Bessie Springs Smith White (Mrs. Stanford White)
Paris-trained Dewing is celebrated for his decorative paintings associated with the American Aesthetic Movement. This evocative half-length depiction of Bessie Springs Smith White (1862-1950)—the wife of the artist’s close friend, the architect Stanford White—belongs to a series of intimate, small-format portraits of subjects close to Dewing. From its first appearance in the spring 1887 exhibition of the Society of American Artists—the organization favored by progressive painters and sculptors—the Smith White portrait has been acclaimed as one of Dewing’s most exquisite and affecting works. The sympathetic depiction of Smith White captures her lively personality in a way that distinguishes it from other decorative portraits of the period. The painting is enhanced by its virtuosic pierced-work frame, designed by the sitter’s husband and reportedly inspired by contemporary lacework.
Artwork Details
- Title: Bessie Springs Smith White (Mrs. Stanford White)
- Artist: Thomas Wilmer Dewing (American, 1851–1938)
- Date: 1887
- Culture: American
- Medium: Oil on panel
- Dimensions: 13 in. × 9 3/4 in. (33 × 24.8 cm)
Framed: 27 1/2 in. × 24 1/2 in. (69.9 × 62.2 cm) - Credit Line: Marguerite and Frank A. Cosgrove Jr. Fund, 2023
- Object Number: 2023.479
- Curatorial Department: The American Wing
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Thomas Wilmer Dewing
before 1926
Thomas Wilmer Dewing
1887
Thomas Wilmer Dewing
by 1919
Thomas Wilmer Dewing
after 1894
Thomas Wilmer Dewing
by 1917
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