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More than 10,000 results for Anonymous, Italian, 16th to 17th century

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The Lovers, Anonymous, Italian, 16th to 17th century Italian — The Lovers
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century

Project for a Fountain, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, over graphite and ruled construction — Project for a Fountain
Anonymous, Italian, 16th to 17th century
16th–17th century

Foliate Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk — Foliate Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century

Two Studies for a Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk — Two Studies for a Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century

Design for a Leonine Grotesque Head, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over dotted traces of graphite or black chalk — Design for a Leonine Grotesque Head
Anonymous, Italian, 16th to 17th century
16th–17th century

Grotesque Head with Curly Beard, Anonymous, Italian, 16th to 17th century Italian, Black chalk, over graphite or black chalk — Grotesque Head with Curly Beard
Anonymous, Italian, 16th to 17th century
16th–17th century

Deathbed Scene with Monks, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over black chalk — Deathbed Scene with Monks
Anonymous, Italian, 16th to 17th century
1580–1600

Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk underdrawing — Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude
Anonymous, Italian, 16th to 17th century
16th–17th century

Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, with isolated strokes of brush and gray wash — Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature
Anonymous, Italian, 16th to 17th century
1500–1700

Group of Standing Female Saints (the Holy Virgins), Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink outlines, over red chalk, and rendering of shadows in soft grayish black chalk; framing lines in pen and dark brown ink — Group of Standing Female Saints (the Holy Virgins)
Anonymous, Italian, 16th to 17th century
1500–1700

Madonna of the Rose, Anonymous, Italian, 16th to 17th century Italian, Engraving — Madonna of the Rose
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century

Virgin and Child Enthroned with St. Jerome, St. Francis of Assisi and Three Other Saints, Anonymous, Italian, 16th to 17th century Italian, Intaglio — Virgin and Child Enthroned with St. Jerome, St. Francis of Assisi and Three Other Saints
Multiple artists/makers
16th–17th century

The Birth of Venus, Anonymous, Italian, 16th to 17th century Italian, Etching — The Birth of Venus
Anonymous, Italian, 16th to 17th century
16th–17th century

Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint, and stylus ruling, on blue-gray paper — Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel
Anonymous, Italian, 16th to 17th century
1500–1700

Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge, Anonymous, Italian, 16th to 17th century Italian, Pen with light and dark brown ink, over black chalk, framing lines in black chalk — Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge
Anonymous, Italian, 16th to 17th century
1500–1700

St. Thais, Anonymous, Italian, 16th to 17th century Italian, Etching — St. Thais
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)

A Youth with Two Old Men, Anonymous, Italian, 16th to 17th century Italian, Etching — A Youth with Two Old Men
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)

Madonna and Child, Anonymous, Italian, 16th to 17th century Italian, Etching — Madonna and Child
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century

St. James Major, Anonymous, Italian, 16th to 17th century Italian, Etching — St. James Major
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century

Young Woman Holding a Plate, Anonymous, Italian, 16th to 17th century Italian, Etching — Young Woman Holding a Plate
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century

St. Bartholomew, Anonymous, Italian, 16th to 17th century Italian, Etching — St. Bartholomew
Anonymous, Italian, 16th to 17th century
Master F. P.
16th–17th century

Entombment, Anonymous, Italian, 16th to 17th century Italian, Engraving — Entombment
Anonymous, Italian, 16th to 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–17th century

Bramante's Plan for St. Peter's, Anonymous, Italian, 16th to 17th century Italian, Ink and watercolors on laid paper — Bramante's Plan for St. Peter's
Anonymous, Italian, 16th to 17th century
16th–17th century

Design for a Triumphal Arch, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash, over leadpoint (?) — Design for a Triumphal Arch
Anonymous, Italian, 16th to 17th century
1500–1700

Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and brown wash over traces of leadpoint, and stylus ruling — Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche
Anonymous, Italian, 16th to 17th century
1500–1700

Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche, Anonymous, Italian, 16th to 17th century Italian, Pen and brown ink, brush and gray wash, over leadpoint — Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche
Anonymous, Italian, 16th to 17th century
1500–1700

Head of a Woman With Elaborate Coiffure

Anonymous, Italian, 16th to 17th century

1500–1700

Design for a Ewer in the Antique Manner

Anonymous, Italian, 16th to 17th century

Enea Vico

After 1543

The Assumption of the Virgin

Anonymous, Italian, 16th to 17th century

Cesare Vecellio

ca 1530–80

The Assumption of the Virgin

Anonymous, Italian, 16th to 17th century

Cesare Vecellio

ca. 1530–80

Julius Caesar, with his head turned to the right

Anonymous, Italian, 16th to 17th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash; point of brush and bodycolor (in coat of arms) — Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Design for a Church with a Central Octagonal Plan, Anonymous, Italian, 16th to early 17th century Italian, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink — Design for a Church with a Central Octagonal Plan
Anonymous, Italian, 16th to early 17th century
1570–1620

Augustus and the Sybil ?, Anonymous, Italian, 16th to early 17th century Italian, Intaglio — Augustus and the Sybil ?
Anonymous, Italian, 16th to early 17th century
n.d.

Judith, Anonymous, Italian, 16th to early 17th century Italian, Intaglio — Judith
Anonymous, Italian, 16th to early 17th century
Andrea Schiavone (Andrea Meldola)
16th–early 17th century

Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk — Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso)
Anonymous, Italian, 16th to early 17th century
16th–early 17th century

Design for a Cartouche (recto); Design for a Cartouche (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, over leadpoint or black chalk — Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century
1580–1620

Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men, Anonymous, Italian, 16th to early 17th century Italian, Engraving — Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600

Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna, Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown and red wash, on black chalk, ruling, on twelve sheets of paper — Copy after Giambologna's Neptune Fountain in Piazza San Petronio, Bologna
Anonymous, Italian, 16th to early 17th century
Giambologna
ca. 1600