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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 28 results for Andrés Goicoechea

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Pair of candlesticks, Andrés Goicoechea, Silver, Spanish, Zaragoza — Pair of candlesticks
Andrés Goicoechea
ca. 1750

Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux, Andrés de Melgar Spanish, Pen and brown ink, brush with gray wash, over metalpoint — Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux
Andrés de Melgar
ca. 1545–60

Studies for birds and grotesque masks (recto); candelabra grotesques, ewers and vases (verso), Andrés de Melgar Spanish, Pen and brown ink — Studies for birds and grotesque masks (recto); candelabra grotesques, ewers and vases (verso)
Andrés de Melgar
ca. 1545–60

Satyr holding a fantastical creature (recto); Two candelabra grotesques (verso), Andrés de Melgar Spanish, Pen and brown ink — Satyr holding a fantastical creature (recto); Two candelabra grotesques (verso)
Andrés de Melgar
ca. 1545–60

Grotesque panel with satyrs, herms, and strapwork (recto); winged creatures and strapwork (verso), Andrés de Melgar Spanish, Pen and brown ink — Grotesque panel with satyrs, herms, and strapwork (recto); winged creatures and strapwork (verso)
Andrés de Melgar
ca. 1545–60

Term with snails and strapwork (recto); Candelabra grotesque with two figures (verso), Andrés de Melgar Spanish, Pen and brown ink — Term with snails and strapwork (recto); Candelabra grotesque with two figures (verso)
Andrés de Melgar
ca. 1545–60

Fragment of a Grotesque Decoration with a Term and Putto, Andrés de Melgar Spanish, Pen and dark brown ink, and some brush and brown wash (recto); pen and dark brown ink with brush and brown wash, over black chalk (verso) — Fragment of a Grotesque Decoration with a Term and Putto
Andrés de Melgar
ca. 1545–60

Satyr riding a fantastical creature, snail-like creatures, Andrés de Melgar Spanish, Pen and brown ink over black chalk — Satyr riding a fantastical creature, snail-like creatures
Andrés de Melgar
ca. 1545–60

Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and dark brown ink (verso) — Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso)
Andrés de Melgar
ca. 1545–60

Flemish Grotesque Creatures and a Candelabra Grotesque (recto); Candelabra Grotesques with Mask (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and dark brown ink; composition within ruled framing lines at left border of sheet, and at right side of composition (verso) — Flemish Grotesque Creatures and a Candelabra Grotesque (recto); Candelabra Grotesques with Mask (verso)
Andrés de Melgar
ca. 1545–60

Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto, Andrés de Melgar Spanish, Pen and brown ink with brown wash — Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto
Andrés de Melgar
ca. 1545–60

Candelabra Grotesque with a Cat, Andrés de Melgar Spanish, Pen and brown ink over black chalk; ruled line along right border of sheet — Candelabra Grotesque with a Cat
Andrés de Melgar
ca. 1545–60

Design for a Frieze with Grotesques, Andrés de Melgar Spanish, Pen and brown ink — Design for a Frieze with Grotesques
Andrés de Melgar
ca. 1545–60

Grotesque ornament comprising a swag and a repeated band, Andrés de Melgar Spanish, Pen and brown ink — Grotesque ornament comprising a swag and a repeated band
Andrés de Melgar
ca. 1545–60

Three sections; uppermost with a Term and garlands; middle section geometric band; bottom section grotesques and strapwork (recto); Term with a marine creature and putto (verso), Andrés de Melgar Spanish, Pen and gray-brown ink — Three sections; uppermost with a Term and garlands; middle section geometric band; bottom section grotesques and strapwork (recto); Term with a marine creature and putto (verso)
Andrés de Melgar
ca. 1545–60

Female Term, seated figure, and fantastical creature (recto); Satyr and study of a woman and child (verso), Andrés de Melgar Spanish, Pen and brown ink — Female Term, seated figure, and fantastical creature (recto); Satyr and study of a woman and child (verso)
Andrés de Melgar
ca. 1545–60

Griffins, female grotesque, mask and figures (recto); two turtle-like creatures and a scene with figures (verso), Andrés de Melgar Spanish, Pen and brown ink — Griffins, female grotesque, mask and figures (recto); two turtle-like creatures and a scene with figures (verso)
Andrés de Melgar
ca. 1545–60

Female grotesque and harpy (recto); fantastical creatures and masks (verso), Andrés de Melgar Spanish, Pen and brown ink — Female grotesque and harpy (recto); fantastical creatures and masks (verso)
Andrés de Melgar
ca. 1545–60

Two scenes; a reclining warrior above, sleeping cupid below (recto); grotesque niche with standing warrior (verso), Andrés de Melgar Spanish, Pen and brown ink — Two scenes; a reclining warrior above, sleeping cupid below (recto); grotesque niche with standing warrior (verso)
Andrés de Melgar
ca. 1545–60

Fantastical creatures, birds, and strapwork cartouche (recto); grotesque mask and kneeling priest (verso), Andrés de Melgar Spanish, Pen and brown ink (recto); pen and brown ink with brush and brown wash; black chalk (verso) — Fantastical creatures, birds, and strapwork cartouche (recto); grotesque mask and kneeling priest (verso)
Andrés de Melgar
ca. 1545–60

Grotesque ornament with garlands and vase, Andrés de Melgar Spanish, Pen and brown ink — Grotesque ornament with garlands and vase
Andrés de Melgar
ca. 1545–60

Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso), Andrés de Melgar Spanish, Pen and brown ink — Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso)
Andrés de Melgar
ca. 1545–60

Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso), Andrés de Melgar Spanish, Pen and dark gray-brown ink (recto); pen and brown ink over black chalk (verso) — Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso)
Andrés de Melgar
ca. 1545–60

Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and gray-brown ink (verso) — Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso)
Andrés de Melgar
ca. 1545–60

A song sheet cover for 'El Talisman' composed by M. Eduardo Gavira and dedicated to D. Ramon Iglesias illustrated by a pensive girl leaning on a support, on the other side the sheet is a list of the printed music available from the Murguia publishing house

Andrés Campillo

Manuel Murguía

ca. 1850–1900

Arte muy provechosa para aprender a escribir perfectamente

Multiple artists/makers

1612, reprint of 1929

Urbe: super-poema bolchevique en 5 cantos (Urbe: Bolshevik Super-poem in 5 Parts), Manuel Maples Arce Mexican, Woodcut illustrations — Urbe: super-poema bolchevique en 5 cantos (Urbe: Bolshevik Super-poem in 5 Parts)
Multiple artists/makers
1924

Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales, Manuel Murguía Mexican, Letterpress, lithographs — Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales
Multiple artists/makers
1854–55