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Showing 1,074 results for Alphonsus Riccio

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Questio perpulchra qua investigatur. Si meritu(m) existentis in prosperis amplius sit q(uae) illius qui fert pacienter adversa

Alphonsus Riccio

Jean Petit

after November 11, 1512

Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua — Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20

Striding Pan, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Striding Pan
Andrea Briosco, called Riccio
1530–1539

Seated satyr with a shell, Andrea Briosco, called Riccio Italian, Bronze, Italian — Seated satyr with a shell
Andrea Briosco, called Riccio
after 1600

The Entombment of Christ, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — The Entombment of Christ
Andrea Briosco, called Riccio
probably early 16th century

Triton and Nereid, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Triton and Nereid
Andrea Briosco, called Riccio
after 1532–before ca. 1550

Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua — Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century

Allegory of Virtue, Andrea Briosco, called Riccio Italian, Gilt bronze, Italian, Padua — Allegory of Virtue
Andrea Briosco, called Riccio
probably early 16th century

Allegory of Triumph and Sacrifice, Andrea Briosco, called Riccio Italian, Copper alloy with reddish brown natural patina under a worn black lacquer or wax. — Allegory of Triumph and Sacrifice
Andrea Briosco, called Riccio
ca. 1520

The Sacrifice of a Swine, Andrea Briosco, called Riccio Italian, Bronze, Italian — The Sacrifice of a Swine
Andrea Briosco, called Riccio
probably early 16th century

The Triumph of a Hero, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — The Triumph of a Hero
Andrea Briosco, called Riccio
probably early 16th century

Allegory of Virtue, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Allegory of Virtue
Andrea Briosco, called Riccio
probably early 16th century

Satyr Riding a Goat, Andrea Briosco, called Riccio Italian, Bronze; dark brown patina; yellow and green marble base, Italian, Padua — Satyr Riding a Goat
Andrea Briosco, called Riccio
19th–20th century

Apollo and Marsyas, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Apollo and Marsyas
Andrea Briosco, called Riccio
19th–20th century

Satyr with vase (one of a pair), Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Satyr with vase (one of a pair)
Andrea Briosco, called Riccio
ca. 1540–50

Combat at a City Gate, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Combat at a City Gate
Andrea Briosco, called Riccio
early 16th century

The Triumph of a Hero, Andrea Briosco, called Riccio or Follower of Italian, Bronze, Italian — The Triumph of a Hero
Andrea Briosco, called Riccio
early 16th century

Nessus Abducting Dejanira, Andrea Briosco, called Riccio Italian, Bronze, Italian — Nessus Abducting Dejanira
Andrea Briosco, called Riccio
16th century

Entombment, Andrea Briosco, called Riccio Italian, Copper alloy with a warm, reddish brown patina. — Entombment
Andrea Briosco, called Riccio
model ca. 1516–21 (last cast)

Seated youth with a lamp in the form of a snail shell, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Seated youth with a lamp in the form of a snail shell
Andrea Briosco, called Riccio
possibly late 16th–early 17th century

She-bear, Andrea Briosco, called Riccio Italian, Bronze, dark olive-brown patina, Italian, Padua — She-bear
Andrea Briosco, called Riccio
early 16th century

Oil lamp based on the form of an African’s head, Andrea Briosco, called Riccio Italian, Bronze, probably Italian, Padua — Oil lamp based on the form of an African’s head
Andrea Briosco, called Riccio
mid-16th century or later

Atlas Supporting the Globe, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Atlas Supporting the Globe
Andrea Briosco, called Riccio
16th century; globe: 19th century

Two lizards, Andrea Briosco, called Riccio Italian, Bronze, Italian — Two lizards
Andrea Briosco, called Riccio
ca. 1500

Oil Lamp in the Form of a Sphinx, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Oil Lamp in the Form of a Sphinx
Andrea Briosco, called Riccio
mid-16th century

Kneeling Satyr, Andrea Briosco, called Riccio Italian, Bronze, possibly Italian, Padua — Kneeling Satyr
Andrea Briosco, called Riccio
16th century

Satyr Holding a Vessel, Andrea Briosco, called Riccio Italian, Brass, probably Flemish — Satyr Holding a Vessel
Andrea Briosco, called Riccio
early 17th century

Statuette, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Statuette
Andrea Briosco, called Riccio
16th century

Judith with the Head of Holofernes, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Judith with the Head of Holofernes
Andrea Briosco, called Riccio
late aftercast of 16th century model

Satyress with vase (one of a pair), Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Satyress with vase (one of a pair)
Andrea Briosco, called Riccio
ca. 1540–50

Seated Faun, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Seated Faun
Andrea Briosco, called Riccio
ca. 1540–50

Oil lamp in the form of a dwarf on a donkey’s head, Andrea Briosco, called Riccio Italian, Bronze, Northern Italian — Oil lamp in the form of a dwarf on a donkey’s head
Andrea Briosco, called Riccio
mid-16th century

Oil lamp in the form of a grotesque animal, Andrea Briosco, called Riccio Italian, Bronze, Possibly France or the Netherlands — Oil lamp in the form of a grotesque animal
Andrea Briosco, called Riccio
17th century

Judith, Andrea Briosco, called Riccio Italian, Bronze, Italian — Judith
Multiple artists/makers
1470–1532

Study for Christ in The Entombment, Bartolomeo Neroni (Il Riccio) Italian, Brush and brown wash, over black chalk — Study for Christ in The Entombment
Bartolomeo Neroni (Il Riccio)
16th century

Sibyl Announcing the Birth of Christ to the Emperor Augustus, Bartolomeo Neroni (Il Riccio) Italian, Pen and brown ink, brush and pale brown wash, over black chalk — Sibyl Announcing the Birth of Christ to the Emperor Augustus
Bartolomeo Neroni (Il Riccio)
1505–71

Arch of Constantine, Rome, Bartolomeo Neroni (Il Riccio) Italian, Pen and ink, brush and brown wash — Arch of Constantine, Rome
Bartolomeo Neroni (Il Riccio)
1535–71

Arch of Septimius Severus, Rome, Bartolomeo Neroni (Il Riccio) Italian, Pen and ink, brush and brown wash — Arch of Septimius Severus, Rome
Bartolomeo Neroni (Il Riccio)
1525–71

John West

David Riccio

1847

Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right, Stefano Mulinari Italian, Etching with sulphur tone printed in brown — Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
Multiple artists/makers
ca. 1761–90