ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    API

    Public domain data for this object can also be accessed using the Met's Open Access API

  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 44 results
Sort by:
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41
The Incredulity of Saint Thomas, Christ at left touching the stigmata and taking Saint Thomas' hand, six other disciples behind them
John Murphy
1782–83
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41
The Fortune Teller
Giuseppe Sforza Perini
ca. 1790
The Musicians
Caravaggio (Michelangelo Merisi)
1597
The Virgin of the Rosary, the Virgin and Child standing between three saints, one of whom holds a rosary, with five members of the laity kneeling in the foreground and a donor at right
Lucas Vorsterman I
ca. 1620–40
The Cardsharps
Pietro Antonio Leone Bettelini
1772
Plate 7: A Concert: three musicians, a man at left playing the guitar, a man at center singing and holding a glass, and a man at right playing the flute
Thomas Chambars
1764
The Entombment
Anonymous
1630–86
The Fortune Teller (Bohemiene disant la bonne avanture)
Benoît Audran II
ca. 1729
Portrait of Alof de Wignacourt, Grand Master of the Order of Malta, and his Page
Nicolas de Larmessin III
ca. 1729
The Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1610
The Holy Family with the Infant Saint John the Baptist
Caravaggio (Michelangelo Merisi)
early 1600s
The Entombment
Jonas Suyderhoef
1668–86
Three Apostles
Johann Friedrich Bause
1772
Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1603
The Martyrdom of Saint Ursula
Caravaggio (Michelangelo Merisi)
1610
The Musicians
Anonymous
18th century?
Study after Caravaggio's 'The Cardsharps' with color notes
Anonymous, Italian
1600–1700
Sleeping Cupid, with his head resting on his quiver and his bow in his right hand
Anonymous
18th century
Plate 24: Jacob seeing Rachel at the well, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"
Jacobus Coelemans
1705
Plate 25: Laban giving his daughter Rachel to Jacob, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"
Jacobus Coelemans
1704
The Incredulity of Saint Thomas
Anonymous, Italian, 17th century
1640–60
Saint Francis, kneeling in front of a crucifix and a skull
Pieter Soutman
1620–57
The Entombment
Jonas Suyderhoef
1633–86
Head of a Village Girl
Antoine Joseph Dézallier d'Argenville
1700–65
Sleeping Cupid, with his head resting on his quiver and his bow in his right hand
Theodor Verkruis
ca. 1729
The Death of Saint Francis
Anonymous
1743–97
David with the Head of Goliath
Wallerant Vaillant
1635–77
Saint Jerome in the Wilderness
Anonymous, Italian, Bolognese
ca. 1630
The Incredulity of Saint Thomas
Anonymous, Italian, 17th century
1640–60
The Holy Family and John the Baptist
Pierre Daret
1624–75
Cardsharps, plate 40 from "Schola Italica Picturae"
Giovanni Volpato
1772
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Entombment, after Caravaggio, plate 25 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
Tommaso Piroli
1764
The Death of the Virgin
Simon de la Vallée
ca. 1729
Christ at Emmaus
Pierre Fatoure
1609–1629
Roman soldiers gathered around a sarcophagus, playing cards and dice
Franz Hanfstängl
ca. 1835–40
The Entombment
Tommaso Piroli
1770–73
The Entombment
Tommaso Piroli
1772–1824