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Showing 4,590 results for Bangladesh, northern Bengal, possibly Varendra region

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Goddess Durga slaying the demon Mahisha, Copper alloy, Bangladesh, northern Bengal, possibly Varendra region — Goddess Durga slaying the demon Mahisha
Bangladesh, northern Bengal, possibly Varendra region
ca. 12th century

Shiva as Mrityunjaya, the Conquerer of Death, Black stone, Bangladesh or India (Bengal) — Shiva as Mrityunjaya, the Conquerer of Death
Bangladesh or India (Bengal)
12th century

Manjuvajra Mandala, Black stone, Bangladesh or India (Bengal) — Manjuvajra Mandala
Bangladesh or India (Bengal)
11th century

The Goddess Durga Slaying the Demon Buffalo Mahisha, Argillite, Bangladesh or India (Bengal) — The Goddess Durga Slaying the Demon Buffalo Mahisha
Bangladesh or India (Bengal)
12th century

Processional Cross, Northern Highlands artist, Brass, Northern Highlands region — Processional Cross
Northern Highlands artist
14th–15th century

Mäsqälä qǝddase (liturgical cross), Northern Highlands artist, Bronze, Northern Highlands region — Mäsqälä qǝddase (liturgical cross)
Northern Highlands artist
13th–14th century

Bird pendant, Central Region artist(s), Jadeite, Central Region — Bird pendant
Central Region artist(s)
300–700 CE

Yäʿğğ mäsqäl (hand cross), Northern Highlands artist, Wood, metal, Tigray region — Yäʿğğ mäsqäl (hand cross)
Northern Highlands artist
18th century

Mäsqälä qǝddase (liturgical cross), Northern Highlands artist, Copper, Central or Northern Highlands region — Mäsqälä qǝddase (liturgical cross)
Northern Highlands artist
15th century

Book of the Gospels, Northern Highlands artist, Parchment (vellum), acacia wood, tempera, ink — Book of the Gospels
Northern Highlands artist
late 14th–early 15th century

Vishnu Accompanied by Lakshmi and Sarasvati, Black phyllite, Bangladesh — Vishnu Accompanied by Lakshmi and Sarasvati
Bangladesh
12th century

Vajrapani, the Thunderbolt-Bearing Bodhisattva, Bronze, Bangladesh — Vajrapani, the Thunderbolt-Bearing Bodhisattva
Bangladesh
late 9th–10th century

Surya, the Sun God, with Attendants, Bronze, Bangladesh — Surya, the Sun God, with Attendants
Bangladesh
ca. 9th century

Bust of Vishnu, Terracotta, India (Bengal) or Bangladesh — Bust of Vishnu
India (Bengal) or Bangladesh
5th–6th century

Carved Conch with Lakshmi-Narayana, Shell with silver additions, India (possibly West Bengal) or Bangladesh — Carved Conch with Lakshmi-Narayana
India (possibly West Bengal) or Bangladesh
11th–12th century

Flying Panel Metate, Central Region artist(s), Stone, Central Region — Flying Panel Metate
Central Region artist(s)
1 - 500 CE

Pendant, Central Region artist(s), Jadeite, Central Region — Pendant
Central Region artist(s)
300–700 CE

The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee: Folio from a Ashtasahasrika Prajnaparamita Sutra Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India, West Bengal or Bangladesh — The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee: Folio from a Ashtasahasrika Prajnaparamita Sutra Manuscript
Mahavihara Master
early 12th century

Prisoner, Bronze, later fire gilding, Possibly northern Europe — Prisoner
Possibly northern Europe
late 16th–early 17th century

Kablé (buffalo helmet mask), Northern Tussian or Siemu blacksmith, Ceiba(?) wood, cane, fiber, Northern Tussian or Siemu — Kablé (buffalo helmet mask)
Northern Tussian or Siemu blacksmith
19th–first quarter 20th century

Portrait of a Man of the Moncheaux Family, Northern French Painter French, Oil on wood — Portrait of a Man of the Moncheaux Family
Northern French Painter

Mäsqälä qǝddase (liturgical cross), Northern Highlands artist, Bronze, Tigrinya peoples — Mäsqälä qǝddase (liturgical cross)
Northern Highlands artist
12th–13th century

Icon triptych of Ewosṭatewos and eight of his disciples, Northern Highlands artist, Wood, tempera, cord, Amhara — Icon triptych of Ewosṭatewos and eight of his disciples
Northern Highlands artist
late 17th century

Wall painting of the Virgin and Child with donors, Northern Highlands artist, Pigment over gesso on canvas — Wall painting of the Virgin and Child with donors
Northern Highlands artist
ca. 1800

The force is with our people, Museum of Northern Arizona — The force is with our people
Museum of Northern Arizona

Kalki on Horseback, Bronze, Bangladesh — Kalki on Horseback
Bangladesh
10th century

Bodhisattva, Bronze, Bangladesh — Bodhisattva
Bangladesh
9th century

Broadsword, Steel, silver, wood, Northern European, possibly Switzerland — Broadsword
Northern European, possibly Switzerland
early 17th century

Rapier, Steel, gold, copper wire, wood, Northern European, possibly Flanders — Rapier
Northern European, possibly Flanders
ca. 1620–30

Dagger (Kindjal) with Sheath, Steel, wood, silver, niello, Caucasian, possibly northern Dagestan — Dagger (Kindjal) with Sheath
Caucasian, possibly northern Dagestan
ca. 1840–50

Rapier of Ambrogio Spinola (1569–1630) with Scabbard Chape, M. I. F., Steel, Northern European, possibly France — Rapier of Ambrogio Spinola (1569–1630) with Scabbard Chape
M. I. F.
ca. 1600

Aquamanile in the Form of Samson and
the Lion, Bronze; quaternary copper alloy (approx. 78% copper, approx. 10% zinc, approx. 6% tin, approx. 5% lead) with natural patina. Remnants of the iron armature are in the lion’s legs and the figure of Samson., Northern European (?), possibly German — Aquamanile in the Form of Samson and the Lion
Northern European (?), possibly German
ca. 1380–1400

Vairochana, the Transcendent Buddha of the Center, Bronze with silver inlay, Pakistan (possibly Gilgit region) — Vairochana, the Transcendent Buddha of the Center
Pakistan (possibly Gilgit region)
9th–early 10th century

Folio from a Manuscript of the Pancavimsatisahasrika Prajnaparamita, Ink and color on palm leaf, India (Bengal) or Bangladesh — Folio from a Manuscript of the Pancavimsatisahasrika Prajnaparamita
India (Bengal) or Bangladesh
ca. 1090

Folio from a Manuscript of the Pancavimsatisahasrika Prajnaparamita, Ink and color on palm leaf, India (Bengal) or Bangladesh — Folio from a Manuscript of the Pancavimsatisahasrika Prajnaparamita
India (Bengal) or Bangladesh
ca. 1090

Wrathful Eight-armed and Three-faced Goddess Tara Marichi, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript
, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Wrathful Eight-armed and Three-faced Goddess Tara Marichi, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript
India (Bengal) or Bangladesh
ca. 1090

Bodhisattva Maitreya, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Bodhisattva Maitreya, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

White Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — White Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

Manasa, the Snake Goddess, Copper sheet, repousséd and engraved, with traces of gilding, India (Bengal) or Bangladesh — Manasa, the Snake Goddess
India (Bengal) or Bangladesh
11th century

Folio from a Buddhist Manuscript of Pancavimsatisahasrika Prajnaparamita, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Folio from a Buddhist Manuscript of Pancavimsatisahasrika Prajnaparamita
India (Bengal) or Bangladesh
ca. 1090