Turris Babel
The polymath Athanasius Kircher was a Jesuit priest whose work on theological questions encompassed everything from antiquarian studies to alchemy. In Turris Babel (The Tower of Babel), Kircher investigated the early history of humanity, reconstructing chronologies based on biblical and classical sources, and the question of the development of languages, starting from a literal interpretation of the Tower of Babel and Confusion of Tongues (Genesis 10). The illustrations, most designed by Lievin Cruyl and engraved by Coenraet Decker, include some of the most influential depictions of Babylon in European art.
The book discusses the building of the Tower of Babel, other ancient monuments including the walls and hanging gardens of Babylon, and the relationships between the world’s languages. Throughout, scientific enquiries combine with theological questions: one famous illustration shows the impossibility of building the Tower of Babel to a height that would enable humanity to scale heaven, with Kircher reasoning that the lowest level of heaven would be the orbit of the moon and from there calculating distance and the quantity of bricks that might be needed, and concluding that the result would tip the Earth off its axis. Other illustrations attempt to reconstruct the city and monuments of Babylon, based purely on details in the textual accounts of biblical and classical authors, alongside images of one of the tells (mounds) of Babylon, based on those produced by an artist accompanying the traveler Pietro della Valle, that became some of the earliest depictions of the physical site to circulate in Europe.
The book discusses the building of the Tower of Babel, other ancient monuments including the walls and hanging gardens of Babylon, and the relationships between the world’s languages. Throughout, scientific enquiries combine with theological questions: one famous illustration shows the impossibility of building the Tower of Babel to a height that would enable humanity to scale heaven, with Kircher reasoning that the lowest level of heaven would be the orbit of the moon and from there calculating distance and the quantity of bricks that might be needed, and concluding that the result would tip the Earth off its axis. Other illustrations attempt to reconstruct the city and monuments of Babylon, based purely on details in the textual accounts of biblical and classical authors, alongside images of one of the tells (mounds) of Babylon, based on those produced by an artist accompanying the traveler Pietro della Valle, that became some of the earliest depictions of the physical site to circulate in Europe.
Artwork Details
- Title: Turris Babel
- Artist: Lievin Cruyl (Ghent 1634–Ghent 1720 (?))
- Artist: Coenraet Decker (Dutch, 1650–1685)
- Artist: Gerard de Lairesse (Dutch, Liège 1641–1711 Amsterdam)
- Period: Baroque
- Date: 1679
- Culture: German
- Medium: Paper, board, leather
- Dimensions: H. 15 1/4 × W. 10 1/16 × D. 1 1/4 in. (38.7 × 25.6 × 3.2 cm)
- Credit Line: Henrietta and Christopher McCall Collection, Purchase, Bequest of Henrie Jo Barth, and Museum Acquisitions and Josephine Lois Berger-Nadler Endowment Funds, 2023
- Object Number: 2023.718
- Curatorial Department: Ancient West Asian Art
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Lievin Cruyl
Jacques Callot
early 1670s
Lievin Cruyl
Jacques Callot
1672–73
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