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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Benedictus Antonio van Assen

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The Seasons, Benedictus Antonio van Assen British, born The Netherlands, Stipple engraving — The Seasons
Benedictus Antonio van Assen
Joseph Read
1793

Relais, 1930 : quinze planches donnant quarante-deux motifs décoratifs : enluminure d'art de J. Saudé : préliminaires de Y. Rambosson, Edouard Bénedictus French — Relais, 1930 : quinze planches donnant quarante-deux motifs décoratifs : enluminure d'art de J. Saudé : préliminaires de Y. Rambosson
Multiple artists/makers
1930

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710

The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood — The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

Wheat Fields, Jacob van Ruisdael Dutch, Oil on canvas — Wheat Fields
Jacob van Ruisdael
ca. 1670

Queen Henrietta Maria, Anthony van Dyck Flemish, Oil on canvas — Queen Henrietta Maria
Anthony van Dyck
1636

Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas — Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622

Irises, Vincent van Gogh Dutch, Oil on canvas — Irises
Vincent van Gogh
1890

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh Dutch, Oil on canvas — Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
Vincent van Gogh
1887

Wheat Field with Cypresses, Vincent van Gogh Dutch, Oil on canvas — Wheat Field with Cypresses
Vincent van Gogh
1889

The Crucifixion with Saints and a Donor, Joos van Cleve and a collaborator Netherlandish, Oil on wood — The Crucifixion with Saints and a Donor
Joos van Cleve
ca. 1520

Little Denise (Denise Maréchal, later Madame Georges Béart, 1883–1956), Theo Van Rysselberghe Belgian, Oil on canvas — Little Denise (Denise Maréchal, later Madame Georges Béart, 1883–1956)
Theo Van Rysselberghe
1889

Variations, Edouard Bénedictus French, Pochoir — Variations
Multiple artists/makers
1924

Adonis, Antonio Corradini Italian, Carrara marble, Italian, Venice — Adonis
Antonio Corradini
ca. 1723–25

Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar — Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Antonio Guisasola
Juan Navaro
dated 1796

Vase, Antonio Prieto American, born Spain, Stoneware, American — Vase
Antonio Prieto
ca. 1950–55

Covered sweetmeat dish, Antonio Salviati Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili". — Covered sweetmeat dish
Antonio Salviati
probably late 19th century

Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts. — Cruet and Stopper
Antonio Salviati
late 19th century

Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt. — Footed vessel (saltcellar?)
Antonio Salviati
late 19th century

Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini Italian, Marble, Italian, Genoa — Accellino di Meliaduce Salvago (ca. 1420–before 1506)
Antonio Tamagnini
late 15th century

Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice — Tomb of Antonio Canova
Antonio Fabris
1827

Madonna and Child with Angels, Antonio Rossellino Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
third quarter 15th century

The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence — The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century

Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio Italian, Silver, Italian — Maximillian II, Holy Roman Emperor (1527–1576)
Antonio Abondio
1575

Empress Maria (1520–1603), Antonio Abondio Italian, Silver, Italian — Empress Maria (1520–1603)
Antonio Abondio
1575

Saint Jerome in the Wilderness, Antonio Rossellino Italian, Marble, Italian, Florence — Saint Jerome in the Wilderness
Antonio Rossellino
ca. 1470

Venus Italica, Antonio Canova Italian, Carrara marble, Italian, Rome — Venus Italica
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810

Paris, Antonio Canova Italian, Marble, Italian, Rome — Paris
Antonio Canova
ca. 1822–23, original marble version completed November 1812

Footed vase, Antonio Salviati Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt. — Footed vase
Antonio Salviati
late 19th–early 20th century

Vase, Antonio Salviati Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed. — Vase
Antonio Salviati
late 19th century

Vase, Antonio Salviati Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed. — Vase
Antonio Salviati
probably late 19th century

Bottle, Antonio Salviati Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed. — Bottle
Antonio Salviati
late 19th century