Cooking-on-Saturday

1936
On view at The Met Fifth Avenue in Gallery 757
Bolling, a self-taught African American sculptor from Richmond, Virginia, made small carvings in wood that chronicle with astute narrative detail the Black working class in the segregated American South. A store porter by day and an artist by night, he drew thematic inspiration from the daily work and leisure of local residents, including his friends and neighbors. His celebrated Days of the Week series pays tribute to the lives and labors of domestic workers who followed a rigid schedule of activities on specific days—from washing and ironing to sewing and cooking. The sculpture is composed of two blocks of carefully conjoined wood that the artist carved directly with a jackknife and a penknife, paying close attention to surface texture and grain direction.

Artwork Details

Object Information
  • Title: Cooking-on-Saturday
  • Artist: Leslie Garland Bolling (American, Surry County, Virginia 1898–1955 New York)
  • Date: 1936
  • Culture: American
  • Medium: Yellow-poplar
  • Dimensions: 8 3/4 × 9 3/4 × 10 in. (22.2 × 24.8 × 25.4 cm)
  • Credit Line: Purchase, Maria DeWitt Jesup Fund and Horace Talmage Day Jr. Gift, 2021
  • Object Number: 2021.9
  • Curatorial Department: The American Wing

Audio

Cover Image for 4024. Leslie Garland Bolling, *Cooking on Saturday*, 1936

4024. Leslie Garland Bolling, Cooking on Saturday, 1936

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LAURANETT LEE: Cooking on Saturday gives you some idea of why soul food is so good.

My name is Dr. Lauranett Lee. I'm a public historian.

It’s one of those pieces that gives you a glimpse into a moment in a woman’s workday where she’s over a stove basting a turkey. And it’s something that I remember from being with my grandmothers, both farm women, and being in the kitchen and watching the process.

What I really appreciate about this piece is seeing the detail in not only the person’s face, but her clothing in the stove in the oven, such focused attention to something that many people are familiar with.

NARRATOR: By uplifting domestic labor as worthy of artistic attention, the artist Leslie Garland Bolling drew inspiration from his own life, and invites us to do the same.

LAURANETT LEE: When we think about the 1930s – and we have to consider Bolling’s life, born in 1898 and deceased in 1955 – we're looking at a time when Virginia was segregated. There was so much legislation. African American people were restricted in where they lived, where they could work, the education that they could receive. And that Bolling was able to be so observant with these details about ordinary people really says a lot about what this work meant to him – the ability to see beyond stereotypes and glimpse someone not just doing something by rote but really engaged in what they're doing. 

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