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Showing 5,784 results for Antonio Tempesta

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Hunt of the Caledonian Boar, Auguste Bretoneau, Gold, painted enamel, French, Paris or Blois — Hunt of the Caledonian Boar
Auguste Bretoneau
Antonio Tempesta
ca. 1645–50

Atalanta and Meleager with Fountains of Versailles, Antonio Tempesta Italian, Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.), French — Atalanta and Meleager with Fountains of Versailles
Antonio Tempesta
Perelle
late 17th century

Plan of the City of Rome

Antonio Tempesta

1645

Lion Hunt ("America"), Leonardus Quesi, Silk on cardboard, Italian, Lecce — Lion Hunt ("America")
Leonardus Quesi
Antonio Tempesta
late 17th century

Frontispiece with Hunters, Dogs and Horses, from "Hunting Scenes VI", Antonio Tempesta Italian, Etching — Frontispiece with Hunters, Dogs and Horses, from "Hunting Scenes VI"
Antonio Tempesta
Nicolaus van Aelst
1609

Ostrich Hunt, from "Hunting Scenes VI", Antonio Tempesta Italian, Etching — Ostrich Hunt, from "Hunting Scenes VI"
Antonio Tempesta
Callisto Ferranti
1609

Bear Hunt, from "Hunting Scenes VI", Antonio Tempesta Italian, Etching — Bear Hunt, from "Hunting Scenes VI"
Antonio Tempesta
1609

Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae", Antonio Tempesta Italian, Etching — Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae"
Antonio Tempesta
mid to late 16th century

The Flight into Egypt, Antonio Tempesta Italian, Etching — The Flight into Egypt
Antonio Tempesta

Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Titlepage to Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Titlepage to Ovid's 'Metamorphoses'
Antonio Tempesta
Pieter de Jode I
1606

Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses, Antonio Tempesta Italian, Etching — Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses
Antonio Tempesta
1606

Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 1: Emperor Julius Caesar on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 1: Emperor Julius Caesar on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching — Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Frontispiece to the series 'The First Twelve Roman Caesars' with the Coat of Arms of Jacopo Bosio, Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Frontispiece to the series 'The First Twelve Roman Caesars' with the Coat of Arms of Jacopo Bosio
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 9: Emperor Vitellus on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 9: Emperor Vitellus on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10, Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 129: Acis Killed by Polyphemus (Acidem Scolpulo orbruit Polyphemus), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 129: Acis Killed by Polyphemus (Acidem Scolpulo orbruit Polyphemus), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606