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Showing 100 results for Aquilin Schad
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[Portrait in a White Dress], Pierre-Louis Pierson French, Salted paper print from glass negative with applied color
[Portrait in a White Dress]
Multiple artists/makers
1856–57, printed 1861–66
La Frayeur, Pierre-Louis Pierson French, Salted paper print from glass negative with applied color
La Frayeur
Multiple artists/makers
1861–64
Transmission Ischiatique, Christian Schad German, Gelatin silver print
Transmission Ischiatique
Christian Schad
1919, printed 1919
Schadograph 27 (Jeudi IV), Christian Schad German, Gelatin silver print
Schadograph 27 (Jeudi IV)
Christian Schad
1919, printed 1919
Renseignements, Christian Schad German, Unique Schadograph
Renseignements
Christian Schad
1919
Design for a landscape window, Rene de Quélin French, Watercolor, gouache and graphite on board in orginal mat
Design for a landscape window
Rene de Quélin
1892–93
Kneeling Virgin, Paolo Aquilano (Sculptor of the Berlin Enthroned Virgin?) Italian, Willow with paint and gilding, Italian
Kneeling Virgin
Paolo Aquilano
ca. 1475–1500
Designs for three leaded glass windows
Rene de Quélin
1905–10
Design for Palm Room, E.P. Bryan residence, Los Angeles, California
Rene de Quélin
1905–10
Suggestion for Decorations, St. John's Reformed Church, Allentown Pa., Louis C. Tiffany American, Watercolor and graphite on paper on paper board, American
Suggestion for Decorations, St. John's Reformed Church, Allentown Pa.
Multiple artists/makers
1922-23
Suggestion for decoration, St. John's Reform Church, Allentown, PA, Louis C. Tiffany American, Watercolor and graphite on paper on paper board, American
Suggestion for decoration, St. John's Reform Church, Allentown, PA
Multiple artists/makers
1922-23
Design for a Bronze Tablet for Mr. W.Y. Soper, Ottaway, Canada, Louis C. Tiffany American, Transparent and opaque watercolor and graphite on mat board, American
Design for a Bronze Tablet for Mr. W.Y. Soper, Ottaway, Canada
Multiple artists/makers
ca. 1902-22
Saint Francis of Assisi, Antoniazzo Romano (Antonio di Benedetto Aquilio) Italian, Tempera and gold on wood, transferred to wood
Saint Francis of Assisi
Antoniazzo Romano (Antonio di Benedetto Aquilio)
ca. 1480–81
Design for proposed gold enameled bronze glass casket for remains of Cristopher Columbus
Multiple artists/makers
1926
Design for a private chapel, Long Island, New York, Louis C. Tiffany American, Transparent and opaque watercolor, metallic gold pigment, and ink on board with orginal gold mat
Design for a private chapel, Long Island, New York
Multiple artists/makers
1894–1904
Madonna and Child, Antoniazzo Romano (Antonio di Benedetto Aquilio) Italian, Tempera on wood, gold ground
Madonna and Child
Antoniazzo Romano (Antonio di Benedetto Aquilio)
The Nativity, Antoniazzo Romano (Antonio di Benedetto Aquilio) Italian, Tempera on wood
The Nativity
Antoniazzo Romano (Antonio di Benedetto Aquilio)
1480s
Small Flowers and Skipper: Page from The Mustard Seed Garden Manual of Painting (Jieziyuan huazhuan)
Wu Qiulin
1782, 2nd edition
Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila Italian, Etching and engraving
Annibale Carracci Introduces Painting to Apollo and Minerva
Multiple artists/makers
1674
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center, Pietro Aquila Italian, Etching
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center
Multiple artists/makers
1675
The meeting of Diogenes of Sinope and Alexander the Great, Quirin Mark Austrian, Engraving; first state of two (undescribed)
The meeting of Diogenes of Sinope and Alexander the Great
Quirin Mark
Peter Paul Rubens
1784
Sleeping Venus with Cupid in her lap, Quirin Mark Austrian, Engraving
Sleeping Venus with Cupid in her lap
Quirin Mark
Marcantonio Franceschini
1783
The meeting of Diogenes of Sinope and Alexander the Great, Quirin Mark Austrian, Engraving
The meeting of Diogenes of Sinope and Alexander the Great
Quirin Mark
Peter Paul Rubens
1784
Equestrian Statue of Constantine the Great, Francesco Faraone Aquila Italian, Etching
Equestrian Statue of Constantine the Great
Francesco Faraone Aquila
Gian Lorenzo Bernini
1690–1740
Portrait of Queen Christina of Sweden framed by a wreath, an elaborate cartouche below flanked by two lions, title page to "Images from the New Testament after Raphael" (Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis)
Pietro Aquila
Giovanni Giacomo De Rossi
1675
Plate 2: Andromeda bound to a rock; Perseus flying above on Pegasus, holding the Gorgon's head; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 18: A door frame with a painting of a girl and a unicorn; above, a classical bust of a man in a niche; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 19: Detail of a wall of the Farnese gallery; classical statues of Bacchus and Mercury in a nich at lower left and right, above, a scene of Callisto turning into a bear at left and a classical bust of a man at right; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 9: Aurora abducting Cephalus; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 13: Pan offering a bundle of white wool to Diana; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 16: Detail of a wall from the Farnese gallery; at bottom set in a niche, a classical sculpture of Bacchus holding Cupid; above, two small fresco paintings set inside frames, one depicting an emblem the other the fall of Icarus; to the left in a roundel, the personification of Fortitude holding a pillar and caressing a lion; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Frontispiece: Dedication to Francesco Maria Phoebeo, Bishop of Tarsus; at center the personification of art painting a portrait of the patron, surrounded by classical gods; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 17: Detail of a wall from the Farnese gallery; two classical statues, a nude male at left and Apollo with his lyre at right; above, a bust of a man (Seneca?) at left, and a painting of Diana discovering the pregnancy of Callisto at right; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Frontispiece: Dedication to Francesco Maria Phoebeo, Bishop of Tarsus; at center the personification of art painting a portrait of the patron, surrounded by classical gods; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Fictitious funeral monument of Annibale Carracci; portrait of Carracci on a plinth, surrounded by laurel leaves and trumpets; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 11: Paris receiving the Apple of Discord from Mercury; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 7: In frame at center, Diana embracing a sleeping Endymion; in roundel to the left, Orpheus in the underworld, looking back at Eurydice; in roundel to the right, the rape of Europa; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 15: Six naked telamones divided by door-frames, each seen crouching inside of a niche; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Oval portrait of Raphael, crowned with a laurel wreath by Fame, below three allegorical figures personifying the Arts support a tablet with the epigraph of Raphael, frontispiece to "Images from the New Testament after Raphael" (Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis)
Multiple artists/makers
1675
Plate 4: Perseus holding the Gorgon's head before an army of his enemies, who turn to stone; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674