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Showing 80 results for Alesso Baldovinetti

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The Annunciation, Alesso di Benozzo, Tempera and gold on wood — The Annunciation
Alesso di Benozzo
ca. 1480–1500

Apostle or Saint, Alonso Berruguete Spanish, Polychrome and gilt walnut, Spanish, Valladolid — Apostle or Saint
Alonso Berruguete
ca. 1520s

A Book Peddler, Master of the Canesso Peddler, Oil on canvas — A Book Peddler
Master of the Canesso Peddler
ca. 1670–90

"One Titty Dress (OTD)", No Sesso American, nylon, metal, plastic, American — "One Titty Dress (OTD)"
Multiple artists/makers
fall/winter 2022–23

Design for a Tabernacle Surmounted by Christ on the Cross and Praying Figures (the Virgin and Saint John?), Galeazzo Alessi Italian, Pen and brown ink over traces of preliminary constructions in graphite, brush and light brown wash — Design for a Tabernacle Surmounted by Christ on the Cross and Praying Figures (the Virgin and Saint John?)
Galeazzo Alessi
1512–72

Design for an Polygonal Tabernacle, with Obelisks and a Pediment Surmounted by Three Figures Supporting a Tempietto-like Structure, Galeazzo Alessi Italian, Pen and brown ink, brush and brown wash, over preliminary constructions in black chalk or graphite — Design for an Polygonal Tabernacle, with Obelisks and a Pediment Surmounted by Three Figures Supporting a Tempietto-like Structure
Galeazzo Alessi
1512–72

William Walcott (from McGuire Scrapbook), Alenson G. Powers American, Graphite on off-white wove paper, American — William Walcott (from McGuire Scrapbook)
Alenson G. Powers

Descrizione degli' istromenti armonici d'ogni genere . . ., Filippo Buonanni Italian, Printed books, engraved plates, Presso Pietro Paolo Montignani-Mirabili — Descrizione degli' istromenti armonici d'ogni genere . . .
Filippo Buonanni
1806

"Juicy Salif" Lemon Squeezer, Philippe Starck French, Cast aluminum — "Juicy Salif" Lemon Squeezer
Philippe Starck
Centro Studio Alessi S.p.A.
1990

"Christy" Sugar Bowl (model CD01 AZ), Christopher Dresser British, Scottish, Plastic — "Christy" Sugar Bowl (model CD01 AZ)
Christopher Dresser
Centro Studio Alessi S.p.A.
original design 1864, adapted 1993

"Christy" Sugar Bowl, Christopher Dresser British, Scottish, Thermoplastic resin — "Christy" Sugar Bowl
Christopher Dresser
Centro Studio Alessi S.p.A.
original design 1864, adapted 1993

"Christy" Sugar Bowl (model CD01 Y), Christopher Dresser British, Scottish, Plastic — "Christy" Sugar Bowl (model CD01 Y)
Christopher Dresser
Centro Studio Alessi S.p.A.
original design 1864, adapted 1993

"Christy" Sugar Bowl (model CD01 GR), Christopher Dresser British, Scottish, Plastic — "Christy" Sugar Bowl (model CD01 GR)
Christopher Dresser
Centro Studio Alessi S.p.A.
original design 1864, adapted 1993

Saint Anthony of Padua, Pedro de Mena or Spanish, Wood (including black wood and ebony) and gesso, polychromed and gilded; Cross: inlaid with mother-of-pearl; Eyes: probably shell, Spanish — Saint Anthony of Padua
Pedro de Mena
Alonso Cano
late 17th–early 18th century

St. Vincent Ferrer Preaching, Alonso Cano Spanish, Pen and brown ink, brush and brown wash, on buff paper (somewhat darkened) — St. Vincent Ferrer Preaching
Alonso Cano
1665

The Death of St. Joseph, Alonso Cano Spanish, Engraving — The Death of St. Joseph
Multiple artists/makers
1766

The Age of Iron, Alonso Berruguete Spanish, Pen and brown ink — The Age of Iron
Alonso Berruguete
1520s–30s

Virgin Interceding for Those in Purgatory, Alonso Cano Spanish, Pen and dark brown ink over black chalk underdrawing. Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support. On off-white paper — Virgin Interceding for Those in Purgatory
Alonso Cano
1601–67

Angels Ministering to St. Sebastian, Alonso Cano Spanish, Black chalk on off-white paper. On lower left traces of unrelated lines in pen and dark brown ink — Angels Ministering to St. Sebastian
Alonso Cano
1601–67

Three Putti Holding Cross Before Two Male Saints, Alonso Cano Spanish, Pen and medium brown ink over traces of black chalk underdrawing on cream paper. Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at bottom — Three Putti Holding Cross Before Two Male Saints
Alonso Cano
1601–67

Madonna and Child [?], Alonso Cano Spanish, Pen and dark brown ink on tan paper. Paper cut in an oval shape — Madonna and Child [?]
Alonso Cano
n.d.

