Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

Showing 1,330 results for Baccio (Lorenzo Bartolo) Ciarpi

Sort by:

The Virgin and Child with Saint John the Baptist, Pope Saint Dionysius, Filippo Neri and a Male Saint, Baccio (Lorenzo Bartolo) Ciarpi Italian, Black chalk, highlighted with blue wash — The Virgin and Child with Saint John the Baptist, Pope Saint Dionysius, Filippo Neri and a Male Saint
Baccio (Lorenzo Bartolo) Ciarpi
ca. 1620

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

Venus and Cupid, Lorenzo Lotto Italian, Oil on canvas — Venus and Cupid
Lorenzo Lotto
1520s

Bacchanal: A Faun Teased by Children, Gian Lorenzo Bernini Italian, Marble, Italian, Rome — Bacchanal: A Faun Teased by Children
Gian Lorenzo Bernini
Pietro Bernini
ca. 1616–17

Cosimo I de' Medici (1519–1574), Duke of Florence, Baccio Bandinelli Italian, Marble, Italian, Florence — Cosimo I de' Medici (1519–1574), Duke of Florence
Baccio Bandinelli
1539–40

Reliquary Bust of Saint Juliana, Giovanni di Bartolo Italian, Copper, gilding, gesso, and tempera paint, Italian — Reliquary Bust of Saint Juliana
Giovanni di Bartolo
ca. 1376

Christ and the Twelve Apostles, Taddeo di Bartolo Italian, Tempera on wood, gold ground — Christ and the Twelve Apostles
Taddeo di Bartolo
ca. 1400

The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood — The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10

The Demidoff Table, Lorenzo Bartolini Italian, Marble, Italian, Florence — The Demidoff Table
Lorenzo Bartolini
Prince Anatole Demidov
1845

Virgin of the Immaculate Conception, Lorenzo Vaccaro Italian, Bronze, fire-gilt; polychromy, silver, Italian, Naples — Virgin of the Immaculate Conception
Lorenzo Vaccaro
late 17th century

Brother Gregorio Belo of Vicenza, Lorenzo Lotto Italian, Oil on canvas — Brother Gregorio Belo of Vicenza
Lorenzo Lotto
1547

Reliquary casket, Lorenzo Ghiberti Italian, Gilt copper and champlevé enamel, Italian, Florence — Reliquary casket
Lorenzo Ghiberti
1446

Madonna and Child Enthroned with Two Donors, Lorenzo Veneziano Italian, Tempera on wood, gold ground — Madonna and Child Enthroned with Two Donors
Lorenzo Veneziano
ca. 1360–65

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian, Tempera on wood — Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
early 1490s

Portrait of a Young Woman, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian, Oil on wood — Portrait of a Young Woman
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
ca. 1490–1500

Saints John the Baptist and Matthew, Bicci di Lorenzo Italian, Tempera on wood, gold ground — Saints John the Baptist and Matthew
Bicci di Lorenzo
possibly 1433

Federigo I Gonzaga, third marquess of Mantua, Bartolo Talpa Italian, Bronze, Italian, Mantua — Federigo I Gonzaga, third marquess of Mantua
Bartolo Talpa
1400–1499

Pair of mirrored double doors, Lorenzo de Ferrari, Lindenwood, carved and gilded; mirrored glass panels, walnut, pine, Italian, Genoa — Pair of mirrored double doors
Lorenzo de Ferrari
ca. 1743–44

Madonna and Child with Saints Jerome and Mary Magdalen, Matteo di Giovanni di Bartolo Italian, Tempera and gold on wood — Madonna and Child with Saints Jerome and Mary Magdalen
Matteo di Giovanni di Bartolo

Madonna and Child with Saints Francis and Catherine of Siena, Matteo di Giovanni di Bartolo Italian, Tempera on wood, gold ground — Madonna and Child with Saints Francis and Catherine of Siena
Matteo di Giovanni di Bartolo
about 1476–80

The Crucifixion, Andrea di Bartolo Italian, Tempera on wood, gold ground — The Crucifixion
Andrea di Bartolo

Head of an Angel in Left Profile

Taddeo di Bartolo

ca. 1415–18

Head of the Virgin, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed) — Head of the Virgin
Taddeo di Bartolo
ca. 1415–18

Head of an Angel in Full Face, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed) — Head of an Angel in Full Face
Taddeo di Bartolo
ca. 1415–18

Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence — Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Lorenzo Monaco (Piero di Giovanni)
ca. 1420

Madonna and Child, Lorenzo Ghiberti Italian, Stucco, painted and gilded., possibly Italian, Florence — Madonna and Child
Lorenzo Ghiberti
15th century

Madonna and Child, Lorenzo Ghiberti Italian, Stucco, polychromed, Italian, Florence — Madonna and Child
Lorenzo Ghiberti
ca. 1425–40

Madonna and Child, Lorenzo Ghiberti Italian, Terracotta, Italian, Florence — Madonna and Child
Lorenzo Ghiberti
15th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics., Italian, Naples — Angel
Lorenzo Mosca
second half 18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
second half 18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
18th century

Angel, Lorenzo Mosca, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Lorenzo Mosca
18th century

Woman, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; various fabrics and lace, Italian, Naples — Woman
Lorenzo Mosca
second half 18th century

King's attendant, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; silk and satin garments with silver and gold metallic thread; dagger with silver blade and gold cross guard in paper sheath, Italian, Naples — King's attendant
Lorenzo Mosca
second half 18th century

Shepherd, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton garments; leather belt with silver buckle; leather shoes and shoulder bag, Italian, Naples — Shepherd
Lorenzo Mosca
second half 18th century

Man, Lorenzo Mosca, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and silk garments with silver thread-wrapped buttons; leather belt with gold buckle, Italian, Naples — Man
Lorenzo Mosca
second half 18th century

Alexander I of Russia, Lorenzo Bartolini Italian, Marble, Italian — Alexander I of Russia
Lorenzo Bartolini
19th century

Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin, Lorenzo Veneziano Italian, Pen and brown ink, yellow watercolor in the backgrounds of the niches. — Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin
Lorenzo Veneziano
ca. 1370

Violin, Lorenzo Carcassi, Spruce, maple, ebony, Italian, Florentine — Violin
Lorenzo Carcassi
1752