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More than 10,000 results for Anonymous, Italian or Spanish, 16th century

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Ornamental Design with Eagles and Mythological Figures, Anonymous, Italian or Spanish, 16th century Italian or Spanish, Pen and brown ink, brush and brown wash, over leadpoint — Ornamental Design with Eagles and Mythological Figures
Anonymous, Italian or Spanish, 16th century
16th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Chair Seat Cushion, Italian or Spanish Italian or Spanish, 17th century, Leather, tooled and painted, Italian or Spanish — Chair Seat Cushion
Italian or Spanish
17th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Guitar, Manuel Ramírez Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Spanish — Guitar
Manuel Ramírez
Santos Hernández
1912

Saint James the Greater, Gil de Siloe Spanish, Alabaster with paint and gilding, Spanish — Saint James the Greater
Gil de Siloe
1489–93

Crucifix, White oak with paint, gold leaf, and tin leaf (corpus); softwood with paint and tin leaf (cross), Spanish — Crucifix
Spanish
ca. 1150–1200

Processional Cross, Silver, partially gilt on wood core, carved gems, jewels, Spanish — Processional Cross
Spanish
ca. 1150–75

Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish — Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless
Spanish
ca. 1180

Lion, Fresco, mounted on canvas, Spanish — Lion
Spanish
after 1200

Plaque with the Journey to Emmaus and Noli Me Tangere, Elephant ivory with traces of gilding, Spanish — Plaque with the Journey to Emmaus and Noli Me Tangere
Spanish
ca. 1115–20

Design of Antique-Style Ornament ("Grotteschi"), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with gray and brown wash — Design of Antique-Style Ornament ("Grotteschi")
Anonymous, Italian, 16th century
Raphael (Raffaello Sanzio or Santi)
16th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Christ Kneeling, Carrying the Cross, Anonymous, Spanish, 16th century Spanish, Pen and dark brown ink, with brush and brown wash. Inscription in same brown ink, crossed out with pen and black ink. Laid down on secondary sheet of paper — Christ Kneeling, Carrying the Cross
Anonymous, Spanish, 16th century
16th century

Design for a Monument with Minerva?, Anonymous, Spanish, 16th century ? Spanish, Pen and black ink, brush and gray wash — Design for a Monument with Minerva?
Anonymous, Spanish, 16th century
Patrizio Cajés
16th century

Three Warriors after Raphael, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over black and red chalk, light brown and gray oil paint — Three Warriors after Raphael
Multiple artists/makers
n.d.

Messenger Badge, Copper, gold, enamel, Italian or Spanish — Messenger Badge
Italian or Spanish
ca. 1300

Panel of velvet, Silk and metal thread, Italian or Spanish — Panel of velvet
Italian or Spanish
second half 16th century

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Rowel Spur, Copper alloy, enamel, gold, French or Spanish, Catalonia — Rowel Spur
French or Spanish, Catalonia
ca. 1400

Bust of a Man, His Gaze Directed Toward the Spectator, Anonymous, Italian, 16th century , ca. 1500 Italian, Black chalk, stumped, on cream-colored paper. Traces of pen and brown ink. Paper extensively rubbed with black chalk or charcoal — Bust of a Man, His Gaze Directed Toward the Spectator
Anonymous, Italian, 16th century
ca. 1500 (?)

Christ Bound, Anonymous, Italian, 16th century Italian, Pen and brown ink, brown wash, highlighted with white on brown paper — Christ Bound
Anonymous, Italian, 16th century
16th century

Europa, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Europa
Anonymous, Italian, 16th century
16th century

Adoration of the Shepherds, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Adoration of the Shepherds
Anonymous, Italian, 16th century
16th century

Adoration of the Magi, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Adoration of the Magi
Anonymous, Italian, 16th century
16th century

Adoration of the Virgin, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on rose prepared paper — Adoration of the Virgin
Anonymous, Italian, 16th century
Francesco Vecellio
16th century

Madonna and Child Among the Clouds, Anonymous, Italian, 16th century Italian, Red chalk, stumped and blended, brush and brown wash, with traces of white gouache (?) highlighting, on cream-colored paper — Madonna and Child Among the Clouds
Anonymous, Italian, 16th century
16th century

Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink on cream-colored paper (recto). Traces of framing outlines in the form of an arch in pen and brown ink apparently by artist. Top has been trimmed to form an arch (recto); nude studies, one in red chalk and one in black chalk (verso) — Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso)
Anonymous, Italian, 16th century
16th century

Study of a Scene of Martyrdom (recto); Study of Three Figures (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper (recto); pen and brown ink (verso) — Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)
Anonymous, Italian, 16th century
16th century

Study of a Scene of Martyrdom, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper — Study of a Scene of Martyrdom
Anonymous, Italian, 16th century
16th century

Madonna and Child Adored by Two Saints, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and blue wash, over black chalk — Madonna and Child Adored by Two Saints
Anonymous, Italian, 16th century
Francesco Vanni
16th century

Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot, Anonymous, Italian, 16th century Italian, Brush and brown wash, highlighted with white, on brown washed paper — Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot
Anonymous, Italian, 16th century
16th century

Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, squared for transfer (recto); graphite, pen, and brown ink (verso) — Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
Anonymous, Italian, 16th century
16th century

Flora (recto); Mountainous Landscape with Buildings (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink — Flora (recto); Mountainous Landscape with Buildings (verso)
Anonymous, Italian, 16th century
16th century

Landscape with Buildings (recto); Studies for a Flagellation (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink — Landscape with Buildings (recto); Studies for a Flagellation (verso)
Anonymous, Italian, 16th century
16th century