Earrings with Assyrian human-headed winged bulls
Following the excavation of Assyrian palaces in the mid-nineteenth century, ancient Mesopotamian imagery began to be used in European decorative arts, including jewelry and ceramics. Publicity in the form of news coverage and popular books around the excavations, removal of many sculptures from sites in northern Iraq to England and France, and public spectacles such as the reconstructed ‘Nineveh Court’ in the Crystal Palace at Sydenham, London, fostered a fascination with Assyria and Assyrian art among the Victorian public.
The earrings both show the image of a human-headed winged bull. These and similar winged lion figures, based on the colossal guardian sculptures found flanking important gateways in the palaces, became the modern icons of the Assyrian excavations and were the motif most commonly used in Assyrian revival jewelry and decorative arts.
The earrings both show the image of a human-headed winged bull. These and similar winged lion figures, based on the colossal guardian sculptures found flanking important gateways in the palaces, became the modern icons of the Assyrian excavations and were the motif most commonly used in Assyrian revival jewelry and decorative arts.
Artwork Details
- Title: Earrings with Assyrian human-headed winged bulls
- Period: Victorian
- Date: second half of 19th century
- Culture: British
- Medium: Gold
- Dimensions: Each Dia. 13/16 in. (2 cm)
- Credit Line: Henrietta and Christopher McCall Collection, Purchase, Bequest of Henrie Jo Barth, and Museum Acquisitions and Josephine Lois Berger-Nadler Endowment Funds, 2023
- Object Number: 2023.689a, b
- Curatorial Department: Ancient West Asian Art
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ca. 4th century BCE
Scythian
ca. 5th century BCE
Assyrian
ca. 9th–8th century BCE
Achaemenid
ca. 6th–4th century BCE
Achaemenid
ca. 5th century BCE
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