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Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Giovanni Battista Piranesi
1761, 1765
Two Nereids accompanied by cupids, one scatters pearls and other other holds a piece of coral
Domenico Cunego
1771
Ganymede riding on the back of Jupiter as an eagle
Domenico Cunego
1770
Portrait of Clarissa Strozzi, accompanied by a dog, plate 21 from "Schola Italica Picturae"
Domenico Cunego
1770
St. Hieronymus, plate 35 from "Schola Italica Picturae"
Domenico Cunego
1769
Providence, plate 27 from "Schola Italica Picturae"
Domenico Cunego
1772
The works in architecture of the late Robert and James Adam, Esqs., complete in three volumes, containing plans, elevations, sections, and detail of the principal buildings, public and private,
James Adam
1822
Sibylla Hellespontiaca
Domenico Cunego
late 18th century
The entombment of Christ
Domenico Cunego
1775
Priam Redeems the Dead Body of Hector
Domenico Cunego
1775
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
Trofeo o sia Magnifica Colonna Coclide di marmo composta di grossi macigni ove si veggono scolpite le due guerre daciche fatte, da Trajano inalzata nel mezzo del Gran Foro eretto al medesimo imperadore per ordine del senato e popolo romano doppo i suoi trionfi (The Trophy or Magnificent Spiral Column of marble composed of large drums on which are carved the two Dacian Wars of Trajan, raised in the middle of the large Forum, erected in honor of the same Emperor on the order of the Senate and People of Rome after his Triumph) (1775-6); Columna Antonina (1776-9)
Giovanni Battista Piranesi
1774–79
St. Mary Magdalen, plate 29 from "Schola Italica Picturae"
Domenico Cunego
1772
The head of Mary Magdalene looking down to the right, after Reni
Domenico Cunego
ca. 1745–1803
The Penseroso, from Milton
Domenico Cunego
1768
Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese... (Verona 1755)
Marc'Antonio Pindemonte
1755
Sibylla Persica
Aloysio Cunego
1780
Sibylla Libyca
Domenico Cunego
late 18th century
Entombment of Christ
Domenico Cunego
1775
The Assumption of the Virgin, figures gathered around a tomb below and the Virgin with arms outstretched, surrounded by angels in the clouds above
Domenico Cunego
1779
Ganymede abducted by Jupiter, plate 22 from "Schola Italica Picturae"
Domenico Cunego
1770
Apollo and Silenus, plate 30 from "Schola Italica Picturae"
Domenico Cunego
1770
Prodigal Son
Domenico Cunego
1770
The Works in Architecture of Robert and James Adams, Esquires. Volume I Containing the Five Following Numbers, viz. . .
Robert Adam
1778
A Man and Woman Embracing, plate 20 from "Schola Italica Picturae"
Domenico Cunego
1773
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
Lot and his Daughters, plate 36 from "Schola Italica Picturae"
Domenico Cunego
1771
Moses holding the Tables of the Law above his head, plate 16 from "Schola Italica Picturae"
Domenico Cunego
1773
Two Nereids on a Shore, plate 38 from "Schola Italica Picturae"
Domenico Cunego
1771
Galatea, plate 8 from "Schola Italica Picturae"
Domenico Cunego
1771
Mary and Christ with Simeon in the Temple
Domenico Cunego
ca. 1778
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
An illustration of Psalms 46.6, with Christ at center ascending surrounded by angels holding instruments of the Passion, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Stefano Coppa
1776
The Road to Calvary, Christ at center carrying the cross, surrounded by soldiers, the Holy Women swooning in the foreground, after the altarpiece (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel in San Giovanni de' Fiorentini, Rome
Giuseppe Sforza Perini
1776
Lot flanked by his two daughters, one of them holding a decorated jug, after Reni
Domenico Cunego
1771
Sibylla Almathea
Domenico Cunego
1797
Apollo and Hyacinth, plate 33 from "Schola Italica Picturae"
Domenico Cunego
1771
Norandino and Lucina in a landscape with the ogre Orco feeling the fleece with which she has covered her back, plate 39 from "Schola Italica Picturae"
Domenico Cunego
1772
The adoration of the Magi
Domenico Cunego
ca. 1778
An outline of Michelangelo's figures in the spandrels from the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800