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Showing 5,784 results for Antonio Tempesta

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Hunt of the Caledonian Boar, Auguste Bretoneau, Gold, painted enamel, French, Paris or Blois — Hunt of the Caledonian Boar
Auguste Bretoneau
Antonio Tempesta
ca. 1645–50

Atalanta and Meleager with Fountains of Versailles, Antonio Tempesta Italian, Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.), French — Atalanta and Meleager with Fountains of Versailles
Antonio Tempesta
Perelle
late 17th century

Plan of the City of Rome

Antonio Tempesta

1645

Lion Hunt ("America"), Leonardus Quesi, Silk on cardboard, Italian, Lecce — Lion Hunt ("America")
Leonardus Quesi
Antonio Tempesta
late 17th century

Plan of the City of Rome. Part 5 with the Baths of Caracalla, the Santa Sabina and Part of the Tiber, Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 5 with the Baths of Caracalla, the Santa Sabina and Part of the Tiber
Multiple artists/makers
1645

Plan of the City of Rome. Part 6 with the Aurelian city wall, the Porta Portuensis (Ostiensis?) and the Sepulcre of Caius Cestius., Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 6 with the Aurelian city wall, the Porta Portuensis (Ostiensis?) and the Sepulcre of Caius Cestius.
Multiple artists/makers
1645

Plan of the City of Rome. Part 7 with a Dedication to Camillo Pamphili, the Vatican and Part of the City Wall, Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 7 with a Dedication to Camillo Pamphili, the Vatican and Part of the City Wall
Multiple artists/makers
1645

Plan of the City of Rome. Part 10 with the Tiber and the Villa Farnesina, Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 10 with the Tiber and the Villa Farnesina
Multiple artists/makers
1645

Plan of the City of Rome. Part 11 with the San Pancrazio (left bank), Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 11 with the San Pancrazio (left bank)
Multiple artists/makers
1645

Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta., Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.
Multiple artists/makers
1645

Six Cavalrymen in Combat, from "Battle Scenes I", Antonio Tempesta Italian, Etching — Six Cavalrymen in Combat, from "Battle Scenes I"
Antonio Tempesta
ca. 1590–1630

Plate 105: Diana aiming her bow toward Chione, who is accompanied by two children, in another scene at left Mercury approaches the sleeping Chione, from "The Metamorphoses of Ovid", Antonio Tempesta Italian, Etching — Plate 105: Diana aiming her bow toward Chione, who is accompanied by two children, in another scene at left Mercury approaches the sleeping Chione, from "The Metamorphoses of Ovid"
Antonio Tempesta
1606

Plan of the City of Rome. Part 4 with the Santa Maria in Aracoeli, the Forum Romanum, the Colosseum and the Lateran Palace., Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 4 with the Santa Maria in Aracoeli, the Forum Romanum, the Colosseum and the Lateran Palace.
Multiple artists/makers
1645

Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio, Antonio Tempesta Italian, Etching with some engraving, undescribed state — Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio
Multiple artists/makers
1645

Plan of the City of Rome. Part 1 showing the Villa Medici and Piazza del Popolo, Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 1 showing the Villa Medici and Piazza del Popolo
Multiple artists/makers
1645

Plan of the City of Rome. Part 2 with the Trinità dei Monti, Palazzo Borghese and the Baths of Diocletian, Antonio Tempesta Italian, Etching with some engraving; undescribed state — Plan of the City of Rome. Part 2 with the Trinità dei Monti, Palazzo Borghese and the Baths of Diocletian
Multiple artists/makers
1645

Plan of the City of Rome. Part 3 with the Santa Maria Maggiore, the Pantheon and Trajan's Column, Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 3 with the Santa Maria Maggiore, the Pantheon and Trajan's Column
Multiple artists/makers
1645

Plan of the City of Rome. Part 8 with the Castel Sant'Angelo, Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 8 with the Castel Sant'Angelo
Multiple artists/makers
1645

Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum), Antonio Tempesta Italian, Etching — Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta
Willem Jansz.
Published after 1606

Theseus and the Minotaur (Minotaurum Theseus vincit), plate 74 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum), Antonio Tempesta Italian, Etching — Theseus and the Minotaur (Minotaurum Theseus vincit), plate 74 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta
Willem Jansz.
Published after 1606

Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra, Antonio Tempesta Italian, Etching — Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra
Multiple artists/makers
Published early 17th century

Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World", Antonio Tempesta Italian, Etching — Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World"
Antonio Tempesta
1608

Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Centaurs, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Centaurs, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Serpent Ladon, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Serpent Ladon, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and Achelous, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and Achelous, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules strangling the serpents, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules strangling the serpents, from "The Labors of Hercules"
Antonio Tempesta
1608

Plan of the City of Rome, Antonio Tempesta Italian, Etching with some engraving, undescribed state (printed from 12 plates) — Plan of the City of Rome
Multiple artists/makers
1645

Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae", Antonio Tempesta Italian, Etching — Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae"
Antonio Tempesta
mid to late 16th century

The Flight into Egypt, Antonio Tempesta Italian, Etching — The Flight into Egypt
Antonio Tempesta

Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Titlepage to Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Titlepage to Ovid's 'Metamorphoses'
Antonio Tempesta
Pieter de Jode I
1606

Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses, Antonio Tempesta Italian, Etching — Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses
Antonio Tempesta
1606

Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596

Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars', Antonio Tempesta Italian, Etching; first state of two (Bartsch) — Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars'
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596