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A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90
The Israelites fleeing Egypt with Moses at right extending his right hand and with a woman carrying an urn prostrate before him
Cherubino Alberti (Zaccaria Mattia)
1576
Vase with a monster at center, two cornucopias, and two flanking winged female figures
Cherubino Alberti (Zaccaria Mattia)
1565–1615
Judith with the Head of Holofernes, standing nude in a barren landscape
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Plate 2: Two-handled vase with a nude figure on a pedestal at center, from "Antique Vases" (Vasa a Polydoro Caravagino)
Aegidius Sadeler II
1605
Angel supporting Christ, who is also resting on clouds
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Title page depicting a two-handled base with dancing nymphs, from "Antique Vases" (Vasa a Polidoro Caravagino)
Aegidius Sadeler II
1605
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
ca. 1570–1615
A naked man (Ignudo) with a garland with acorns over his shoulders, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90
Perseus in the Garden of the Hesperides
Cherubino Alberti (Zaccaria Mattia)
1628
Allegory of the Medici Family with river gods in the foreground and in the clouds at right
Cherubino Alberti (Zaccaria Mattia)
1589
The Triumph of Two Roman Emperors (left-hand side) with soldiers on horseback and men, women, and children fleeing
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
Anonymous
ca. 1550–1600
Two seated angels, facing left, reading from a song book, from The Angels' Concert
Cherubino Alberti (Zaccaria Mattia)
1583
A winged figure of Fame standing facing left and sounding a trumpet
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Allegory of the Christian Faith with Christ at center, holding the cross
Cherubino Alberti (Zaccaria Mattia)
1575
The Stoning of Saint Stephen
Cherubino Alberti (Zaccaria Mattia)
1575
Winged female figure, draped and carrying a staff, striding behind a winged putto, who twists to look over his left shoulder, a round composition
Anonymous
ca. 1550–1600
Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from "Antique Vases" (Vasa a Polydoro Caravagino)
Aegidius Sadeler II
1605
Plate 6: Vase or Ewer with a Frieze Containing Naked Figures, Supported Below by Two Female Sphinxes, from "Antique Vases" (Vasa a Polydoro Caravagino)
Aegidius Sadeler II
1605
Winged putto holding a dedicatory plaque standing on an orb in an architectural detail
Alexander Mair
1680
Antiquities of the Romans and others
Anonymous, Italian, 19th century
19th century

The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left

Cherubino Alberti (Zaccaria Mattia)
1570–1615
Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from "Antique Vases" (Vasa a Polydoro Caravagino)
Aegidius Sadeler II
1605
Portrait of Pietro Angela da Barga, bust-length and in a decorative border
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Winged genius holding a tableau, standing on a sphere with three bees
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
ca. 1570–1615
Venus on a half-shell, holding fabric over her head
Cherubino Alberti (Zaccaria Mattia)
17th century
Perseus changing Atlas into a mountan with the head of Medusa, from Perseus and the Golden Apples
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Allegorical Figure of Religion (recto); Study of a Griffon and of a Seated Figure (verso)
Cherubino Alberti (Zaccaria Mattia)
1553–1615
Roman soldiers attacking the Sabine women, male personfication of the river Tiber seated at right, after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Winged angel holding a palm in his right hand and with drapery behind him
Cherubino Alberti (Zaccaria Mattia)
17th century
Design for Two Knife Handles
Cherubino Alberti (Zaccaria Mattia)
1553–1615
The Triumph of Two Roman Emperors (left-hand side) with a Roman Emperor riding in a triumphal chariot
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Portion of the Ceiling of the Sistine Chapel with the Libyan Sibyl, Prophet Daniel, Jesse, David, and Solomon, from Sibyls and Prophets from the Sistine Chapel Vaults
Cherubino Alberti (Zaccaria Mattia)
1577 (republished in 1628)
A Man Shooting a Crossbow
Cherubino Alberti (Zaccaria Mattia)
1579
The rape of the Sabine women, a term with male head at center, after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia)
1570–1615
The Creation of Adam who reclines at left and touching the hand of God
Cherubino Alberti (Zaccaria Mattia)
1570–1615
The taking of the Golden Apples, from Perseus and the Golden Apples
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Design for Two Knife Handles
Cherubino Alberti (Zaccaria Mattia)
1553–1615