Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
More than 10,000 results for Anonymous, Italian or Spanish, 16th century
Sort by:
Ornamental Design with Eagles and Mythological Figures, Anonymous, Italian or Spanish, 16th century  Italian or Spanish, Pen and brown ink, brush and brown wash, over leadpoint
Anonymous, Italian or Spanish, 16th century
16th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Chair Seat Cushion, Italian or Spanish  Italian or Spanish, 17th century, Leather, tooled and painted, Italian or Spanish
Italian or Spanish
17th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century  French, Woodcut with pochoir (stencil) and hand coloring
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Multiple artists/makers
16th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century  Italian, Pen and brown ink
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Processional Cross, Silver, partially gilt on wood core, carved gems, jewels, Spanish
Spanish
ca. 1150–75
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Guitar, Manuel Ramírez  Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Spanish
Manuel Ramírez
Santos Hernández
1912
Crucifix, White oak with paint, gold leaf, and tin leaf (corpus); softwood with paint and tin leaf (cross), Spanish
Spanish
ca. 1150–1200
Lion, Fresco, mounted on canvas, Spanish
Spanish
after 1200
Saint James the Greater, Gil de Siloe  Spanish, Alabaster with paint and gilding, Spanish
Gil de Siloe
1489–93
Bowl with a Horseman Spearing a Serpent, Tin-glazed earthenware, Spanish
Spanish
late 1300s or early 1400s
Design of Antique-Style Ornament ("Grotteschi"), Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush with gray and brown wash
Anonymous, Italian, 16th century
Raphael (Raffaello Sanzio or Santi)
16th century
Palazzo Nerone, Anonymous, Netherlandish, 16th century  Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Multiple artists/makers
16th century
Christ Kneeling, Carrying the Cross, Anonymous, Spanish, 16th century  Spanish, Pen and dark brown ink, with brush and brown wash.  Inscription in same brown ink, crossed out with pen and black ink.  Laid down on secondary sheet of paper
Anonymous, Spanish, 16th century
16th century
Design for a Monument with Minerva?, Anonymous, Spanish, 16th century ? Spanish, Pen and black ink, brush and gray wash
Anonymous, Spanish, 16th century
Patrizio Cajés
16th century
Three Warriors after Raphael, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash, over black and red chalk, light brown and gray oil paint
Multiple artists/makers
n.d.
Messenger Badge, Copper, gold, enamel, Italian or Spanish
Italian or Spanish
ca. 1300
Panel of velvet, Silk and metal thread, Italian or Spanish
Italian or Spanish
second half 16th century
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Multiple artists/makers
ca. 1520
The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century
Allegorical Scene, Anonymous, German, 16th century  German, Pen and brown ink, brush and brown wash. Pasted down on blue paper.
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century
Rowel Spur, Copper alloy, enamel, gold, French or Spanish, Catalonia
French or Spanish, Catalonia
ca. 1400
Studies for Consoles, Anonymous, Italian, 16th century  Italian, Pen and ink
Anonymous, Italian, 16th century
16th century
Four Studies of Consoles and a Mask, Anonymous, Italian, 16th century  Italian, Pen and ink
Anonymous, Italian, 16th century
16th century
Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola, Anonymous, Italian, 16th century ? Italian, Pen and black ink, brush and gray wash
Anonymous, Italian, 16th century
Agostino Veneziano (Agostino dei Musi)
1540 after
Design for the Decoration of a Façade in Fresco or Sgraffito, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash
Anonymous, Italian, 16th century
early 16th century
Design for a Façade with Sgraffito Decorations, Anonymous, Italian, 16th century  Italian, Pen and brown ink, over black chalk
Anonymous, Italian, 16th century
Bernardino Poccetti
16th century
Design for a Frame (recto); Design for a Cassone (verso), Anonymous, Italian, 16th century  Italian, Pen, brown ink and wash
Anonymous, Italian, 16th century
early 16th century
Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso), Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso)
Anonymous, Italian, 16th century
ca. 1530–60
Ornament design after the antique, Anonymous, Italian, 16th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, 16th century
early 16th century
Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals, Anonymous, Italian, 16th century  Italian, Pen and brown ink, over leadpoint
Anonymous, Italian, 16th century
early 16th century
Antique-Style Ornamental Oblong Design: Grotesque Figures, Masks, and Amphorae, Anonymous, Italian, 16th century  Italian, Pen and two colors of brown ink, over traces of leadpoint
Anonymous, Italian, 16th century
early 16th century
Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals, Anonymous, Italian, 16th century  Italian, Pen and brown ink, over traces of leadpoint underdrawing
Anonymous, Italian, 16th century
early 16th century
Antique-Style Ornamental Frieze Design: Lettered Panels, Rinceaux, and Masks, Anonymous, Italian, 16th century  Italian, Pen and two color brown inks, over traces of leadpoint
Anonymous, Italian, 16th century
early 16th century
Antique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields, Anonymous, Italian, 16th century  Italian, Pen and brown ink, over traces of leadpoint (?)
Anonymous, Italian, 16th century
early 16th century
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
published ca. 1599–1622
Elevation of a wall with partial pilasters, reliefs, and niche figures, Anonymous, Italian?, 16th century  Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint (?) underdrawing
Anonymous, Italian?, 16th century
16th century