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Showing 3,152 results for Alexander Galli Bibiena

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Tomb of Joseph I, Emperor of Hungary, King of Bohemia, Alexander Galli Bibiena Italian, Etching and engraving — Tomb of Joseph I, Emperor of Hungary, King of Bohemia
Alexander Galli Bibiena
1700–1769

Section of the Interior of a Court Theater (of Mannheim), Alexander Galli Bibiena Italian, Pen and black ink, brush and gray wash, over graphite — Section of the Interior of a Court Theater (of Mannheim)
Alexander Galli Bibiena
1707–69

Sketch of a Palace Interior, Antonio Galli Bibiena Italian, Pen and brown ink over traces of black chalk or graphite — Sketch of a Palace Interior
Antonio Galli Bibiena
Ferdinando Galli Bibiena
1700–74

Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs, Antonio Galli Bibiena Italian, Pen and brown ink — Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs
Antonio Galli Bibiena
Francesco Galli Bibiena
1700–74

Design for a Stage Set with a Palace and Bridge, Carlo Galli Bibiena Italian, Pen and ink with wash over graphite — Design for a Stage Set with a Palace and Bridge
Carlo Galli Bibiena
Ferdinando Galli Bibiena
18th century

Repose, John White Alexander American, Oil on canvas, American — Repose
John White Alexander
1895

Two ladies and two gentlemen dancing within an ornate architectural setting, a fountain at center in the background, a scene from "Talestri, Regina delle Amazzoni", Francesco Galli Bibiena Italian, Engraving — Two ladies and two gentlemen dancing within an ornate architectural setting, a fountain at center in the background, a scene from "Talestri, Regina delle Amazzoni"
Francesco Galli Bibiena
1765

Design for a Theatrum Sacrum, Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray and rose wash, over black chalk — Design for a Theatrum Sacrum
Giuseppe Galli Bibiena
1696–1756

Design for a Stage Set: Interior of a Ballroom or Theater with Torqued Columns and Large Volutes Above, Francesco Galli Bibiena Italian, Pen and brown ink, brush and gray wash over traces of graphite — Design for a Stage Set: Interior of a Ballroom or Theater with Torqued Columns and Large Volutes Above
Francesco Galli Bibiena
1676–1736

Design for Stage Set with Double Storey of Torqued Columns and Balustrades, Francesco Galli Bibiena Italian, Pen and brown ink, brush and gray wash over traces of graphite — Design for Stage Set with Double Storey of Torqued Columns and Balustrades
Francesco Galli Bibiena
1659–1739

Foreshortening of a Library, Carlo Galli Bibiena Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint — Foreshortening of a Library
Carlo Galli Bibiena
1728–78

Ground Plan for a Catafalque for a Prince of Lorraine, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash over black chalk — Ground Plan for a Catafalque for a Prince of Lorraine
Giuseppe Galli Bibiena
1696–1756

Ground Plan for a Catafalque for an electress of Bavaria, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Ground Plan for a Catafalque for an electress of Bavaria
Giuseppe Galli Bibiena
1696–1756

Half Elevation and Half Ground Plan for a Catafalque for an Electress Palatine, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Half Elevation and Half Ground Plan for a Catafalque for an Electress Palatine
Giuseppe Galli Bibiena
1696–1756

Half Plan and Half Elevation for a Catafalque for an Electress Palatine, Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray wash — Half Plan and Half Elevation for a Catafalque for an Electress Palatine
Giuseppe Galli Bibiena
1696–1756

Elevation of a Catafalque with a royal Crown surmounting the Casket, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Elevation of a Catafalque with a royal Crown surmounting the Casket
Giuseppe Galli Bibiena
1696–1756

Half Ground Plan and Half Elevation of a Catafalque, surmounted by a royal Crown, Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray and yellowish washes on statue — Half Ground Plan and Half Elevation of a Catafalque, surmounted by a royal Crown
Giuseppe Galli Bibiena
1696–1756

Ground Plan for a Catafalque for the regent of France, Philip, Duke d'Orleans (1674–1723), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Ground Plan for a Catafalque for the regent of France, Philip, Duke d'Orleans (1674–1723)
Giuseppe Galli Bibiena
ca. 1723

Ground Plan for a Catafalque for Leopold, Duke of Lorraine (d. 1729), Giuseppe Galli Bibiena Italian, Pen, brown ink and brown and gray washes — Ground Plan for a Catafalque for Leopold, Duke of Lorraine (d. 1729)
Giuseppe Galli Bibiena
ca. 1729

Elevation of a Catafalque with royal Crown and Order of the Golden Fleece, for a Duke of Lorraine, probably Leopold (d. 1729), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Elevation of a Catafalque with royal Crown and Order of the Golden Fleece, for a Duke of Lorraine, probably Leopold (d. 1729)
Giuseppe Galli Bibiena
around 1729

Ground Plan for a Catafalque for the King of Sardinia, Vittorio Amedeo (d. 1732), Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray wash — Ground Plan for a Catafalque for the King of Sardinia, Vittorio Amedeo (d. 1732)
Giuseppe Galli Bibiena
ca. 1732