Eleven bound prints of hunts, Francesco Valesio (Valegio) Italian — Eleven bound prints of hunts
Francesco Valesio
n.d.

Christ on the Mount of Olives (recto); Study of a Cypress (verso), Alonso Cano Spanish, Pen and brown ink, brush and brown wash, over traces of black chalk; framing line in pen and brown ink, and black chalk; verso: since it is lined with Japan paper and thus the design is indistinct; black chalk (?) — Christ on the Mount of Olives (recto); Study of a Cypress (verso)
Alonso Cano
ca. 1640–50

A Sunny Street at Tivoli, Thorald Læssøe Danish, Pen and black ink, brush and gray wash, over graphite — A Sunny Street at Tivoli
Thorald Læssøe
1846

Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684 — Il Ritratto di Venezia
Domenico Martinelli
1684

Amphion Building the Walls of Thebes, Giovanni Luigi Valesio Italian, Pen and brown ink — Amphion Building the Walls of Thebes
Giovanni Luigi Valesio
n.d.

Venus Whipping Cupid with Roses, Giovanni Luigi Valesio Italian, Engraving — Venus Whipping Cupid with Roses
Giovanni Luigi Valesio
early 17th century

Purse, metal, cotton, silk, Syrian, Aleppo or Damascus — Purse
Syrian, Aleppo or Damascus
late 19th–early 20th century

Tea and Coffee Piazza service

Michael Graves

Alessi S. P. A.

1980–83

Veridico racconto dell'origine, progressi, et miracoli della Madonna di Reggio don le descrittione d'alcune solemnità, e del tempio...

Multiple artists/makers

1666

Arganonä Maryam (The Organ of Mary) prayer book, Baselyos, also known as "The Ground Hornbill Master" Ethiopian, Parchment, pigment ink, wood, leather, fiber — Arganonä Maryam (The Organ of Mary) prayer book
Baselyos, also known as "The Ground Hornbill Master"
late 17th century

Le Impresse Illustri

Multiple artists/makers

1584

Esercizio Formale 1979, Ettore Sottsass Italian, born Austria, Printed book — Esercizio Formale 1979
Ettore Sottsass
Alessi S. P. A.
1985

Saint John the Baptist (?) Preaching to a Group of Soldiers, Giovanni Battista Trotti ("Il Malosso") , attributed to Italian, Pen and brown ink, brown and gray wash. Octagonal — Saint John the Baptist (?) Preaching to a Group of Soldiers
Giovanni Battista Trotti ("Il Malosso")
16th century

The Circumcision of Jesus, Giovanni Battista Trotti ("Il Malosso") Italian, Pen and brown ink, brush and brown and gray wash, highlighted with white; squared in black chalk — The Circumcision of Jesus
Giovanni Battista Trotti ("Il Malosso")
1555–1619

Woman Kneeling Facing Left (recto); Seated Woman Facing Right (verso), Giovanni Battista Trotti ("Il Malosso") Italian, Pen and brown ink, touched with white, over traces of black chalk (recto); pen and brown ink (verso); squared in black chalk — Woman Kneeling Facing Left (recto); Seated Woman Facing Right (verso)
Giovanni Battista Trotti ("Il Malosso")
1555–1619

A Male Saint Followed by a Group of Men, Pointing to a Monstrance on an Altar, Giovanni Battista Trotti ("Il Malosso") Italian, Pen and brown ink, brush and gray wash; squared in red chalk — A Male Saint Followed by a Group of Men, Pointing to a Monstrance on an Altar
Giovanni Battista Trotti ("Il Malosso")
1555–1619

Historiale Beschrÿvinghe der Goudtrÿcke Landen in Chile ende Arauco...

Don Alonso di Ercilla

1619

Headpiece, Maison Margiela French, fur, French — Headpiece
Multiple artists/makers
fall/winter 1997–98

"La conica" e altre caffettiere

Aldo Rossi

Alessi S. P. A.

1984