Time is Money
In this print, a barefoot boy wearing tattered clothes and a hat rides bareback on an alarmed dark horse (its ribs showing and its tail cropped). The horse gallops on a race track from right to the left of the image. The boy uses a rope as a bridle and whip. At the upper left (shown in half length), a bearded man appears in the judge's stand with his arms upraised and his fists clenched. Beneath him, a sign reads: "$100,000 PRIZE/FOR THE HORSE/THAT BEATS/DEXTER'S TIME!" In the background, a wooden picket fence extands from the stand to the right. "TIME IS MONEY!" is imprinted at the top; a multi-line inscription appears in the bottom margin.
Nathaniel Currier, whose successful New York-based lithography firm began in 1835, produced thousands of prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life and its history. People eagerly acquired such lithographs featuring picturesque scenery, rural and city views, ships, railroads, portraits, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments. As the firm expanded, Nathaniel included his younger brother Charles in the business. In 1857, James Merritt Ives (the firm's accountant since 1852 and Charles's brother-in-law) was made a business partner; subsequently renamed Currier & Ives, the firm continued until 1907.
Nathaniel Currier, whose successful New York-based lithography firm began in 1835, produced thousands of prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life and its history. People eagerly acquired such lithographs featuring picturesque scenery, rural and city views, ships, railroads, portraits, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments. As the firm expanded, Nathaniel included his younger brother Charles in the business. In 1857, James Merritt Ives (the firm's accountant since 1852 and Charles's brother-in-law) was made a business partner; subsequently renamed Currier & Ives, the firm continued until 1907.
Artwork Details
- Title: Time is Money
- Artist: John Cameron (American, born Scotland, ca. 1828–after 1896 New York)
- Publisher: Currier & Ives (American, active New York, 1857–1907)
- Date: 1873
- Medium: Lithograph
- Dimensions: Image and text: 10 in. × 12 1/4 in. (25.4 × 31.1 cm)
Sheet: 12 × 16 in. (30.5 × 40.6 cm) - Classification: Prints
- Credit Line: Gift of A. S. Colgate, 1952
- Object Number: 52.632.249
- Curatorial Department: Drawings and Prints
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
John Cameron
Currier & Ives
1870
John Cameron
Currier & Ives
1870
John Cameron
Currier & Ives
1868–78
John Cameron
Currier & Ives
1870
Multiple artists/makers
1868
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.