Staff finial with seated woman
Carried by leaders of Kongo’s founding lineages, staffs of office remained symbols of legitimacy for high-ranking officials well into the twentieth century. When placed on or in the ground, they acted as effective conduits between earthly and ancestral realms. Finials carved in precious ivory were potent markers of status. This classic seated figure, with inlaid eyes gazing intensely forward, bares the filed teeth typical of an aristocratic woman. Repeated handling and applications of palm oil resulted in a rich, red patina.
To date, four ivory staff figures—liberally embellished with concentric circle motifs—have been attributed to a single nineteenth-century carver or workshop. Commonly found on chiefly insignia of this period, concentric circles have been interpreted by some as ancient cosmograms associated with the positions of the sun. They may also refer to protective designs painted on the bodies of Kongo chiefs and other dignitaries during enthronement rites. In addition to bearing these markings on their brows, temples, and abdomens, the androgynous figures associated with this workshop wear sleek, striated coiffures and prominent bead-and-cowrie-shell necklaces.
To date, four ivory staff figures—liberally embellished with concentric circle motifs—have been attributed to a single nineteenth-century carver or workshop. Commonly found on chiefly insignia of this period, concentric circles have been interpreted by some as ancient cosmograms associated with the positions of the sun. They may also refer to protective designs painted on the bodies of Kongo chiefs and other dignitaries during enthronement rites. In addition to bearing these markings on their brows, temples, and abdomens, the androgynous figures associated with this workshop wear sleek, striated coiffures and prominent bead-and-cowrie-shell necklaces.
Artwork Details
- Title: Staff finial with seated woman
- Artist: Master of Frontal Concentric Circles
- Date: 19th century
- Geography: Democratic Republic of the Congo or Republic of the Congo
- Medium: Ivory, metal, wood, lead
- Dimensions: H. 6 1/2 × W. 1 15/16 × D. 2 1/2 in. (16.5 × 4.9 × 6.4 cm)
- Classifications: Ivories, Ivory/Bone-Sculpture
- Credit Line: Gift of Marian Malcolm, in loving memory of her husband, Daniel Malcolm, 2022
- Object Number: 2022.516.4
- Curatorial Department: The Michael C. Rockefeller Wing
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.