Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for Charles Macowin Tuttle

Sort by:

The Lost Path, Charles Macowin Tuttle American, Wood engraving — The Lost Path
Charles Macowin Tuttle
1920

Old Fraunce's Tavern, New York, Charles Macowin Tuttle American, Wood block — Old Fraunce's Tavern, New York
Charles Macowin Tuttle
1929

Cloth: Label 1, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 1
Multiple artists/makers
2002–05

Coin cabinet, Charles Percier French, Mahogany (probably Swietenia mahagoni), applied and inlaid silver, French, Paris — Coin cabinet
Multiple artists/makers
ca. 1809–19

Americana, Charles Sheeler American, Oil on canvas — Americana
Charles Sheeler
1931

Untitled, Richard Tuttle American, Black ink over graphite on paper mounted on board — Untitled
Richard Tuttle
1967

Rome Pieces, Richard Tuttle American, Cut and pasted papers on paper, Verso: graphite on paper (together comprising eight designs for realizing eight works); Cut and pasted paper and graphite on wall (realized work) — Rome Pieces
Richard Tuttle
1975–2013

Commode, André Charles Boulle French, Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble, French — Commode
André Charles Boulle
ca. 1710–20

Card table, Charles-Honoré Lannuier American, Mahogany veneer, white pine, yellow poplar, gilded gesso, vert antique, and gilded brass, American — Card table
Charles-Honoré Lannuier
1817

The Jabach Family, Charles Le Brun French, Oil on canvas — The Jabach Family
Charles Le Brun
ca. 1660

Clarinet in B-flat, Charles Joseph Sax Belgian, Ivory, brass, gold-plated silver, Belgian — Clarinet in B-flat
Charles Joseph Sax
1830

Untitled (Cracked Watermelon), Charles Ethan Porter American, Oil on canvas, American — Untitled (Cracked Watermelon)
Charles Ethan Porter
ca. 1890

Seasons and Elements (Air) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 stitches per sq. cm.), French, Paris — Seasons and Elements (Air) (set of four)
Multiple artists/makers
ca. 1683

Vase, Charles Volkmar American, Earthenware, American — Vase
Charles Volkmar
Charles Houry Pottery
ca. 1877–79

Monkey's Recovery I, Number 2

Richard Tuttle

1983

The Refectory of the Imperial Asylum at Vincennes, Charles Nègre French, Salted paper print from glass negative — The Refectory of the Imperial Asylum at Vincennes
Charles Nègre
1858–59

Untitled, Charles Ray American, Gelatin silver print — Untitled
Charles Ray
1973, printed 1989

Doylestown House—Stairs from Below, Charles Sheeler American, Gelatin silver print — Doylestown House—Stairs from Below
Charles Sheeler
1917

"Clover Leaf", Charles James American, silk, silk/rayon, American — "Clover Leaf"
Charles James
1953

Evening dress, Charles James American, silk/rayon, silk, American — Evening dress
Charles James
1946

"Butterfly", Charles James American, silk, synthetic, American — "Butterfly"
Charles James
1955

I Saw the Figure 5 in Gold, Charles Demuth American, Oil, graphite, ink, and gold leaf on paperboard (Upson board) — I Saw the Figure 5 in Gold
Charles Demuth
1928

L'œuvre complet de Rembrandt : catalogue raisonné de toutes les eaux-fortes du maître et de ses peintures, Charles Blanc French — L'œuvre complet de Rembrandt : catalogue raisonné de toutes les eaux-fortes du maître et de ses peintures
Multiple artists/makers
1859–1861

Two horses, Charles Ray American, Granite — Two horses
Charles Ray
2019

Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company, Charles Sheeler American, Gelatin silver print — Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company
Charles Sheeler
1927

Hiddenness, Richard Tuttle American, Artist's book — Hiddenness
Multiple artists/makers
1987

Blossom, Richard Tuttle American, Etching in four colors with chine collé and red pen addition by the artist — Blossom
Richard Tuttle
Gemini G.E.L.
2017

Dawn, Noon, Dusk: Paper (1), Paper (2), Paper (3), Richard Tuttle American, Colored pigment on watermarked abaca/linen paper mounted on pigmented cotton in artist-designed, hand painted frames — Dawn, Noon, Dusk: Paper (1), Paper (2), Paper (3)
Richard Tuttle
Dieu Donné Papermill
2002

Cloth: Label 2, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 2
Multiple artists/makers
2002–05

Cloth: Label 3, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 3
Multiple artists/makers
2002–05

Cloth: Label 4, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 4
Multiple artists/makers
2002–05

Cloth: Label 5, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 5
Multiple artists/makers
2002–05

Cloth: Label 6, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 6
Multiple artists/makers
2002–05

Cloth: Label 7, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 7
Multiple artists/makers
2002–05

Where Colors Come From, Richard Tuttle American, Custom yellow paper with custom blue ink on metal foil — Where Colors Come From
Richard Tuttle
n.d.

Square, Richard Tuttle American, Color aquatint with hard and soft-ground etching — Square
Multiple artists/makers
1989

Winter, Richard Tuttle American, Woodcut and embossing — Winter
Richard Tuttle
2005

Indoor/Outdoor Space, Richard Tuttle American, Etching and spit bite — Indoor/Outdoor Space
Multiple artists/makers
2013–14

Up, to 7, Richard Tuttle American, Aquatint — Up, to 7
Richard Tuttle
Crown Point Press
2000

When Pressure Exceeds Weight, IV, Richard Tuttle American, Drypoint inked à la poupée, printed in color with pigmented pulp; artist's proof — When Pressure Exceeds Weight, IV
Richard Tuttle
Universal Limited Art Editions
2012