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More than 10,000 results for Anonymous, Italian, North or Central Italy, 16th century

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Design for the Elevation and Plan of a Reredos, Anonymous, Italian, North or Central Italy, 16th century Italian — Design for the Elevation and Plan of a Reredos
Anonymous, Italian, North or Central Italy, 16th century
ca. 1570

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

A Young Woman Seated in a Chair, Central Italy, Pen and brown ink on paper washed with light brown, Central Italian — A Young Woman Seated in a Chair
Central Italy
17th century

Bird pendant, Central Region artist(s), Jadeite, Central Region — Bird pendant
Central Region artist(s)
300–700 CE

Doorway from the Church of San Nicolò, San Gemini, Marble (Lunense marble from Carrara), Central Italian — Doorway from the Church of San Nicolò, San Gemini
Central Italian
carved 1000s, assembled 1100s or 1200s

Plaque with the Holy Women at the Sepulchre, Elephant ivory, North Italian — Plaque with the Holy Women at the Sepulchre
North Italian
early 10th century

Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso), Anonymous, Italian, North Italy, 16th century Italian, Pen and brown ink, brush and brown wash, highlighted with light yellow gouache (recto); pen and brown ink (verso) — Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso)
Anonymous, Italian, North Italy, 16th century
16th century

Saint John the Baptist, Anonymous, Italian, North Italy, 16th century Italian, Pen and dark brown ink, brush and brown wash over traces of black chalk and compass and incised lines (recto); framing lines in pen and dark brown ink; design traced in black chalk (verso) — Saint John the Baptist
Anonymous, Italian, North Italy, 16th century
1550 (?)

The Three Fates, Anonymous, Italian, North Italy, 16th century Italian, Engraving — The Three Fates
Anonymous, Italian, North Italy, 16th century
1530–50

Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure., Central Italian , second quarter 16th century, Pen and brown ink (the horse's head in a different pen and brown ink), brush and wash in two shades of brown (recto); red chalk and pencil (verso), Central Italian — Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure.
Central Italian
second quarter 16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Picture Frame, Southern Italy Southern Italy, Carved and gilt poplar — Picture Frame
Southern Italy
late 17th century

Hexagonal Casket, North Italian Workshop, Wood, bone, paint, gilding, iron, velvet, and metal-wrapped textile, North Italian — Hexagonal Casket
North Italian Workshop
early 15th century

Upper Panel for Painted Wall Decoration, Anonymous, Italian, North Italy, 18th century Italian, Ink and wash — Upper Panel for Painted Wall Decoration
Anonymous, Italian, North Italy, 18th century
18th century

Designs for a Theatrum Sacrum, Anonymous, Italian, North Italy, 18th century Italian, Pen and brown ink, brush and brown and gray wash — Designs for a Theatrum Sacrum
Anonymous, Italian, North Italy, 18th century
1735–60

Sketch of a Standing Male Saint, Anonymous, Italian, North Italy, 18th century Italian, Pen and bistre with brown washes — Sketch of a Standing Male Saint
Anonymous, Italian, North Italy, 18th century
ca. 1800

Design for a Wall Decoration, Anonymous, Italian, North Italy, 18th century Italian, Pen and ink with yellow, brown and dark gray wash — Design for a Wall Decoration
Anonymous, Italian, North Italy, 18th century
1780–1800

Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso)., Anonymous, Italian, North Italy, 18th century Italian, Black and white chalk on blue paper — Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso).
Anonymous, Italian, North Italy, 18th century
18th century

Studies for Figural Groups and Ornament (recto); Design for a Baptismal Font (verso), Anonymous, Italian, North Italy, 18th century Italian, Pen and two colors of brown ink on cream paper (recto); pen and brown ink, brush and brown wash, and black chalk (verso) — Studies for Figural Groups and Ornament (recto); Design for a Baptismal Font (verso)
Anonymous, Italian, North Italy, 18th century
18th century

Reverse ogee frame, Italy (Naples), Poplar, marbleized base, carved and gilded frame, Italian, Naples — Reverse ogee frame
Italy (Naples)
ca. 1660

Reverse ogee frame, Southern Italy Southern Italy, Poplar, Southern Italian — Reverse ogee frame
Southern Italy
late 17th–early 18th century

Cassetta frame, Italy (Milan), Poplar, Italian, Milan — Cassetta frame
Italy (Milan)
ca. 1630

Pedestal, Wrought Iron, North or Central European — Pedestal
North or Central European
15th century

Design for the Base of a Candle Stick with a Seated Female(?) Figure, Anonymous, Central-Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint — Design for the Base of a Candle Stick with a Seated Female(?) Figure
Anonymous, Central-Italian, 16th century
1500–50

Design for a Wall Tomb, Anonymous, Central-Italian, 16th century Italian, Pen and brown ink, over stylus-ruled and compass-incised construction marks — Design for a Wall Tomb
Anonymous, Central-Italian, 16th century
ca. 1524

Portrait of a pope, half-length, Anonymous, Central-Italian, 16th century Italian, Black chalk — Portrait of a pope, half-length
Anonymous, Central-Italian, 16th century
16th century

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Two Angels, North Italian Painter (Verona?) Italian, Fresco — Two Angels
North Italian Painter (Verona?)
ca. 1330

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Critics' show, Grand Central Art Galleries — Critics' show
Grand Central Art Galleries
1946

Head of a man, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a man
North Italian Painter
late 15th century

Head of a woman, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a woman
North Italian Painter
late 15th century

Head of a woman, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a woman
North Italian Painter
late 15th century

Head of a man, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a man
North Italian Painter
late 15th century

Head of a woman, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a woman
North Italian Painter
late 15th century

Head of a youth, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a youth
North Italian Painter
late 15th century

Design of Antique-Style Ornament ("Grotteschi"), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with gray and brown wash — Design of Antique-Style Ornament ("Grotteschi")
Anonymous, Italian, 16th century
Raphael (Raffaello Sanzio or Santi)
16th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Three Warriors after Raphael, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over black and red chalk, light brown and gray oil paint — Three Warriors after Raphael
Multiple artists/makers
n.d.