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More than 10,000 results for Anonymous, Italian, Venetian, 16th century

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Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, Anonymous, Italian, Venetian, 16th century Italian, Charcoal or black chalk, highlighted with white chalk, on blue paper (faded to blue-gray) — Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino
Anonymous, Italian, Venetian, 16th century
1536–40

Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash — Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century

Study of a Woman’s Dress for a Portrait, Anonymous, Italian, Venetian, 16th century Italian, Black chalk, with small traces of white chalk, on blue paper — Study of a Woman’s Dress for a Portrait
Anonymous, Italian, Venetian, 16th century
ca. 1540–60

Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso), Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink (recto); red chalk (verso) — Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso)
Anonymous, Italian, Venetian, 16th century
ca. 1510–15

Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet, Anonymous, Italian, Venetian, 16th century Italian, Woodcut — Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet
Anonymous, Italian, Venetian, 16th century
ca. 1540–50

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian — Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960

Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian — Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75

Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood — Madonna and Child
Italian (Venetian) Painter

A Patrician Couple, Italian (Venetian) Painter Italian, Ivory — A Patrician Couple
Italian (Venetian) Painter

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

St. Jerome in a Landscape, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, over leadpoint (?) — St. Jerome in a Landscape
Anonymous, Italian, Venetian, 15th to 16th century
1495–1500

Christ's Entry into Jerusalem, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink on brown paper — Christ's Entry into Jerusalem
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Christ and the Woman of Samaria, Anonymous, Italian, Venetian, 15th to 16th century Italian, Red chalk — Christ and the Woman of Samaria
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Trees, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink — Trees
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Symbolic Figure (a Sibyl?), Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, brush and brown wash, touched with red chalk and white, on brown gray paper — Symbolic Figure (a Sibyl?)
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Bishop and Two Saints, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and ink, brush and wash, highlighted with Chinese white, on brownish gray paper — Bishop and Two Saints
Anonymous, Italian, Venetian, 15th to 16th century
1575–1600

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Moses Trampling on Pharaoh's Crown, Anonymous, Italian, Venetian, 18th century Italian, Pen and bistre, brush and brown wash — Moses Trampling on Pharaoh's Crown
Anonymous, Italian, Venetian, 18th century
18th century

Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Four Male Figures Fighting a Lion, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Four Male Figures Fighting a Lion
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Five Male Figures Fighting a Dragon, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Five Male Figures Fighting a Dragon
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Design for Mirror or Box, Anonymous, Italian, Venetian, 18th century Italian, Pen and brush — Design for Mirror or Box
Anonymous, Italian, Venetian, 18th century
1740–70

Allegory, Anonymous, Italian, Venetian, 18th century Italian, Black chalk with charcoal with gray wash — Allegory
Anonymous, Italian, Venetian, 18th century
18th century

Design for a Double Cartouche flanked by Satyrs (Frontispiece?), Anonymous, Italian, Venetian, 18th century Italian, Pen and ink and gray wash — Design for a Double Cartouche flanked by Satyrs (Frontispiece?)
Anonymous, Italian, Venetian, 18th century
18th century

Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)