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More than 10,000 results for Anonymous, Italian, mid-16th century

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Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century Italian, Pen and brown ink over leadpoint — Four Travelers Sharing a Meal?
Anonymous, Italian, mid-16th century
mid-16th century

Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547

Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Aristotle, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Head of a Horse, Anonymous, Italian, mid-16th century Italian, Red chalk — Head of a Horse
Anonymous, Italian, mid-16th century
mid-16th century

The Last Supper, Anonymous, Italian, mid-16th century Italian, Brush and brown wash, over black chalk — The Last Supper
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80

Hermaphrodite, Anonymous, Italian, mid-16th century Italian, Red chalk — Hermaphrodite
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640

Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush with brown and gray wash — Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso)
Anonymous, Italian, mid-16th century
16th century

Design for an Architectural Frieze, Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush and brown wash — Design for an Architectural Frieze
Anonymous, Italian, mid-16th century
17th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855

Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink — Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century Italian — View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno
Anonymous, Italian, mid-18th century
mid-18th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Bust of a Man, His Gaze Directed Toward the Spectator, Anonymous, Italian, 16th century , ca. 1500 Italian, Black chalk, stumped, on cream-colored paper. Traces of pen and brown ink. Paper extensively rubbed with black chalk or charcoal — Bust of a Man, His Gaze Directed Toward the Spectator
Anonymous, Italian, 16th century
ca. 1500 (?)

Christ Bound, Anonymous, Italian, 16th century Italian, Pen and brown ink, brown wash, highlighted with white on brown paper — Christ Bound
Anonymous, Italian, 16th century
16th century

Europa, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Europa
Anonymous, Italian, 16th century
16th century

Adoration of the Shepherds, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Adoration of the Shepherds
Anonymous, Italian, 16th century
16th century

Adoration of the Magi, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Adoration of the Magi
Anonymous, Italian, 16th century
16th century

Adoration of the Virgin, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on rose prepared paper — Adoration of the Virgin
Anonymous, Italian, 16th century
Francesco Vecellio
16th century

Madonna and Child Among the Clouds, Anonymous, Italian, 16th century Italian, Red chalk, stumped and blended, brush and brown wash, with traces of white gouache (?) highlighting, on cream-colored paper — Madonna and Child Among the Clouds
Anonymous, Italian, 16th century
16th century

Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink on cream-colored paper (recto). Traces of framing outlines in the form of an arch in pen and brown ink apparently by artist. Top has been trimmed to form an arch (recto); nude studies, one in red chalk and one in black chalk (verso) — Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso)
Anonymous, Italian, 16th century
16th century

Study of a Scene of Martyrdom (recto); Study of Three Figures (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper (recto); pen and brown ink (verso) — Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)
Anonymous, Italian, 16th century
16th century

Study of a Scene of Martyrdom, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper — Study of a Scene of Martyrdom
Anonymous, Italian, 16th century
16th century

Madonna and Child Adored by Two Saints, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and blue wash, over black chalk — Madonna and Child Adored by Two Saints
Anonymous, Italian, 16th century
Francesco Vanni
16th century

Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot, Anonymous, Italian, 16th century Italian, Brush and brown wash, highlighted with white, on brown washed paper — Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot
Anonymous, Italian, 16th century
16th century

Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, squared for transfer (recto); graphite, pen, and brown ink (verso) — Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
Anonymous, Italian, 16th century
16th century

Flora (recto); Mountainous Landscape with Buildings (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink — Flora (recto); Mountainous Landscape with Buildings (verso)
Anonymous, Italian, 16th century
16th century

Landscape with Buildings (recto); Studies for a Flagellation (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink — Landscape with Buildings (recto); Studies for a Flagellation (verso)
Anonymous, Italian, 16th century
16th century

Standing Nude Female and Putto with Studies of a Hand and an Arm (recto); Satyrs destroying a Female Herm (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray-brown wash — Standing Nude Female and Putto with Studies of a Hand and an Arm (recto); Satyrs destroying a Female Herm (verso)
Anonymous, Italian, 16th century
16th century

Madonna and Children, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk; framing lines in pen and brown ink — Madonna and Children
Anonymous, Italian, 16th century
16th century

Entombment, Anonymous, Italian, 16th century Italian, Pen and brown ink — Entombment
Anonymous, Italian, 16th century
16th century

Page Presenting Wine, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray wash — Page Presenting Wine
Anonymous, Italian, 16th century
16th century