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More than 10,000 results for Anonymous, Italian, Sienese, 16th century

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Head of a Bearded Man, Anonymous, Italian, Sienese, 16th century Italian, Pen and brown ink, brush and brown and red wash — Head of a Bearded Man
Anonymous, Italian, Sienese, 16th century
1500–50

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Book Cover, Italian (Sienese) Painter Italian, Tempera on wood — Book Cover
Italian (Sienese) Painter

Diptych with tabernacle frames, Poplar. Carved, gilt; red-orange bole., Sienese — Diptych with tabernacle frames
Sienese
ca. 1400–1410

Integral tondo molding, Single piece of poplar. Carved, gilt; brown-red bole, blue in dentil., Sienese — Integral tondo molding
Sienese
mid-15th century

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Cassetta frame, Poplar(?). Gilt; red-orange bole., Sienese — Cassetta frame
Sienese
ca. 1450

Engaged arched cassetta frame, Poplar. Mitered; arch two pieces of wood. Gilt; deep orange bole., Sienese — Engaged arched cassetta frame
Sienese
1460–70

Engaged molding, Poplar. Gilt; deep red-brown bole., Sienese — Engaged molding
Sienese
ca. 1446

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Engaged molding on a polyptych panel, Poplar. Carved, gilt: deep red bole., Sienese — Engaged molding on a polyptych panel
Sienese
ca. 1435–40

Engaged cassetta frame on a polyptych panel, Siena Siena, Poplar. Mitered. Gilt; brown-orange bole., Sienese — Engaged cassetta frame on a polyptych panel
Siena
ca. 1380

Engaged arched cassetta frame and arched tabernacle frame, Poplar. Carved, gilt; orange-red bole, blue and white color, all over greenish tone., Sienese — Engaged arched cassetta frame and arched tabernacle frame
Sienese
ca. 1465 and 1490 (?)

Engaged cassetta frame, Poplar. Gilt; red-orange bole. Sight edge: linen extended over moldings., Sienese — Engaged cassetta frame
Sienese
ca. 1380–90

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork, Anonymous, Italian, Sienese or Marchigian, 16th century Italian, Pen and brown ink — Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork
Anonymous, Italian, Sienese or Marchigian, 16th century
16th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

The Labors of Hercules, Italian (Florentine or Sienese) Painter Italian, Tempera on wood, embossed and gilt ornament — The Labors of Hercules
Italian (Florentine or Sienese) Painter

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Bust of a Man, His Gaze Directed Toward the Spectator, Anonymous, Italian, 16th century , ca. 1500 Italian, Black chalk, stumped, on cream-colored paper. Traces of pen and brown ink. Paper extensively rubbed with black chalk or charcoal — Bust of a Man, His Gaze Directed Toward the Spectator
Anonymous, Italian, 16th century
ca. 1500 (?)

Christ Bound, Anonymous, Italian, 16th century Italian, Pen and brown ink, brown wash, highlighted with white on brown paper — Christ Bound
Anonymous, Italian, 16th century
16th century

Europa, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Europa
Anonymous, Italian, 16th century
16th century

Adoration of the Shepherds, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Adoration of the Shepherds
Anonymous, Italian, 16th century
16th century

Adoration of the Magi, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash — Adoration of the Magi
Anonymous, Italian, 16th century
16th century

Adoration of the Virgin, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on rose prepared paper — Adoration of the Virgin
Anonymous, Italian, 16th century
Francesco Vecellio
16th century

Madonna and Child Among the Clouds, Anonymous, Italian, 16th century Italian, Red chalk, stumped and blended, brush and brown wash, with traces of white gouache (?) highlighting, on cream-colored paper — Madonna and Child Among the Clouds
Anonymous, Italian, 16th century
16th century

Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink on cream-colored paper (recto). Traces of framing outlines in the form of an arch in pen and brown ink apparently by artist. Top has been trimmed to form an arch (recto); nude studies, one in red chalk and one in black chalk (verso) — Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso)
Anonymous, Italian, 16th century
16th century

Study of a Scene of Martyrdom (recto); Study of Three Figures (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper (recto); pen and brown ink (verso) — Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)
Anonymous, Italian, 16th century
16th century

Study of a Scene of Martyrdom, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper — Study of a Scene of Martyrdom
Anonymous, Italian, 16th century
16th century

Madonna and Child Adored by Two Saints, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and blue wash, over black chalk — Madonna and Child Adored by Two Saints
Anonymous, Italian, 16th century
Francesco Vanni
16th century

Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot, Anonymous, Italian, 16th century Italian, Brush and brown wash, highlighted with white, on brown washed paper — Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot
Anonymous, Italian, 16th century
16th century

Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, squared for transfer (recto); graphite, pen, and brown ink (verso) — Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
Anonymous, Italian, 16th century
16th century

Flora (recto); Mountainous Landscape with Buildings (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink — Flora (recto); Mountainous Landscape with Buildings (verso)
Anonymous, Italian, 16th century
16th century

Landscape with Buildings (recto); Studies for a Flagellation (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink — Landscape with Buildings (recto); Studies for a Flagellation (verso)
Anonymous, Italian, 16th century
16th century