Paris, Charles Meryon French, Etching with drypoint — Rue Pirouette aux Halles, Paris
Charles Meryon
Louis-Marie Laurence
1860

La Loi Solaire, Charles Meryon French, Etching — La Loi Solaire
Charles Meryon
19th century

Le Pont-au-Change vers 1784, Charles Meryon French, Etching; first state of six — Le Pont-au-Change vers 1784
Charles Meryon
Victor Jean Nicolle
1855

La Loi Solaire, Charles Meryon French, Etching — La Loi Solaire
Charles Meryon
19th century

Presentation of Valerius Maximus to King Louis XI, Charles Meryon French — Presentation of Valerius Maximus to King Louis XI
Charles Meryon
1862

The Apse of Notre-Dame, Paris, Charles Meryon French, Etching — The Apse of Notre-Dame, Paris
Charles Meryon
1854

Old Gate of the Palais de Justice, Charles Meryon French, Etching and drypoint; second state of two — Old Gate of the Palais de Justice
Charles Meryon
1854

The Mortuary, Paris (La Morgue), Charles Meryon French, Etching and drypoint, third state of seven — The Mortuary, Paris (La Morgue)
Charles Meryon
1854

Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)", Charles Meryon French, Etching — Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)"
Charles Meryon
1860

San Francisco, Charles Meryon French, Etching on steel; third state of three — San Francisco
Charles Meryon
1855–56

The Vampire, Charles Meryon French, Etching in brown ink on green laid paper; fifth state of ten — The Vampire
Charles Meryon
1853

Regarding One of the Gargoyles of Nôtre-Dame, Paris, Charles Meryon French, Facsimile of a drawing on blue-green laid paper — Regarding One of the Gargoyles of Nôtre-Dame, Paris
Charles Meryon
1853

The Clock Tower, Charles Meryon French, Graphite with red chalk on laid paper (a narrow strip added at right) — The Clock Tower
Charles Meryon
ca. 1852

A Lyre Bird, Charles Meryon French, Graphite — A Lyre Bird
Charles Meryon
ca. 1846–55

A European Jay, Charles Meryon French, Graphite — A European Jay
Charles Meryon
ca. 1863

A Bird of Paradise, Charles Meryon French, Graphite — A Bird of Paradise
Charles Meryon
1835–68

A Golden Eagle, Charles Meryon French, Graphite — A Golden Eagle
Charles Meryon
after 1859

Le Pont au Change, Charles Meryon French, Etching with additions in graphite; seventh state — Le Pont au Change
Charles Meryon
1854

The Notre-Dame Pump (small plate), Charles Meryon French, Etching; second state of three — The Notre-Dame Pump (small plate)
Charles Meryon
1854

Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris", Charles Meryon French, Etching; fourth state of five — Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris"
Charles Meryon
1854

Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer, Charles Meryon French, Etching on laid paper — Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer
Charles Meryon
Mrs. Bella C. Landauer
19th century

Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink, Charles Meryon French, Woodcut on china paper — Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink
Charles Meryon
1854

The Petit Pont, Paris, Charles Meryon French, Etching and engraving on wove paper; first of nine states — The Petit Pont, Paris
Charles Meryon
1850 or later

The Petit Pont, Paris, Charles Meryon French, Etching and engraving on wove paper; first state (of nine) — The Petit Pont, Paris
Charles Meryon
1850 and later

The Petit Pont, Paris, Charles Meryon French, Etching and engraving on green laid paper; fourth state (of nine) — The Petit Pont, Paris
Charles Meryon
1850 and later

The Gallery, Nôtre-Dame Cathedral, Paris, from "Etchings of Paris", Charles Meryon French, Etching on laid paper; fourth state of six — The Gallery, Nôtre-Dame Cathedral, Paris, from "Etchings of Paris"
Charles Meryon
1853

Gallery, Nôtre-Dame Cathedral, Paris, Charles Meryon French, etching on laid paper; fourth state of six — Gallery, Nôtre-Dame Cathedral, Paris
Charles Meryon
1853

Archway, Pont Nôtre-Dame, Paris, Charles Meryon French, Etching; fourth state of four — Archway, Pont Nôtre-Dame, Paris
Charles Meryon
1853

Archway, Pont Nôtre-Dame, Paris, from "Etchings of Paris", Charles Meryon French, Etching on green laid paper; fourth (final) state — Archway, Pont Nôtre-Dame, Paris, from "Etchings of Paris"
Charles Meryon
1853

The Nôtre-Dame Pump, from "Etchings of Paris", Charles Meryon French, Etching on green laid paper; sixth state of nine — The Nôtre-Dame Pump, from "Etchings of Paris"
Charles Meryon
1852

The Notre-Dame Pump, Paris, Charles Meryon French, Etching; sixth state of ten — The Notre-Dame Pump, Paris
Charles Meryon
1852

The Nôtre-Dame Pump, Paris, Charles Meryon French, Etching on laid paper; eighth state of ten — The Nôtre-Dame Pump, Paris
Charles Meryon
1852

The Nôtre-Dame Pump, Paris, from "Etchings of Paris", Charles Meryon French, Etching on chine collé; eighth state of ten — The Nôtre-Dame Pump, Paris, from "Etchings of Paris"
Charles Meryon
1852

The Nôtre-Dame Pump, Paris, Charles Meryon French, Etching on chine collé; eighth state of ten — The Nôtre-Dame Pump, Paris
Charles Meryon
1852

The Clock Tower, Paris, Charles Meryon French, Etching with engraving; fourth state of ten — The Clock Tower, Paris
Charles Meryon
1852

The Clock Tower, Paris, Charles Meryon French, Etching with engraving on laid paper; fifth state of ten — The Clock Tower, Paris
Charles Meryon
1852

The Clock Tower, Paris, Charles Meryon French, Etching with engraving on laid paper (Hudelist); fifth state of ten — The Clock Tower, Paris
Charles Meryon
1852

The Church of St. Etienne-du-Mont, Paris, Charles Meryon French, Etching and drypoint on laid paper; eighth (final) state — The Church of St. Etienne-du-Mont, Paris
Charles Meryon
1852

The Church of St. Etienne-du-Mont, Paris, Charles Meryon French, Etching and drypoint on green laid paper; fourth state of eight — The Church of St. Etienne-du-Mont, Paris
Charles Meryon
1852