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More than 10,000 results for Anonymous, Italian, Emilian, mid-16th century
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Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century  Italian, Pen and brown ink
Anonymous, Italian, Emilian, mid-16th century
16th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)  Italian, Tempera on wood, gold ground, Italian, Siena
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century
Design for an Architectural Frieze, Anonymous, Italian, mid-16th century  Italian, Pen and brown ink, brush and brown wash
Anonymous, Italian, mid-16th century
17th century
Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century  Italian, Pen and brown ink, brush with brown and gray wash
Anonymous, Italian, mid-16th century
16th century
Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century  Italian, Engraving
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547
Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century  Italian, Pen and brown ink over traces of leadpoint
Anonymous, Italian, mid-16th century
mid-16th century
Hermaphrodite, Anonymous, Italian, mid-16th century  Italian, Red chalk
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640
The Last Supper, Anonymous, Italian, mid-16th century  Italian, Brush and brown wash, over black chalk
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80
Head of a Horse, Anonymous, Italian, mid-16th century  Italian, Red chalk
Anonymous, Italian, mid-16th century
mid-16th century
Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century  Italian, Engraving
Multiple artists/makers
1553
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century  French, Woodcut with pochoir (stencil) and hand coloring
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Multiple artists/makers
16th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century  Italian, Pen and brown ink
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century  Italian
Anonymous, Italian, mid-18th century
mid-18th century
Death of Saint Joseph, Anonymous, Italian, Emilian (Parmese), 17th century  Italian, Red chalk, pen and brown ink, highlighted with white and blue-green gouache on light brown paper; squared in black chalk
Anonymous, Italian, Emilian (Parmese), 17th century
17th century
Palazzo Nerone, Anonymous, Netherlandish, 16th century  Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Multiple artists/makers
16th century
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Multiple artists/makers
ca. 1520
Allegorical Scene, Anonymous, German, 16th century  German, Pen and brown ink, brush and brown wash. Pasted down on blue paper.
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century
The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century
Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century)  French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Portrait of Henry VII, Anonymous, Italian, 16th century  Italian, Red and black chalk
Anonymous, Italian, 16th century
16th century
The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice, Anonymous, Italian, 16th century  Italian, Woodcut
Anonymous, Italian, 16th century
ca. 1550–1600
Arch of Septimius Severus, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century  Italian, Etching with engraving
Anonymous, Italian, 16th century
Claudio Duchetti
1583
The Vatican Obelisk, Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
16th century
Youth with two old Men, Anonymous, Italian, 16th century  Italian, Engraving
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Youth with two old Men, Anonymous, Italian, 16th century  Italian, Etching
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Youth with two old Men, Anonymous, Italian, 16th century  Italian, Etching
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Judith, Anonymous, Italian, 16th century  Italian, Etching
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Project for a Monumental Tomb, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and blue wash or watercolor
Anonymous, Italian, 16th century
16th century
Design for a Ceiling, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash, over ruled perspective orthogonals
Anonymous, Italian, 16th century
ca. 1520–50
Design for a Decorative Vessel, Anonymous, Italian, 16th century  Italian, Pen and light brown ink, brush and light brown wash, highlighted with white gouache
Anonymous, Italian, 16th century
Polidoro da Caravaggio
16th century
Design of Antique Pitcher, Anonymous, Italian, 16th century  Italian, Pen and brown ink
Anonymous, Italian, 16th century
16th century
Female personification of Faith who kneels raising a chalice in her left hand, after Parmigianino, Anonymous, Italian, 16th century  Italian, Chiaroscuro woodcut from three blocks in red
Anonymous, Italian, 16th century
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1520–60
Candlestick with Two Ignudi on Top of a Vase with Lion Heads, Anonymous, Italian, 16th century  Italian, Engraving; first state
Multiple artists/makers
1552
St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
after 1518
St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
after 1518
St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
after 1518
St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century  Italian, Engraving
Multiple artists/makers
after 1518