Chinese Sages
This pair of screens portrays well-known but seldom pictorialized stories. At right is Huang Chuping, a shepherd who gained the ability to transform stones into sheep. Flanked by his skeptical brother and a young attendant, Chuping fixes his gaze on a bright white rock in the bottom of the third panel, where a smudge of ink suggests an impending transformation. At left is a pair of recluses. Xu You, disquieted after declining an offer to take over the empire, rushes to wash his ears in a spring. Chaofu decides that the spring is now too polluted to water his bull.
The screens are a masterwork of the so-called gyō, or “running,” style of ink painting. With origins in Southern Song Chinese painting, it is one of three styles assimilated by medieval Japanese artists and transformed by early Kano school painters, especially Kano Motonobu and his grandson Eitoku (1543–1590).
The screens are a masterwork of the so-called gyō, or “running,” style of ink painting. With origins in Southern Song Chinese painting, it is one of three styles assimilated by medieval Japanese artists and transformed by early Kano school painters, especially Kano Motonobu and his grandson Eitoku (1543–1590).
Artwork Details
- 伝狩野山楽筆 仙人高士図屏風
- Title: Chinese Sages
- Artist: Attributed to Kano Sanraku (Japanese, 1559–1635)
- Period: Momoyama period (1573–1615)
- Date: late 16th–early 17th century
- Culture: Japan
- Medium: Pair of six-panel folding screens; ink on paper
- Dimensions: Each: 58 7/8 in. × 11 ft. 4 in. (149.5 × 345.5 cm)
- Classification: Paintings
- Credit Line: Purchase, Mary Livingston Griggs and Mary Griggs Burke Foundation Fund, Gift of Florence and Herbert Irving, by exchange, and Brooke Russell Astor Bequest, 2020
- Object Number: 2020.359.1, .2
- Curatorial Department: Asian Art
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Kano Sanraku
Kano Sanraku
1630
Ike no Taiga
ca. 1763
Sesson Shūkei 雪村周継
ca. 1570
Japan
early 17th century
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