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More than 10,000 results for Anonymous, Italian, late 16th century
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Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash.
Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti
Anonymous, Italian, late 16th century
1550–1600
Design for a Title Page, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush with brown and gray wash
Design for a Title Page
Anonymous, Italian, late 16th century
late 16th century
Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk
Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures
Anonymous, Italian, late 16th century
Giovanni Andrea Maglioli
1570–1620
Madonna in Glory with Two Saints, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash; highlighted with white (mostly oxidized)
Madonna in Glory with Two Saints
Anonymous, Italian, late 16th century
late 16th century
Wall Elevation with Three Chapels (recto); Floor Plan with Columns (verso), Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk (recto); pen and brown ink, over ruled black chalk lines (verso)
Wall Elevation with Three Chapels (recto); Floor Plan with Columns (verso)
Anonymous, Italian, late 16th century
late 16th century
Design for a Façade (unfinished), Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk
Design for a Façade (unfinished)
Anonymous, Italian, late 16th century
late 16th century
The Annunciation with the Virgin at right and Archangel Gabriel at left
Anonymous, Italian, late 16th century
Titian (Tiziano Vecellio)
1590–1607
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Oval cartouche with sticks of explosives at top left and right, plate 2, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Square cartouche, with a child sitting in a strapwork loop at top left and right, plate 4, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Rectangular, standing cartouche with mask at bottom center, plate 3, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Small standing cartouche with a mask with open mouth and beard at bottom center, plate 6, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Lozenge-shaped cartouche, with fuming ewers at top left and right, plate 7, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Horizontal cartouche, with a dog's mask at top center and dogs peeping out of pipes at top left and right, plate 8, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Small horizontal cartouche in elaborate strapwork frame with a satyr child sitting on top of a satyr at bottom left and right, plate 12, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Circular cartouche with strapwork vase at left and right, plate 13, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Rectangular cartouche with a goat's head in a strapwork frame at bottom center, plate 1, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Square cartouche with oblique inner corners at top, female mask at bottom center, and bunches of fruit hanging at bottom left and right, plate 5, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Horizontal cartouche irregularly cut out with a parrot at top left and right, plate 11, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Design for a Chalice, Anonymous, Netherlandish, late 16th century or French Netherlandish, Pen and black ink, brush and gray wash
Design for a Chalice
Anonymous, Netherlandish, late 16th century
16th century
The Egg-Dance, Anonymous, Netherlandish, late 16th century Netherlandish, Engraving; first state of two
The Egg-Dance
Multiple artists/makers
late 16th Century
Rich Kitchen, Anonymous, Netherlandish, late 16th century Netherlandish, Engraving; first state of four
Rich Kitchen
Multiple artists/makers
late 16th Century
Big Fishes Eat Small Ones, Anonymous, Netherlandish, late 16th century Netherlandish, Engraving; first state of two
Big Fishes Eat Small Ones
Multiple artists/makers
late 16th Century
The Parable of the Good Shepherd, Anonymous, Netherlandish, late 16th century Netherlandish, Etching printed on two horizontal sheets
The Parable of the Good Shepherd
Anonymous, Netherlandish, late 16th century
Joris Hoefnagel
ca. 1570
Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Palazzo Nerone
Multiple artists/makers
16th century
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Allegory of Peace
Multiple artists/makers
ca. 1520
The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink
The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century
Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper.
Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Christ Bound, Anonymous, Italian, 16th century Italian, Pen and brown ink, brown wash, highlighted with white on brown paper
Christ Bound
Anonymous, Italian, 16th century
16th century
Europa, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Europa
Anonymous, Italian, 16th century
16th century
Adoration of the Shepherds, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Adoration of the Shepherds
Anonymous, Italian, 16th century
16th century
Adoration of the Magi, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Adoration of the Magi
Anonymous, Italian, 16th century
16th century
Adoration of the Virgin, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on rose prepared paper
Adoration of the Virgin
Anonymous, Italian, 16th century
Francesco Vecellio
16th century
Madonna and Child Among the Clouds, Anonymous, Italian, 16th century Italian, Red chalk, stumped and blended, brush and brown wash, with traces of white gouache (?) highlighting, on cream-colored paper
Madonna and Child Among the Clouds
Anonymous, Italian, 16th century
16th century
Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink on cream-colored paper (recto). Traces of framing outlines in the form of an arch in pen and brown ink apparently by artist. Top has been trimmed to form an arch (recto); nude studies, one in red chalk and one in black chalk (verso)
Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso)
Anonymous, Italian, 16th century
16th century
Study of a Scene of Martyrdom (recto); Study of Three Figures (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper (recto); pen and brown ink (verso)
Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)
Anonymous, Italian, 16th century
16th century