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More than 10,000 results for Adrien Jarry de Mancy

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Sheet from "Iconographie Instructive" with portrait of Benjamin Franklin, Adrien Jarry de Mancy French, Letterpress and engraving — Sheet from "Iconographie Instructive" with portrait of Benjamin Franklin
Multiple artists/makers
ca. 1827

Michel-Ange, from Iconographie Instructive

Multiple artists/makers

1827–28

Cruet frame with later glass bottles, Richard Jarry, Silver, French, Paris — Cruet frame with later glass bottles
Richard Jarry
1717–22

The Giralda, Seville, Adrien Dauzats French, Oil on paper, laid down on canvas — The Giralda, Seville
Adrien Dauzats
1836/37

The Great Pyramid, Giza, Adrien Dauzats French, Oil on canvas — The Great Pyramid, Giza
Adrien Dauzats
1830 or later

Bowl with two panthers, Pierre-Adrien Dalpayrat French, Stoneware, French, Bourg-la-Reine — Bowl with two panthers
Pierre-Adrien Dalpayrat
1894–95

Table lamp, Pierre-Adrien Dalpayrat French, Glass, glazed stoneware, bronze — Table lamp
Pierre-Adrien Dalpayrat
ca. 1900–1902

Pair of sauceboats, Pierre-Adrien Dachery, Silver, French, Saint Quentin — Pair of sauceboats
Pierre-Adrien Dachery
Amiens Mint
1768–75

Boudoir from the Hôtel de Crillon, Pierre-Adrien Paris French, Oak, painted and gilded, French, Paris — Boudoir from the Hôtel de Crillon
Pierre-Adrien Paris
ca. 1777–80

Gourd-shaped bottle, Pierre-Adrien Dalpayrat French, Glazed stoneware; wood stopper, French, Bourg-la-Reine — Gourd-shaped bottle
Pierre-Adrien Dalpayrat
ca. 1900

Electro–Physiologie, Figure 64, Adrien Tournachon French, Albumen silver print from glass negative — Electro–Physiologie, Figure 64
Adrien Tournachon
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

[Man in Chainmail Tunic Posing as a Dying Soldier], Adrien Constant de Rebecque Swiss, Albumen silver print from collodion glass negative — [Man in Chainmail Tunic Posing as a Dying Soldier]
Adrien Constant de Rebecque
ca. 1863

Alfred Jarry

Cameo of the Virgin and Child, Adrien Jean Maximilien Vachette [Gold Frame] French, Agate cameo, gold frame, Byzantine — Cameo of the Virgin and Child
Adrien Jean Maximilien Vachette
ca. 1050–1100 (cameo); ca. 1800 (frame)

A Cairo Bazaar, Adrien Dauzats French, Oil on wood — A Cairo Bazaar
Adrien Dauzats
1839

Pascaline, Adrien Tournachon French, Salted paper print or albumen print — Pascaline
Adrien Tournachon
ca. 1855–60

[Effluvia from a Hand Resting on a Photographic Plate], Adrien Majewski French, Gelatin silver print — [Effluvia from a Hand Resting on a Photographic Plate]
Adrien Majewski
1898–99

[Bull from Glane, Canton of Fribourg], Adrien Tournachon French, Salted paper print from glass negative — [Bull from Glane, Canton of Fribourg]
Adrien Tournachon
1856

Absalon, Adrien Tournachon French, Salted paper print or albumen print — Absalon
Adrien Tournachon
ca. 1855–60

[Self-Portrait], Adrien Tournachon French, Salted paper print from glass negative — [Self-Portrait]
Adrien Tournachon
ca. 1855

Emmanuel Frémiet, Adrien Tournachon French, Salted paper print from glass negative — Emmanuel Frémiet
Adrien Tournachon
1854–55

Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver prints from glass negatives — Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Faradisation du muscle frontal, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Faradisation du muscle frontal
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 3: The face of an old man... photographed in repose., Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 3: The face of an old man... photographed in repose.
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 4: The face in repose of a young man
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 4: The face in repose of a young man
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 6: The grimice produced is similar to a tic of the face
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 6: The grimice produced is similar to a tic of the face
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 8: Contraction of the right m. frontalis.
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 8: Contraction of the right m. frontalis.
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 9: A study of m. frontalis in maximum contraction, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 9: A study of m. frontalis in maximum contraction
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 10: Showing the expressive lines of m. frontalis in a young girl
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 10: Showing the expressive lines of m. frontalis in a young girl
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 15: Mediation, mental concentration, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 15: Mediation, mental concentration
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 16: Expression of severity
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 16: Expression of severity
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 18: Aggression, wickedness, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 18: Aggression, wickedness
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 19: Suffering
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 19: Suffering
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 20: Profound suffering, with resignation, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 20: Profound suffering, with resignation
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 21: Painful recollection and recollection or calling something to mind
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 21: Painful recollection and recollection or calling something to mind
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 22: No painful expression
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 22: No painful expression
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze.
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze.
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862