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More than 10,000 results for Anonymous, Italian, Tuscan, 16th century

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A Lion Confronting a Dragon, Anonymous, Italian, Tuscan, 16th century Italian, Pen and brown ink — A Lion Confronting a Dragon
Anonymous, Italian, Tuscan, 16th century
ca. 1500–10

The Volto Santo of Lucca, Anonymous, Italian, Tuscan, 16th century Italian, Pen and dark brown ink, brush and brown wash, over traces of black chalk on light tan paper; squared in black chalk (with some corrections to squaring grid); framing lines in pen and dark brown ink apparently by artist — The Volto Santo of Lucca
Anonymous, Italian, Tuscan, 16th century
16th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Man of Sorrows, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on wood, gold ground, Italian, Tuscany — Man of Sorrows
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Madonna and Child, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on wood, gold ground, Italian, Tuscany — Madonna and Child
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Panel from a triptych, Poplar. Gilt; orange bole., Tuscan — Panel from a triptych
Tuscan
1440s

Engaged diptych moldings, Tuscany Tuscany, Spruce, Italian, Tuscan — Engaged diptych moldings
Tuscany
ca. 1300–1325

Caricature of a Dwarf Painter at His Easel, Tuscany (?) Tuscany, Pen and brown ink, gray and brown wash, Italian, Tuscan(?) — Caricature of a Dwarf Painter at His Easel
Tuscany
early 17th century

Triptych, Tuscany Tuscany, Poplar ?, Italian, Tuscan — Triptych
Tuscany
ca. 1370–74

Tabernacle frame, Walnut, Italian, Tuscan — Tabernacle frame
Italian, Tuscan
style 16th century, made ca. 1920

(Pencil) Cup with Putti, Robert Lehman American, Brass, Italian, Tuscan — (Pencil) Cup with Putti
Robert Lehman
early 20th century

Tabernacle Frame, Poplar and walnut, Italian, Tuscan — Tabernacle Frame
Italian, Tuscan
style 16th century, made ca. 1920

Tabernacle frame, Walnut, Italian, Tuscan — Tabernacle frame
Italian, Tuscan
style late 16th century, made 19th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Two Monks Looking up at a Dragon in a Tower, Anonymous, Italian, Tuscan, early 15th century Italian, Pen and brown ink, brush and brown wash, on vellum — Two Monks Looking up at a Dragon in a Tower
Anonymous, Italian, Tuscan, early 15th century
1500–1550

Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso), Anonymous, Italian, Tuscan, late 15th century Italian, Pen and brown ink over leadpoint (recto); graphite (verso) — Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso)
Anonymous, Italian, Tuscan, late 15th century
ca. 1490

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Studies for Consoles, Anonymous, Italian, 16th century Italian, Pen and ink — Studies for Consoles
Anonymous, Italian, 16th century
16th century

Four Studies of Consoles and a Mask, Anonymous, Italian, 16th century Italian, Pen and ink — Four Studies of Consoles and a Mask
Anonymous, Italian, 16th century
16th century

Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola, Anonymous, Italian, 16th century ? Italian, Pen and black ink, brush and gray wash — Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola
Anonymous, Italian, 16th century
Agostino Veneziano (Agostino dei Musi)
1540 after

Design for the Decoration of a Façade in Fresco or Sgraffito, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Design for the Decoration of a Façade in Fresco or Sgraffito
Anonymous, Italian, 16th century
early 16th century

Design for a Façade with Sgraffito Decorations, Anonymous, Italian, 16th century Italian, Pen and brown ink, over black chalk — Design for a Façade with Sgraffito Decorations
Anonymous, Italian, 16th century
Bernardino Poccetti
16th century

Design for a Frame (recto); Design for a Cassone (verso), Anonymous, Italian, 16th century Italian, Pen, brown ink and wash — Design for a Frame (recto); Design for a Cassone (verso)
Anonymous, Italian, 16th century
early 16th century

Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso) — Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso)
Anonymous, Italian, 16th century
ca. 1530–60

Ornament design after the antique, Anonymous, Italian, 16th century Italian, Pen and brown ink over leadpoint — Ornament design after the antique
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals, Anonymous, Italian, 16th century Italian, Pen and brown ink, over leadpoint — Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornamental Oblong Design: Grotesque Figures, Masks, and Amphorae, Anonymous, Italian, 16th century Italian, Pen and two colors of brown ink, over traces of leadpoint — Antique-Style Ornamental Oblong Design: Grotesque Figures, Masks, and Amphorae
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals, Anonymous, Italian, 16th century Italian, Pen and brown ink, over traces of leadpoint underdrawing — Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornamental Frieze Design: Lettered Panels, Rinceaux, and Masks, Anonymous, Italian, 16th century Italian, Pen and two color brown inks, over traces of leadpoint — Antique-Style Ornamental Frieze Design: Lettered Panels, Rinceaux, and Masks
Anonymous, Italian, 16th century
early 16th century

Antique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields, Anonymous, Italian, 16th century Italian, Pen and brown ink, over traces of leadpoint (?) — Antique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields
Anonymous, Italian, 16th century
early 16th century

Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving — Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622

Elevation of a wall with partial pilasters, reliefs, and niche figures, Anonymous, Italian?, 16th century Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint (?) underdrawing — Elevation of a wall with partial pilasters, reliefs, and niche figures
Anonymous, Italian?, 16th century
16th century

Design for Tools Relating to the Maintenance of Fire Arms, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the designs. — Design for Tools Relating to the Maintenance of Fire Arms
Anonymous, Italian, 16th century
1580–1620