Half Elevation and Half Section of Catafalque for a Duchess of Hanover, probably Sophia (1630–1714), Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray wash — Half Elevation and Half Section of Catafalque for a Duchess of Hanover, probably Sophia (1630–1714)
Giuseppe Galli Bibiena
1696–1756

Ground Plan for a Catafalque for Frederick Augustus I, King of Poland and Elector of Saxony (1694–1733), Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray wash, over black chalk — Ground Plan for a Catafalque for Frederick Augustus I, King of Poland and Elector of Saxony (1694–1733)
Giuseppe Galli Bibiena
ca. 1733

Ground Plan for the Catafalque for Louis XIV (d. 1715), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Ground Plan for the Catafalque for Louis XIV (d. 1715)
Giuseppe Galli Bibiena
ca. 1715

Ground Plan of a Catafalque for Francis Lewis of Newburg, Archshop of Mainz (died Breslau 1732), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash over pencil — Ground Plan of a Catafalque for Francis Lewis of Newburg, Archshop of Mainz (died Breslau 1732)
Giuseppe Galli Bibiena
ca. 1732

Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662–1726), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash over black chalk — Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662–1726)
Giuseppe Galli Bibiena
1696–1756

Elevation of a Catafalque, Surmounted by a Royal Crown, with Scull and Cross Bones in Wreath-Encircled Cartouche just below, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Elevation of a Catafalque, Surmounted by a Royal Crown, with Scull and Cross Bones in Wreath-Encircled Cartouche just below
Giuseppe Galli Bibiena
1696–1756

Half Elevation and Half Ground Plan for a Catafalque, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Half Elevation and Half Ground Plan for a Catafalque
Giuseppe Galli Bibiena
1696–1756

Half Ground Plan and Half Elevation for a Catafalque with Royal Crown Surmounting Casket, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray and yellowish washes — Half Ground Plan and Half Elevation for a Catafalque with Royal Crown Surmounting Casket
Giuseppe Galli Bibiena
1696–1756

Half Ground Plan and Half Elevation for a Catafalque for a Prince of Hanover, probably Ernst August (1674–1728), Giuseppe Galli Bibiena Italian — Half Ground Plan and Half Elevation for a Catafalque for a Prince of Hanover, probably Ernst August (1674–1728)
Giuseppe Galli Bibiena
1696–1756

Elevation for a Catafalque Surmounted by an Obelisk, Giuseppe Galli Bibiena Italian, Pen and gray ink, brush and gray wash — Elevation for a Catafalque Surmounted by an Obelisk
Giuseppe Galli Bibiena
1696–1756

Half Ground Plan and Half Elevation for a Catafalque for a Queen of Sardinia, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Half Ground Plan and Half Elevation for a Catafalque for a Queen of Sardinia
Giuseppe Galli Bibiena
1696–1756

Elevation for a Catafalque Surmounted by Squat Obelisk, Decorated with Statues of Putti and Female Figures, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash — Elevation for a Catafalque Surmounted by Squat Obelisk, Decorated with Statues of Putti and Female Figures
Giuseppe Galli Bibiena
1696–1756

Elevation of a Catafalque: Four Large Obelisks at the Corners with Large one Surmounting the Top, Giuseppe Galli Bibiena Italian, Pen and brown ink — Elevation of a Catafalque: Four Large Obelisks at the Corners with Large one Surmounting the Top
Giuseppe Galli Bibiena
ca. 1720–40

Details of Theatre Interior: Interior Elevation of Corridor and Sections, Giuseppe Galli Bibiena Italian, Pen, brown ink with blue and brown washes — Details of Theatre Interior: Interior Elevation of Corridor and Sections
Giuseppe Galli Bibiena
1696–1756

Ground Plan, Giuseppe Galli Bibiena Italian, Pen and black ink — Ground Plan
Giuseppe Galli Bibiena
ca. 1750

Half Longitudinal Section and Half Plan, Giuseppe Galli Bibiena Italian, Pen, black ink and wash — Half Longitudinal Section and Half Plan
Giuseppe Galli Bibiena
ca. 1750

Elevation of Proscenium and Lateral View, Giuseppe Galli Bibiena Italian, Pen, gray ink and wash over graphite — Elevation of Proscenium and Lateral View
Giuseppe Galli Bibiena
ca. 1750

Elevation of Boxes and Royal Box as Presently Constituted and According to New Design, Giuseppe Galli Bibiena Italian, Pen, gray ink and wash over graphite with color for garlands above royal box — Elevation of Boxes and Royal Box as Presently Constituted and According to New Design
Giuseppe Galli Bibiena
ca. 1750

Elevation of Proscenium According to New Design and Lateral View of Boxes, Giuseppe Galli Bibiena Italian, Pen, gray ink and wash with colorful garlands on boxes — Elevation of Proscenium According to New Design and Lateral View of Boxes
Giuseppe Galli Bibiena
ca. 1750