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Il Teatro d'Ercolano alla Maestra di Gustavus III. Rex di Svezia &c. Vmlia e Consangra

Francesco Piranesi
1783

Large illustration of a part of the second order of the interior of the Pantheon, which now no longer exist, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi
ca. 1750–80
Front view of the Temple of Honor, and of Virtue outside of the Port of S. Sebastiano, tavola 2 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Genius of Mysteries (Génie des Mystères), plate 2 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Bronze Satyr Tripod, found at Pompeii, and lock of the door of the Cell of the Temple of Isis at Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 12
Francesco Piranesi
1805–7
Temple of Sibyl in Tivoli, now the Parish Church of S. George, tavola 12 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Antinoo [Antinous], from "Classical Statues in Rome"
Francesco Piranesi
1782
Interior view of the temple which is believed to have been dedicated to Juno...(now identified as the Temple of Athena), plate 20 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Francesco Piranesi
1778
Meleager, from "Classical Statues in Rome"
Francesco Piranesi
1780
Pan and Syringue (Pan et Syringue), plate 5 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
The Genius of Mars (Génie de Mars), plate 3 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Bronze helmet that was used in shows, found in the excavations of Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 3
Francesco Piranesi
1805
Plan of the Museum of Portici, depicting the armoires that contain the objects found at Pompeii and Herculanum in the year 1770, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate A
Francesco Piranesi
1806
Bronze vases with movable handles, believed to have been intended to hold oil, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 29
Francesco Piranesi
1806
Restored detail of the Trophy of Octavian Augustus, plate 7 from "Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi disegnati ed incisi da Cavalier Go. Batta. Piranesi" (Trophies of Octavian Augustus erected to commemorate the victory at Actium and the conquest of Egypt with various other ornament drawn and etched by Cavalieri Gio. Batta. Piranesi)
Francesco Piranesi
printed ca. 1780
Interior view of the ustrinum, of the Tomb of Mamia [...], from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 43
Francesco Piranesi
1804
View showing the remains of the ancient city walls A. of Pesto (Paestum), plate 1 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Bacchus or Autumn: he empties his cup; he gazes with delight; a Satyr is by the God of the harvest (Bacchus ou l'Automne: il vide la coupe; il la contemple avec délices; un Satyre est auprés du Dieu des vendeges), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli, faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 4
Tommaso Piroli
1807
Ground plan of the Baths of Caracalla
Francesco Piranesi
ca. 1790
View of the Pantheon with a reconstruction of its ornament, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
The Farnese Flora, from "Classical Statues in Rome"
Francesco Piranesi
1782
Elevation and Cut-away of the Tomb of Mamia with its restorations in the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 35
Francesco Piranesi
1804
Flora, from "Classical Statues in Rome"
Francesco Piranesi
1784
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
1778–80
Perspective view of the Sterquilinium, of the first Tavern on the right in the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 33
Francesco Piranesi
1804
Plate 45, Volume II of "Antiquités de la Grande-Grèce"
Francesco Piranesi
ca. 1807
Veiled woman with buskins, thought to be Melpomene, from "Classical Statues in Rome"
Francesco Piranesi
1782
Side of the sarcofagus of Scipione Barbato and of the Monument of Aula Cornelia, tavola 4 from "Monumenti degli Scipioni" (Monuments of the Scipios)
Francesco Piranesi
1785
View of the eighteen side columns, drawn from the side opposite those shown in the first plate...(Basilica), plate 4 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Interior view of the first Tavern demonstrating the parapet with the stoves, the chimney, the Sterquilinium, in the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 31
Francesco Piranesi
1804
Section of the length of the Pantheon that illustrates the Pronao, or Portico and the interior of the Temple, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
1786
Large demonstration [illustration] if the service objects that depend on the first Tavern, in the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 30
Francesco Piranesi
1804
Plan of the aforesaid three-storey house shown in Pl. L and LII. [...], from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 51
Francesco Piranesi
1806
The Genius of Diana (Génie de Diane), plate 8 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Illustration of a part of the exterior of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Plate XIII: a face of the pedestal of Trajan's column, from two plates, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column...)
Giovanni Battista Piranesi
1774–79
Heads found in the tomb of Scipio, from "Monumenti degli Scipioni"
Francesco Piranesi
1785
Temple of Minerva Medica, and facade of the Church of S. Vito, tavola 32 from "Antichità Romane fuori di Roma disegnate ed incise da Giambatta Piranesi Architetto Veneziano Parte Seconda" (Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect, Part Two)
Francesco Piranesi
printed after 1775
View of the Tomb of Mamia, of its Schola, of that which is its counterpart and of two other adjacent tombs, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 38
Francesco Piranesi
1805
Different cut-aways and Elevations to demonstrate the interior and Exterior of the Tavern with the Pirapus sign [dedicated to Priapus] in the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 26
Francesco Piranesi
1804