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More than 10,000 results for Anonymous, Italian, North Italy, 18th century

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Studies for Figural Groups and Ornament (recto); Design for a Baptismal Font (verso), Anonymous, Italian, North Italy, 18th century Italian, Pen and two colors of brown ink on cream paper (recto); pen and brown ink, brush and brown wash, and black chalk (verso) — Studies for Figural Groups and Ornament (recto); Design for a Baptismal Font (verso)
Anonymous, Italian, North Italy, 18th century
18th century

Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso)., Anonymous, Italian, North Italy, 18th century Italian, Black and white chalk on blue paper — Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso).
Anonymous, Italian, North Italy, 18th century
18th century

Upper Panel for Painted Wall Decoration, Anonymous, Italian, North Italy, 18th century Italian, Ink and wash — Upper Panel for Painted Wall Decoration
Anonymous, Italian, North Italy, 18th century
18th century

Design for a Wall Decoration, Anonymous, Italian, North Italy, 18th century Italian, Pen and ink with yellow, brown and dark gray wash — Design for a Wall Decoration
Anonymous, Italian, North Italy, 18th century
1780–1800

Sketch of a Standing Male Saint, Anonymous, Italian, North Italy, 18th century Italian, Pen and bistre with brown washes — Sketch of a Standing Male Saint
Anonymous, Italian, North Italy, 18th century
ca. 1800

Designs for a Theatrum Sacrum, Anonymous, Italian, North Italy, 18th century Italian, Pen and brown ink, brush and brown and gray wash — Designs for a Theatrum Sacrum
Anonymous, Italian, North Italy, 18th century
1735–60

Designs for a Canopied Bed

Anonymous, Italian, North Italy, 18th century

18th century (first half)

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Plaque with the Holy Women at the Sepulchre, Elephant ivory, North Italian — Plaque with the Holy Women at the Sepulchre
North Italian
early 10th century

Picture Frame, Southern Italy Southern Italy, Carved and gilt poplar — Picture Frame
Southern Italy
late 17th century

Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment — Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779

Hexagonal Casket, North Italian Workshop, Wood, bone, paint, gilding, iron, velvet, and metal-wrapped textile, North Italian — Hexagonal Casket
North Italian Workshop
early 15th century

Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso), Anonymous, Italian, North Italy, 16th century Italian, Pen and brown ink, brush and brown wash, highlighted with light yellow gouache (recto); pen and brown ink (verso) — Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso)
Anonymous, Italian, North Italy, 16th century
16th century

Saint John the Baptist, Anonymous, Italian, North Italy, 16th century Italian, Pen and dark brown ink, brush and brown wash over traces of black chalk and compass and incised lines (recto); framing lines in pen and dark brown ink; design traced in black chalk (verso) — Saint John the Baptist
Anonymous, Italian, North Italy, 16th century
1550 (?)

The Three Fates, Anonymous, Italian, North Italy, 16th century Italian, Engraving — The Three Fates
Anonymous, Italian, North Italy, 16th century
1530–50

Reverse ogee frame, Italy (Naples), Poplar, marbleized base, carved and gilded frame, Italian, Naples — Reverse ogee frame
Italy (Naples)
ca. 1660

Reverse ogee frame, Southern Italy Southern Italy, Poplar, Southern Italian — Reverse ogee frame
Southern Italy
late 17th–early 18th century

Cassetta frame, Italy (Milan), Poplar, Italian, Milan — Cassetta frame
Italy (Milan)
ca. 1630

A Young Woman Seated in a Chair, Central Italy, Pen and brown ink on paper washed with light brown, Central Italian — A Young Woman Seated in a Chair
Central Italy
17th century

Two Angels, North Italian Painter (Verona?) Italian, Fresco — Two Angels
North Italian Painter (Verona?)
ca. 1330

Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite — Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700

Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink — Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century

Head of a man, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a man
North Italian Painter
late 15th century

Head of a woman, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a woman
North Italian Painter
late 15th century

Head of a woman, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a woman
North Italian Painter
late 15th century

Head of a man, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a man
North Italian Painter
late 15th century

Head of a woman, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a woman
North Italian Painter
late 15th century

Head of a youth, North Italian Painter , late 15th century Italian, Tempera on wood, Italian — Head of a youth
North Italian Painter
late 15th century

Fan design with Republican assignats (French revolutionary money), Anonymous, French, 18th century French, Etching, a small portion printed in red — Fan design with Republican assignats (French revolutionary money)
Anonymous, French, 18th century
ca. 1795

Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving — Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Multiple artists/makers
ca. 1778

The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving — The Destruction of the Royal Statue at New York on July 9, 1776
Multiple artists/makers
ca. 1776

Two shillings and six pence revenue stamp, Anonymous, British, 18th century British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso) — Two shillings and six pence revenue stamp
Anonymous, British, 18th century
1765–66

Mishneh Torah, Master of the Barbo Missal Italian, Tempera and gold leaf on parchment; leather binding, North Italian — Mishneh Torah
Multiple artists/makers
ca. 1457

Base of an Altar Cross with Reading Angels Sitting on Dragons and Standing Church Fathers, Copper alloy, cast and gilt, North Italian — Base of an Altar Cross with Reading Angels Sitting on Dragons and Standing Church Fathers
North Italian
ca. 1125–50

Relief with Enthroned Virgin and Child surrounded by Angels, Limestone (Wackestone from Veneto or Friuli), traces of polychromy, North Italian — Relief with Enthroned Virgin and Child surrounded by Angels
North Italian
ca. 1425–40

Church Bell, Master Marcus Venetian, Bronze, North Italian — Church Bell
Master Marcus
ca. 1411

Capital with Angels Holding the Veil of Saint Veronica, with a Column, Limestone with traces of polychromy, North Italian — Capital with Angels Holding the Veil of Saint Veronica, with a Column
North Italian
ca. 1325–75

Lion, from a Doorway, Limestone (Red limestone), North Italian — Lion, from a Doorway
North Italian
early 13th century

Column, Red limestone (Broccato Rosso di Verona), North Italian — Column
North Italian
ca. 1400

Column, Red limestone (Broccato Rosso di Verona), North Italian — Column
North Italian
ca. 1400