Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Charles Meryon

Sort by:

Le Pont au Change, Charles Meryon French, Etching with additions in graphite; seventh state — Le Pont au Change
Charles Meryon
1854

The Clock Tower, Charles Meryon French, Graphite with red chalk on laid paper (a narrow strip added at right) — The Clock Tower
Charles Meryon
ca. 1852

A Lyre Bird, Charles Meryon French, Graphite — A Lyre Bird
Charles Meryon
ca. 1846–55

A Golden Eagle, Charles Meryon French, Graphite — A Golden Eagle
Charles Meryon
after 1859

San Francisco, Charles Meryon French, Etching on steel; third state of three — San Francisco
Charles Meryon
1855–56

Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)", Charles Meryon French, Etching — Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)"
Charles Meryon
1860

The Mortuary, Paris (La Morgue), Charles Meryon French, Etching and drypoint, third state of seven — The Mortuary, Paris (La Morgue)
Charles Meryon
1854

The Vampire, Charles Meryon French, Etching in brown ink on green laid paper; fifth state of ten — The Vampire
Charles Meryon
1853

Old Gate of the Palais de Justice, Charles Meryon French, Etching and drypoint; second state of two — Old Gate of the Palais de Justice
Charles Meryon
1854

Molière's Tomb, Père-Lachaise Cemetery, Paris, Charles Meryon French, Etching; first state of two — Molière's Tomb, Père-Lachaise Cemetery, Paris
Charles Meryon
1854

Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle), Charles Meryon French, Etching with engraving — Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle)
Charles Meryon
Victor Jean Nicolle
1855

Bain-froid Chevrier (Chevrier's cold bath establishment, or The School Baths, Paris), Charles Meryon French, Etching; fourth state of five — Bain-froid Chevrier (Chevrier's cold bath establishment, or The School Baths, Paris)
Charles Meryon
1864

An Old House, or The Musician's House, Bourges, Charles Meryon French, Etching with drypoint; fifth state of five — An Old House, or The Musician's House, Bourges
Charles Meryon
1860

The Old Louvre, Paris, after Zeeman, Charles Meryon French, Etching; seventh state of seven — The Old Louvre, Paris, after Zeeman
Charles Meryon
Reinier Nooms, called Zeeman
1865–66

The Old Louvre, Paris, after Zeeman, Charles Meryon French, Etching on laid paper; fifth state of seven (Schneiderman) — The Old Louvre, Paris, after Zeeman
Charles Meryon
Reinier Nooms, called Zeeman
1865–66

Le Ministère de la Marine (the Admiralty, Paris), Charles Meryon French, Etching; third state of seven — Le Ministère de la Marine (the Admiralty, Paris)
Charles Meryon
1865

Le Ministere de la Marine (The Admiralty, Paris), Charles Meryon French, Etching on laid paper — Le Ministere de la Marine (The Admiralty, Paris)
Charles Meryon
1865

The Admiralty, Paris, Charles Meryon French, Etching on laid paper — The Admiralty, Paris
Charles Meryon
1865

Château de Chenonceau, No 1, after Ducerceau, Charles Meryon French, Etching on laid paper; only state — Château de Chenonceau, No 1, after Ducerceau
Charles Meryon
Jacques Androuet Du Cerceau
1856

Château de Chenonceau, No 2 (Château de Chenonceau, No 2), Charles Meryon French, Etching on laid paper; first state of three — Château de Chenonceau, No 2 (Château de Chenonceau, No 2)
Charles Meryon
1856

Presqu'île de Banks, Pointe des Charbonniers, Akaroa (Seine fishing off Colliers' Point, Akaroa, Banks Peninsula, 1845), from "The Voyage to New Zealand (1842–46)", Charles Meryon French, Etching with drypoint — Presqu'île de Banks, Pointe des Charbonniers, Akaroa (Seine fishing off Colliers' Point, Akaroa, Banks Peninsula, 1845), from "The Voyage to New Zealand (1842–46)"
Charles Meryon
1863 and later

College Henri IV (ou Lycée Napoléon), Charles Meryon French, Etching on laid paper; fifth state of eleven — College Henri IV (ou Lycée Napoléon)
Charles Meryon
1863–64

Lunar Law, No 2, Charles Meryon French, Etching; first state of six — Lunar Law, No 2
Charles Meryon
1866

The Notre-Dame Pump (small plate), Charles Meryon French, Etching; second state of three — The Notre-Dame Pump (small plate)
Charles Meryon
1854

Three Pigs Lying in Front of a Shed, Charles Meryon French, Etching; second, final state — Three Pigs Lying in Front of a Shed
Charles Meryon
Karel Dujardin
1850

Two Horses, Charles Meryon French, Etching — Two Horses
Charles Meryon
Karel Dujardin
1850

South Sea Fishers; Ewe with Two Lambs, Charles Meryon French, Etching — South Sea Fishers; Ewe with Two Lambs
Multiple artists/makers
1850

Entrance to the Faubourg Saint-Marceau, Paris, Charles Meryon French, Etching on wove paper; second state of two — Entrance to the Faubourg Saint-Marceau, Paris
Charles Meryon
Reinier Nooms, called Zeeman
1850

A Water-mill near Saint-Denis, Charles Meryon French, Etching; first state of two — A Water-mill near Saint-Denis
Charles Meryon
Reinier Nooms, called Zeeman
1850

The Galliot of Jean de Vyl of Rotterdam, Charles Meryon French, Etching; third state of three — The Galliot of Jean de Vyl of Rotterdam
Charles Meryon
Reinier Nooms, called Zeeman
1850

South Sea Fishers, Charles Meryon French, Etching; first of two states — South Sea Fishers
Charles Meryon
Reinier Nooms, called Zeeman
1850

Calais Boats in Vlissingen, Charles Meryon French, Etching; second state of two — Calais Boats in Vlissingen
Charles Meryon
Reinier Nooms, called Zeeman
1850

Etchings of Paris; Title page to the suite, Charles Meryon French, Etching on brown wove paper; first state — Etchings of Paris; Title page to the suite
Charles Meryon
1852

Dedicatory verses by Meryon to Reiner Nooms, called Zeeman, Charles Meryon French, Etching; only state — Dedicatory verses by Meryon to Reiner Nooms, called Zeeman
Charles Meryon
Reinier Nooms, called Zeeman
1854

The Old Gate of the Palais de Justice, Paris, frontispiece to "Etchings of Paris", Charles Meryon French, Etching and drypoint on laid paper; first state of two — The Old Gate of the Palais de Justice, Paris, frontispiece to "Etchings of Paris"
Charles Meryon
1854

The Old Entrance to the Palais de Justice, Paris, frontispiece to "Etchings of Paris", Charles Meryon French, Etching and drypoint; second (final) state (Schneiderman) — The Old Entrance to the Palais de Justice, Paris, frontispiece to "Etchings of Paris"
Charles Meryon
1854

The Old Entrance to the Palais de Justice, Paris, Charles Meryon French, Etching and drypoint printed in brown ink on laid paper; second (final) state — The Old Entrance to the Palais de Justice, Paris
Charles Meryon
1854

Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris", Charles Meryon French, Etching; fourth state of five — Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris"
Charles Meryon
1854

Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer, Charles Meryon French, Etching on laid paper — Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer
Charles Meryon
Mrs. Bella C. Landauer
19th century

Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink, Charles Meryon French, Woodcut on china paper — Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink
Charles Meryon
1854