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More than 10,000 results for Anonymous, Italian, Roman, 18th century

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Architectural Drawing for a Chapel, Anonymous, Italian, Roman, 18th century Italian, Pen and brown ink, gray and pink washes — Architectural Drawing for a Chapel
Anonymous, Italian, Roman, 18th century
18th century

Design for Ceiling Decoration in Neoclassical Style, Anonymous, Italian, Roman, 18th century Italian, Pen and black ink, brush and colored wash, blue gouache, highlighted with white — Design for Ceiling Decoration in Neoclassical Style
Anonymous, Italian, Roman, 18th century
1790

Design for a Carta Gloria, Anonymous, Italian, Roman, 18th century Italian, Pen and brown ink, brush with brown and yellow wash — Design for a Carta Gloria
Anonymous, Italian, Roman, 18th century
1700–1725

Design for a Temporary Structure for a Festival Celebration, Anonymous, Italian, Roman, 18th century Italian, Pen and brown ink, brush and gray wash — Design for a Temporary Structure for a Festival Celebration
Anonymous, Italian, Roman, 18th century
1700–1735

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment — Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779

Harpsichord, Michele Todini , designer Italian, Wood, gilt, ebony, ivory, parchment, Italian (Roman) — Harpsichord
Multiple artists/makers
ca. 1670

Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite — Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700

Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink — Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century

Fan design with Republican assignats (French revolutionary money), Anonymous, French, 18th century French, Etching, a small portion printed in red — Fan design with Republican assignats (French revolutionary money)
Anonymous, French, 18th century
ca. 1795

Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving — Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Multiple artists/makers
ca. 1778

The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving — The Destruction of the Royal Statue at New York on July 9, 1776
Multiple artists/makers
ca. 1776

Two shillings and six pence revenue stamp, Anonymous, British, 18th century British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso) — Two shillings and six pence revenue stamp
Anonymous, British, 18th century
1765–66

Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian — Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink — Design for Title-Page
Multiple artists/makers
18th century

Design for an altar, Anonymous, German, 18th century German, Graphite — Design for an altar
Multiple artists/makers
early 18th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Study for a Ceiling Panel, Anonymous, Italian, Roman-Bolognese, 18th century, Pen and brown ink over black chalk on cream paper; framing outlines in pen and brown ink — Study for a Ceiling Panel
Anonymous, Italian, Roman-Bolognese, 18th century
18th century

Design for a Settee, Anonymous, German, 18th century German, Graphite — Design for a Settee
Anonymous, German, 18th century
Anonymous, British, 18th century
18th century

Le triomphe de la coquetterie, Anonymous, French, 18th century French, Etching and engraving — Le triomphe de la coquetterie
Anonymous, French, 18th century
Anonymous, British, 18th century
18th century

Studies for four urns with a walking stick and hat, Anonymous, German, 18th century (?) German, Pen and black ink, traces of black chalk — Studies for four urns with a walking stick and hat
Anonymous, German, 18th century
Anonymous, French, 18th century
18th century

Design for a confessional, Anonymous, Flemish, 18th century (?) Flemish, Pen and gray ink — Design for a confessional
Anonymous, Flemish, 18th century
Anonymous, French, 18th century
ca. 1750

Cartouche, Anonymous, Italian, 18th century Italian — Cartouche
Anonymous, Italian, 18th century
18th century

Design for a Freestanding Altar dedicated to the Assumption of the Virgin, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk; two centering marks in graphite or black chalk (a ruled centered vertical line and a ruled centered horizontal line); a scale in pen and brown ink that is unnumbered at the bottom of composition — Design for a Freestanding Altar dedicated to the Assumption of the Virgin
Anonymous, Italian, 18th century
ca. 1670–1740

Scene of Martyrdom, Anonymous, Italian, 18th century Italian, Brush and red wash, over black chalk, highlighted with white; framing lines in pen and brown ink — Scene of Martyrdom
Anonymous, Italian, 18th century
18th century

Landscape, Anonymous, Italian, 18th century Italian, Red chalk and brown wash — Landscape
Anonymous, Italian, 18th century
18th century

Angel Appearing to an Old Man, Anonymous, Italian, 18th century Italian, Red chalk and gray wash — Angel Appearing to an Old Man
Anonymous, Italian, 18th century
18th century

Historical Scene: Study for an Engraving, Anonymous, Italian, 18th century Italian, Pen and brown ink — Historical Scene: Study for an Engraving
Anonymous, Italian, 18th century
18th century

Cupid Pouring Water on a Burning Heart, Anonymous, Italian, 18th century Italian, Red, black and yellow chalk — Cupid Pouring Water on a Burning Heart
Anonymous, Italian, 18th century
18th century

Female Figure in Antique Style Dress, Striding to the Right, Anonymous, Italian, 18th century , style after 16th century Italian, Pen and brown ink; silhouetted and redrawn by a later hand — Female Figure in Antique Style Dress, Striding to the Right
Anonymous, Italian, 18th century
1700–1750

Palace or Villa Interior, Colonnaded Hall, Anonymous, Italian, 18th century Italian, Pen and brown ink, gray wash over black chalk — Palace or Villa Interior, Colonnaded Hall
Anonymous, Italian, 18th century
1700–1750

Design for a Porcelain Plate, Anonymous, Italian, 18th century Italian, Pen and ink with gray and pink washes — Design for a Porcelain Plate
Anonymous, Italian, 18th century
late 18th century

Decorated Support for Rear of a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk — Decorated Support for Rear of a Carriage
Anonymous, Italian, 18th century
18th century

Rear View of the Wooden Structure of a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk — Rear View of the Wooden Structure of a Carriage
Anonymous, Italian, 18th century
18th century

Rear Wheel and Part of the Carved Wooden Structure of a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk — Rear Wheel and Part of the Carved Wooden Structure of a Carriage
Anonymous, Italian, 18th century
18th century

Design for a Door and Stucco Overdoor Decorations, Anonymous, Italian, 18th century ? Italian, Pen and black and brown ink with gray wash, over a graphite outline — Design for a Door and Stucco Overdoor Decorations
Anonymous, Italian, 18th century
ca. 1740–60

Design for Mantelpiece and Elaborate Overmantel, Anonymous, Italian, 18th century , Neapolitan Italian, Pen and brown ink, brush and brown, pink, and green wash, over graphite — Design for Mantelpiece and Elaborate Overmantel
Anonymous, Italian, 18th century
Nicolas Pineau
early 18th century