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More than 10,000 results for Anonymous, French, 16th century
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Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Abduction of Helen, Anonymous, French, 16th century French, Engraving
Abduction of Helen
Anonymous, French, 16th century
Vertumnus and Pomona, Anonymous, French, 16th century French, Etching
Vertumnus and Pomona
Anonymous, French, 16th century
Jean Cousin the Younger
ca. 1550–55
Bearded Male Term with a Raised Left Arm, Anonymous, French, 16th century French, Pen and black ink with gray wash, heightened with white
Bearded Male Term with a Raised Left Arm
Anonymous, French, 16th century
ca. 1545–65
Bearded Male Term Covered in a Cloak, Anonymous, French, 16th century French, Pen and black ink with gray wash, heightened with white
Bearded Male Term Covered in a Cloak
Anonymous, French, 16th century
ca. 1545–65
Bearded Male Term Looking Left, Anonymous, French, 16th century French, Pen and black ink with gray wash, heightened with white
Bearded Male Term Looking Left
Anonymous, French, 16th century
ca. 1545–65
Female Term encased by a Strapwork Panel, Anonymous, French, 16th century French, Pen and black ink with gray wash, heightened with white
Female Term encased by a Strapwork Panel
Anonymous, French, 16th century
ca. 1545–65
Marriage of Samson and the Philistine, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Marriage of Samson and the Philistine, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Woman Playing a Portative Organ, Anonymous, French, 16th century French, Woodcut with pochoir in orange, two shades of brown and beige
Woman Playing a Portative Organ
Anonymous, French, 16th century
16th century
Woman Playing the Flute, Anonymous, French, 16th century French, Woodcut with pochoir in orange, two shades of brown and beige
Woman Playing the Flute
Anonymous, French, 16th century
16th century
The Temptation of St. Anthony, Anonymous, French, 16th century French, Woodcut with hand coloring
The Temptation of St. Anthony
Anonymous, French, 16th century
Nicolas Prévost
ca. 1560–80
Hexagonal Raised Platform with an Architecturally-Shaped Canopy, Anonymous, French, 16th century French, Etching with gray wash
Hexagonal Raised Platform with an Architecturally-Shaped Canopy
Anonymous, French, 16th century
ca. 1530–40
Tomb of Cecchino Bracci, S. Maria in Araceoli, Rome, Anonymous, French, 16th century French, Black chalk, pen and brown ink
Tomb of Cecchino Bracci, S. Maria in Araceoli, Rome
Anonymous, French, 16th century
Jacques Androuet Du Cerceau
16th century
Fantastical Masked Masculine Heads, Anonymous, French, 16th century French, Engraving; reverse copy
Fantastical Masked Masculine Heads
Multiple artists/makers
ca. 1550
Fantastical Masked Masculine Heads, Anonymous, French, 16th century French, Engraving; reversed copy
Fantastical Masked Masculine Heads
Multiple artists/makers
ca. 1550
St Peter's, dome, model, half elevation (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St Peter's, dome, model, half elevation (recto) blank (verso)
Anonymous, French, 16th century
Etienne DuPérac
early to mid-16th century
Palazzo dei Conservatori, coffered ceiling, ceiling plan and details; Sphinx, perspective view (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo dei Conservatori, coffered ceiling, ceiling plan and details; Sphinx, perspective view (recto) blank (verso)
Anonymous, French, 16th century
early to mid-16th century
St. Peter's, cornice and architrave, profile; key, elevation; triglyph and guttae, elevation and section (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, cornice and architrave, profile; key, elevation; triglyph and guttae, elevation and section (recto) blank (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, fireplace, details; Unknown, cornice, profile (recto) Palazzo Massimo alle Colonne, door and window, details (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, fireplace, details; Unknown, cornice, profile (recto) Palazzo Massimo alle Colonne, door and window, details (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo Capodiferro (Spada), partial elevation, details; Santa Trinità dei Monti, Orsini Chapel, frame, elevation; various details, perspective (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Capodiferro (Spada), partial elevation, details; Santa Trinità dei Monti, Orsini Chapel, frame, elevation; various details, perspective (recto) blank (verso)
Anonymous, French, 16th century
early to mid-16th century
S. Maria in Domnica, portico, plan; details, profile (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
S. Maria in Domnica, portico, plan; details, profile (recto) blank (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo dei Conservatori, Ionic capital, elevation (recto) Palazzo dei Conservatori, Ionic capital, plan and projection (verso), Anonymous, French, 16th century French, Pen and brown ink
Palazzo dei Conservatori, Ionic capital, elevation (recto) Palazzo dei Conservatori, Ionic capital, plan and projection (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo dei Conservatori, window, elevation; window, details, elevation (recto) blank (verso), Anonymous, French, 16th century French, Pen and brown ink
Palazzo dei Conservatori, window, elevation; window, details, elevation (recto) blank (verso)
Anonymous, French, 16th century
early to mid-16th century
St Peter's apse, exterior niche section and details (recto) St Peter's apse, exterior niche elevation and profiles of details (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St Peter's apse, exterior niche section and details (recto) St Peter's apse, exterior niche elevation and profiles of details (verso)
Anonymous, French, 16th century
early to mid-16th century
St. Peter's, exterior, tabernacle, elevation and section at base with details of pedestal and railing, (recto) St. Peter's, exterior, tabernacle, elevation and section at arched opening (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St. Peter's, exterior, tabernacle, elevation and section at base with details of pedestal and railing, (recto) St. Peter's, exterior, tabernacle, elevation and section at arched opening (verso)

