Wedding goose

late 19th–early 20th century
On view at The Met Fifth Avenue in Gallery 233
The artisan who made this goose thoughtfully incorporated the wood grain into the surface decoration, both in the unpainted areas and the sections showing through the thin layer of paint. The body is carved from a single piece of wood. From a separate piece the carver made the head and neck, taking advantage of dark spots on either side of the wood to define the eyes. One is a small, dark spot where a twig was once attached and the other is lighter and larger, with an additional semicircular “brow.”

A groom would present a goose—known to mate for life—to a bride’s family as a promise of his devotion and fidelity. During the Joseon period a wood goose was substituted for a live bird. As part of the wedding ceremony, a member of the groom’s entourage would carry the sculpture, its body enveloped in a wrapping cloth, to the bride’s home. The groom, dressed in his official wedding costume, would kneel, place the bird on a table, and bow twice. In recent times a pair of wood ducks has replaced the single goose.

Artwork Details

Object Information
  • 목안 조선
  • 木雁 朝鮮
  • Title: Wedding goose
  • Period: Joseon dynasty (1392–1910)
  • Date: late 19th–early 20th century
  • Culture: Korea
  • Medium: Polychrome painted wood
  • Dimensions: H. 8 in. (20.3 cm): W. 5 1/2 in. (14 cm); L. 11 1/2 in. (29.2 cm)
  • Classification: Woodwork
  • Credit Line: Gift of the children of Lea R. Sneider, 2024
  • Object Number: 2024.301.4a, b
  • Curatorial Department: Asian Art

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