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Wilton album, folio 43a: The Christ of Caprarola (The Pietà)
Annibale Carracci
1597
Characters and Caricaturas
William Hogarth
April 1743
Plate 19: Vendor of holy pictures
Simon Guillain II
1646
Night: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
Plate 15: Lace and lace-bonnet vendor
Simon Guillain II
1646
Venus and a Satyr
Annibale Carracci
1560–1609
Plate 53: Cart carrying water from the river
Simon Guillain II
1646
The Greeks Dragging Cassandra Out of the Temple, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Wilton album, folio 44d: Saint Francis holding a crucifix
Annibale Carracci
1585
Plate 10: Three mythological scenes set inside architectural framework; at left, Leander swimming across Hellespont to Hero; at center, Hercules playing a tambourine with Iole; at right, Pan pursuing Syrinx; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 24 handing Apollo a lyre; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 25 falling from the sky, while his father, Daedalus, flies behind him; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 6: Courier
Simon Guillain II
1646
Plate 66: Cobbler
Simon Guillain II
1646
Holy Family with Saint John the Baptist and Saint Michael
Annibale Carracci
1582
Nude Study
Anonymous, Italian, 18th century
1768
Plate 77: A well known spy
Simon Guillain II
1646
Lamentation over the body of Christ, who rests in the unconscious Virgin's arms, surrounded by two holy women and Mary Magdalene
Baron Dominique Vivant Denon
1786
Plate 33: Vinegar vendor
Simon Guillain II
1646
Frontispiece, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Aeneas Offers a Sacrifice to Apollo, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Wilton album, folio 47: Christ at the Well with the Samaritan Woman
Francesco Brizio
1595
Saint Frances kneeling before Saints Peter and Paul
Paolo Fidanza
ca. 1750–80
Plate 14: Vendor of old clothes
Simon Guillain II
1646
The Burial of Christ
Annibale Carracci
1595
Christ Crowned with Thorns
Annibale Carracci
1606
Judith and Tamar
William Woollett
1763
Study for an Angel (recto); Study of a Cushion (verso)
Annibale Carracci
1600–1602
Plate 12of religious pictures
Georg Martin Preissler
1738
Vendor of Chicken Dung, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 30
Giuseppe Maria Mitelli
printed 1740
The Madonna del Silenzio
Elias Hainzelmann
1665–75
Saint Francis, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 1
Baron Dominique Vivant Denon
1873
Venus and Satyr (Jupiter and Antiope?)
Annibale Carracci
ca. 1592
Saint Jerome in the Wilderness
Annibale Carracci
ca. 1591
Plate 6: Romulus marking the perimeter of Rome; after the cycle on Romulus and Remus painted by the Carracci family in the Palazzo Magnani, Bologna
Jean Boulanger
1659
Plate 18: A door frame with a painting of a girl and a unicorn; above, a classical bust of a man in a niche; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 3vendor
Georg Martin Preissler
1738
Seated Figure of Justice, from Farnese Palace, after Annibale and Agostino Carracci
Jacques Belly
1641
Plate 9: Galatea being carried off by a sea-creature from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73