Anonymous, French, 16th century
early to mid-16th century
St Peter's, cornice, exterior, profile (recto) Unidentified, moulding, elevation; Unidentified structure, plan (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St Peter's, cornice, exterior, profile (recto) Unidentified, moulding, elevation; Unidentified structure, plan (verso)
Anonymous, French, 16th century
early to mid-16th century
Temple of Hercules, Cori, plan, elevation; portal, details; Doric order, details (recto) St. Peter's, drum, section (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Temple of Hercules, Cori, plan, elevation; portal, details; Doric order, details (recto) St. Peter's, drum, section (verso)
Anonymous, French, 16th century
early to mid-16th century
St. Peter's, centering truss, tunnel vault, section (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St. Peter's, centering truss, tunnel vault, section (recto) blank (verso)

Anonymous, French, 16th century
early to mid-16th century
St. Peter's, drum, exterior bay, elevation with details (recto) St. Peter's, drum, section (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, drum, exterior bay, elevation with details (recto) St. Peter's, drum, section (verso)
Anonymous, French, 16th century
early to mid-16th century
St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso)

Anonymous, French, 16th century
early to mid-16th century
St Peter's, entablature profile; reflected ceiling details of the cornice, and profiles of column bases and pedestals (recto) St. Peter's, section through drum of model and entablature of upper story (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St Peter's, entablature profile; reflected ceiling details of the cornice, and profiles of column bases and pedestals (recto) St. Peter's, section through drum of model and entablature of upper story (verso)

Anonymous, French, 16th century
Etienne DuPérac
early to mid-16th century
St. Peter's, drum, exterior, elevation (recto) St. Peter's, tribune, entablature, section and details (verso), Anonymous, French, 16th century French, Pen and dark brown ink, black chalk, and incised lines
St. Peter's, drum, exterior, elevation (recto) St. Peter's, tribune, entablature, section and details (verso)
Anonymous, French, 16th century
Etienne DuPérac
early to mid-16th century
St. Peter's, attic, window, elevation (recto) St. Peter's, apse, plan; window, cornice, elevation profile; arch frame, elevation profile (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, attic, window, elevation (recto) St. Peter's, apse, plan; window, cornice, elevation profile; arch frame, elevation profile (verso)
Anonymous, French, 16th century
early to mid-16th century
Santa Maria Maggiore, Sforza Chapel, elevation (recto) Unknown, entablature, partial cornice, and column or pilaster base profile (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Santa Maria Maggiore, Sforza Chapel, elevation (recto) Unknown, entablature, partial cornice, and column or pilaster base profile (verso)
Anonymous, French, 16th century
early to mid-16th century
San Lorenzo, Library, pilaster, elevation; soffit, detail, plan (recto) San Lorenzo, Library, entablature, section (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
San Lorenzo, Library, pilaster, elevation; soffit, detail, plan (recto) San Lorenzo, Library, entablature, section (verso)
Anonymous, French, 16th century
early to mid-16th century
San Lorenzo, Library, window, elevation (recto) San Lorenzo, Library, window, cornice, section; cornice, section (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
San Lorenzo, Library, window, elevation (recto) San Lorenzo, Library, window, cornice, section; cornice, section (verso)
Anonymous, French, 16th century
early to mid-16th century
San Lorenzo, Library, Ricetto, window, elevation (recto) San Lorenzo, Library, Ricetto, column, elevation; details, elevation (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
San Lorenzo, Library, Ricetto, window, elevation (recto) San Lorenzo, Library, Ricetto, column, elevation; details, elevation (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo dei Conservatori, portico, plan; façade cornice, elevation; minor order, cornice; column, elevation; pedestal, elevation (recto); Palazzo dei Conservatori, portal, elevation; section (verso), Anonymous, French, 16th century French, Pen and dark brown ink, black chalk, and incised lines
Palazzo dei Conservatori, portico, plan; façade cornice, elevation; minor order, cornice; column, elevation; pedestal, elevation (recto); Palazzo dei Conservatori, portal, elevation; section (verso)
Anonymous, French, 16th century
early to mid-16th century