Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 81 results for Alesso Baldovinetti
Sort by:
A Seated Saint Reading from a Book, Francesco Botticini (Francesco di Giovanni)  Italian, Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; outlines reinforced in brown ink, perhaps in the 15th or early 16th century.
Francesco Botticini (Francesco di Giovanni)
Alesso Baldovinetti
late 15th century
The Annunciation, Alesso di Benozzo, Tempera and gold on wood
Alesso di Benozzo
ca. 1480–1500
Apostle or Saint, Alonso Berruguete  Spanish, Polychrome and gilt walnut, Spanish, Valladolid
Alonso Berruguete
ca. 1520s
A Book Peddler, Master of the Canesso Peddler, Oil on canvas
Master of the Canesso Peddler
ca. 1670–90
"One Titty Dress (OTD)", No Sesso  American, nylon, metal, plastic, American
Multiple artists/makers
fall/winter 2022–23
Design for a Tabernacle Surmounted by Christ on the Cross and Praying Figures (the Virgin and Saint John?), Galeazzo Alessi  Italian, Pen and brown ink over traces of preliminary constructions in graphite, brush and light brown wash
Galeazzo Alessi
1512–72
Design for an Polygonal Tabernacle, with Obelisks and a Pediment Surmounted by Three Figures Supporting a Tempietto-like Structure, Galeazzo Alessi  Italian, Pen and brown ink, brush and brown wash, over preliminary constructions in black chalk or graphite
Galeazzo Alessi
1512–72
William Walcott (from McGuire Scrapbook), Alenson G. Powers  American, Graphite on off-white wove paper, American
Alenson G. Powers
Descrizione degli' istromenti armonici d'ogni genere . . ., Filippo Buonanni  Italian, Printed books, engraved plates, Presso Pietro Paolo Montignani-Mirabili
Filippo Buonanni
1806
"Juicy Salif" Lemon Squeezer, Philippe Starck  French, Cast aluminum
Philippe Starck
Centro Studio Alessi S.p.A.
1990
"Christy" Sugar Bowl, Christopher Dresser  British, Scottish, Thermoplastic resin
Christopher Dresser
Centro Studio Alessi S.p.A.
original design 1864, adapted 1993
"Christy" Sugar Bowl (model CD01 AZ), Christopher Dresser  British, Scottish, Plastic
Christopher Dresser
Centro Studio Alessi S.p.A.
original design 1864, adapted 1993
"Christy" Sugar Bowl (model CD01 Y), Christopher Dresser  British, Scottish, Plastic
Christopher Dresser
Centro Studio Alessi S.p.A.
original design 1864, adapted 1993
"Christy" Sugar Bowl (model CD01 GR), Christopher Dresser  British, Scottish, Plastic
Christopher Dresser
Centro Studio Alessi S.p.A.
original design 1864, adapted 1993
Saint Anthony of Padua, Pedro de Mena or Spanish, Wood (including black wood and ebony) and gesso, polychromed and gilded; Cross: inlaid with mother-of-pearl; Eyes: probably shell, Spanish
Pedro de Mena
Alonso Cano
late 17th–early 18th century
Christ on the Mount of Olives (recto); Study of a Cypress (verso), Alonso Cano  Spanish, Pen and brown ink, brush and brown wash, over traces of black chalk; framing line in pen and brown ink, and black chalk; verso: since it is lined with Japan paper and thus the design is indistinct; black chalk (?)
Alonso Cano
ca. 1640–50
The Age of Iron, Alonso Berruguete  Spanish, Pen and brown ink
Alonso Berruguete
1520s–30s
Eleven bound prints of hunts, Francesco Valesio (Valegio) Italian
Francesco Valesio
n.d.
Virgin Interceding for Those in Purgatory, Alonso Cano  Spanish, Pen and dark brown ink over black chalk underdrawing.  Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support.  On off-white paper
Alonso Cano
1601–67
Angels Ministering to St. Sebastian, Alonso Cano  Spanish, Black chalk on off-white paper.  On lower left traces of unrelated lines in pen and dark brown ink
Alonso Cano
1601–67
Three Putti Holding Cross Before Two Male Saints, Alonso Cano  Spanish, Pen and medium brown ink over traces of black chalk underdrawing on cream paper.  Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at bottom
Alonso Cano
1601–67
Madonna and Child [?], Alonso Cano  Spanish, Pen and dark brown ink on tan paper. Paper cut in an oval shape
Alonso Cano
n.d.
The Death of St. Joseph, Alonso Cano  Spanish, Engraving
Multiple artists/makers
1766
St. Vincent Ferrer Preaching, Alonso Cano  Spanish, Pen and brown ink, brush and brown wash, on buff paper (somewhat darkened)
Alonso Cano
1665
A Sunny Street at Tivoli, Thorald Læssøe  Danish, Pen and black ink, brush and gray wash, over graphite
Thorald Læssøe
1846
Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684
Domenico Martinelli
1684
Venus Whipping Cupid with Roses, Giovanni Luigi Valesio  Italian, Engraving
Giovanni Luigi Valesio
early 17th century
Amphion Building the Walls of Thebes, Giovanni Luigi Valesio  Italian, Pen and brown ink
Giovanni Luigi Valesio
n.d.
Purse, metal, cotton, silk, Syrian, Aleppo or Damascus
Syrian, Aleppo or Damascus
late 19th–early 20th century
Michael Graves
Alessi S. P. A.
1980–83
Multiple artists/makers
1666
Arganonä Maryam (The Organ of Mary) prayer book, Baselyos, also known as "The Ground Hornbill Master"  Ethiopian, Parchment, pigment ink, wood, leather, fiber
Baselyos, also known as "The Ground Hornbill Master"
late 17th century
Multiple artists/makers
1584
Esercizio Formale 1979, Ettore Sottsass  Italian, born Austria, Printed book
Ettore Sottsass
Alessi S. P. A.
1985
Saint John the Baptist (?) Preaching to a Group of Soldiers, Giovanni Battista Trotti ("Il Malosso") , attributed to Italian, Pen and brown ink, brown and gray wash.  Octagonal
Giovanni Battista Trotti ("Il Malosso")
16th century
The Circumcision of Jesus, Giovanni Battista Trotti ("Il Malosso")  Italian, Pen and brown ink, brush and brown and gray wash, highlighted with white; squared in black chalk
Giovanni Battista Trotti ("Il Malosso")
1555–1619
Woman Kneeling Facing Left (recto); Seated Woman Facing Right (verso), Giovanni Battista Trotti ("Il Malosso")  Italian, Pen and brown ink, touched with white, over traces of black chalk, squared for transfer in black chalk (recto), pen and brown ink (verso)
Giovanni Battista Trotti ("Il Malosso")
1555–1619
A Male Saint Followed by a Group of Men, Pointing to a Monstrance on an Altar, Giovanni Battista Trotti ("Il Malosso")  Italian, Pen and brown ink, brush and gray wash; squared in red chalk
Giovanni Battista Trotti ("Il Malosso")
1555–1619
Headpiece, Maison Margiela  French, fur, French
Multiple artists/makers
fall/winter 1997–98
Don Alonso di Ercilla
1619