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More than 10,000 results for Anonymous, Spanish, late 16th–early 17th century

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(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged)., Anonymous, Spanish, late 16th–early 17th century Spanish, (recto) Pen and brown ink, over traces of black chalk; original sheet is inlaid onto a collector's mount; (verso) pen and dark brown ink. — (recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged).
Anonymous, Spanish, late 16th–early 17th century
1570–1620

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American — Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5

Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink — Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite — Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite — A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink — Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Panel of Venus, “Pudica Type”, Bone, Late Roman/Early Byzantine — Panel of Venus, “Pudica Type”
Late Roman/Early Byzantine
4th–6th century

Panel with Warrior Resting, Bone, Late Roman/Early Byzantine — Panel with Warrior Resting
Late Roman/Early Byzantine
4th–6th century

Bone plaque with Female Dancer, Bone, Late Roman/Early Byzantine — Bone plaque with Female Dancer
Late Roman/Early Byzantine
4th–6th century

Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash; point of brush and bodycolor (in coat of arms) — Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Design for a Church with a Central Octagonal Plan, Anonymous, Italian, 16th to early 17th century Italian, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink — Design for a Church with a Central Octagonal Plan
Anonymous, Italian, 16th to early 17th century
1570–1620

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple
Multiple artists/makers
ca. 1530–60

Two Fauns Carrying a Child, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Two Fauns Carrying a Child
Anonymous, Italian, 16th to early 17th century
Marcantonio Raimondi
ca. 1500–1600

Augustus and the Sybil ?, Anonymous, Italian, 16th to early 17th century Italian, Intaglio — Augustus and the Sybil ?
Anonymous, Italian, 16th to early 17th century
n.d.

Judith, Anonymous, Italian, 16th to early 17th century Italian, Intaglio — Judith
Anonymous, Italian, 16th to early 17th century
Andrea Schiavone (Andrea Meldola)
16th–early 17th century

Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk — Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso)
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Design for a Cartouche (recto); Design for a Cartouche (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, over leadpoint or black chalk — Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century
1580–1620

Madonna and Child and Worshippers, Anonymous, Italian, 16th to early 17th century Italian, Red chalk, brush and red wash on cream paper — Madonna and Child and Worshippers
Anonymous, Italian, 16th to early 17th century
1500–1640

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600

Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left, Anonymous, Italian, 16th to early 17th century Italian, Engraving — A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Giulio Romano
ca. 1515–1600

A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition, Anonymous, Italian, 16th to early 17th century Italian, Engraving — A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Grotesque with a vase, birds and acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Grotesque with a vase, birds and acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Grotesque with male figure with lower body and head of acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Grotesque with male figure with lower body and head of acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Saint Luke, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Saint Luke
Multiple artists/makers
ca. 1514–36

Saint John, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Saint John
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Cleopatra, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Cleopatra
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Soldier Attaching His Breeches to His Breast plate, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Soldier Attaching His Breeches to His Breast plate
Multiple artists/makers
1517

Acanthus Leaves, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Acanthus Leaves
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–36

The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant, Anonymous, Italian, 16th to early 17th century Italian, Engraving — The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Two satyrs placing Silenus on a braying mule and a third satyr at left, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Two satyrs placing Silenus on a braying mule and a third satyr at left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600