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More than 10,000 results for Anonymous, Italian, late 17th to early 18th century

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Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis, Anonymous, Italian, late 17th to early 18th century Italian, Pen and brown ink, gray wash, over leadpoint — Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis
Anonymous, Italian, late 17th to early 18th century

Frontal View of the Main Carved Wooden Structure of a Carriage, Anonymous, Italian, late 17th to early 18th century Italian, Leadpoint, pen and ink, and gray and brown wash, left side in leadpoint and on larger scale than right side which is in pen and ink and gray and brown wash — Frontal View of the Main Carved Wooden Structure of a Carriage
Anonymous, Italian, late 17th to early 18th century

Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti, Anonymous, Italian, late 17th to early 18th century Italian — Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti
Anonymous, Italian, late 17th to early 18th century

A pious woman, in bust-length, three-quarter view, with head raised to the upper right, Anonymous, Italian, late 17th to early 18th century , active in Rome Italian, Black chalk on white antique laid paper — A pious woman, in bust-length, three-quarter view, with head raised to the upper right
Anonymous, Italian, late 17th to early 18th century
Carlo Dolci
late 17th–early 18th century

Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American — Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Plate, Ceramic Art Company, Trenton, New Jersey American, white bone china, painted with polychrome glazes with red border and gold pastework, American — Plate
Ceramic Art Company, Trenton, New Jersey
Bruno Geyer, Austrian, active late 19th century to early 20th century
ca. 1904

Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink — Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite — Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite — A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto., Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink — Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto.
Anonymous, Italian, 16th to early 17th century
1550–1610

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600

Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left, Anonymous, Italian, 16th to early 17th century Italian, Engraving — A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Giulio Romano
ca. 1515–1600

A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition, Anonymous, Italian, 16th to early 17th century Italian, Engraving — A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Grotesque with a vase, birds and acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Grotesque with a vase, birds and acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Grotesque with male figure with lower body and head of acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Grotesque with male figure with lower body and head of acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–27

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–40

Acanthus Leaves, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Acanthus Leaves
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Two satyrs placing Silenus on a braying mule and a third satyr at left, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Two satyrs placing Silenus on a braying mule and a third satyr at left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Saint Luke, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Saint Luke
Multiple artists/makers
ca. 1514–36

Saint John, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Saint John
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Cleopatra, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Cleopatra
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Venus and Eros, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Venus and Eros
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–36

Soldier Attaching His Breeches to His Breast plate, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Soldier Attaching His Breeches to His Breast plate
Multiple artists/makers
1517

Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600

Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–36

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple
Multiple artists/makers
ca. 1530–60

Two Fauns Carrying a Child, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Two Fauns Carrying a Child
Anonymous, Italian, 16th to early 17th century
Marcantonio Raimondi
ca. 1500–1600

Design for a Church with a Central Octagonal Plan, Anonymous, Italian, 16th to early 17th century Italian, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink — Design for a Church with a Central Octagonal Plan
Anonymous, Italian, 16th to early 17th century
1570–1620

Madonna and Child with St. Elizabeth and St. John, Anonymous, Italian, 16th to early 17th century Italian, Etching with engraving — Madonna and Child with St. Elizabeth and St. John
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Madonna and Child, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Madonna and Child
Anonymous, Italian, 16th to early 17th century
16th–early 17th century