Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 3,632 results for C. Adrien

Sort by:

A Memory of Caldera, from "Histoire des Iles Canaries", Félix Achille Saint-Aulaire French, Hand-colored lithograph — A Memory of Caldera, from "Histoire des Iles Canaries"
Multiple artists/makers
1830

The Giralda, Seville, Adrien Dauzats French, Oil on paper, laid down on canvas — The Giralda, Seville
Adrien Dauzats
1836/37

The Great Pyramid, Giza, Adrien Dauzats French, Oil on canvas — The Great Pyramid, Giza
Adrien Dauzats
1830 or later

Reliquary monstrance of St. John the Baptist, C. C., Silver gilt, Italian, probably Florence — Reliquary monstrance of St. John the Baptist
C. C.
ca. 1640, with 18th century additions

Hair Ornament, Louis C. Tiffany American, Gold, silver, platinum, black opals, boulder opals, demantoid garnets, rubies, enamel., American — Hair Ornament
Louis C. Tiffany
ca. 1904

Lamp, Louis C. Tiffany American, Leaded Favrile glass and bronze, American — Lamp
Louis C. Tiffany
Tiffany Studios
1904–15

Vase, Louis C. Tiffany American, Favrile glass, American — Vase
Louis C. Tiffany
Tiffany Glass and Decorating Company
1893–96

Bowl with two panthers, Pierre-Adrien Dalpayrat French, Stoneware, French, Bourg-la-Reine — Bowl with two panthers
Pierre-Adrien Dalpayrat
1894–95

Table lamp, Pierre-Adrien Dalpayrat French, Glass, glazed stoneware, bronze — Table lamp
Pierre-Adrien Dalpayrat
ca. 1900–1902

Pair of sauceboats, Pierre-Adrien Dachery, Silver, French, Saint Quentin — Pair of sauceboats
Pierre-Adrien Dachery
Amiens Mint
1768–75

Boudoir from the Hôtel de Crillon, Pierre-Adrien Paris French, Oak, painted and gilded, French, Paris — Boudoir from the Hôtel de Crillon
Pierre-Adrien Paris
ca. 1777–80

Gourd-shaped bottle, Pierre-Adrien Dalpayrat French, Glazed stoneware; wood stopper, French, Bourg-la-Reine — Gourd-shaped bottle
Pierre-Adrien Dalpayrat
ca. 1900

Plate Three from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate Three from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Plate Five from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate Five from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Plate Eight from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate Eight from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Plate Nine from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate Nine from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Plate One from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate One from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Plate Two from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate Two from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Plate Six from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate Six from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Plate Ten from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate Ten from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Plate Seven from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, C. Jacquinet French, Engraving, French, Paris — Plate Seven from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Multiple artists/makers
ca. 1660

Double-Barrel Breech-Loading Pinfire Shotgun, J. C. A. Brun French, Steel, wood (walnut), gold, French, Paris — Double-Barrel Breech-Loading Pinfire Shotgun
Multiple artists/makers
dated 1866

Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830), C. Liger French, Steel, silver, gold, wood, fish skin, textile, French, Paris — Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)
C. Liger
hallmarked for 1785–86

Cameo of the Virgin and Child, Adrien Jean Maximilien Vachette [Gold Frame] French, Agate cameo, gold frame, Byzantine — Cameo of the Virgin and Child
Adrien Jean Maximilien Vachette
ca. 1050–1100 (cameo); ca. 1800 (frame)

A Cairo Bazaar, Adrien Dauzats French, Oil on wood — A Cairo Bazaar
Adrien Dauzats
1839

Electro–Physiologie, Figure 64, Adrien Tournachon French, Albumen silver print from glass negative — Electro–Physiologie, Figure 64
Adrien Tournachon
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Pascaline, Adrien Tournachon French, Salted paper print or albumen print — Pascaline
Adrien Tournachon
ca. 1855–60

[Effluvia from a Hand Resting on a Photographic Plate], Adrien Majewski French, Gelatin silver print — [Effluvia from a Hand Resting on a Photographic Plate]
Adrien Majewski
1898–99

[Bull from Glane, Canton of Fribourg], Adrien Tournachon French, Salted paper print from glass negative — [Bull from Glane, Canton of Fribourg]
Adrien Tournachon
1856

Absalon, Adrien Tournachon French, Salted paper print or albumen print — Absalon
Adrien Tournachon
ca. 1855–60

[Self-Portrait], Adrien Tournachon French, Salted paper print from glass negative — [Self-Portrait]
Adrien Tournachon
ca. 1855

Emmanuel Frémiet, Adrien Tournachon French, Salted paper print from glass negative — Emmanuel Frémiet
Adrien Tournachon
1854–55

Terracotta kylix: hybrid Siana lip-cup (drinking cup), C Painter, Terracotta, Greek, Attic — Terracotta kylix: hybrid Siana lip-cup (drinking cup)
C Painter
ca. 560 BCE

Serving Spoon, S. C. American, Silver, American — Serving Spoon
S. C.
ca. 1760

Spoon, S. C. American, Silver, American — Spoon
S. C.
1685–1700

Syrup Jug, I. C. American, Silver, American — Syrup Jug
I. C.
1810–30

Tongs, C. & N. American, Silver, American — Tongs
C. & N.
1820–30

Tongs, I. C. American, Silver, American — Tongs
I. C.
1800–1830

Dish, R. C. German, Porcelain, overglaze enamel decoration and gilding, American or German — Dish
R. C.
Caroline Marie Gleason
ca. 1906

Beaker, C. White American, Silver, American — Beaker
C. White
ca. 1830–40