A Life in a Year–The Garden–Noon, from "Picture Poesies"
Houghton's image shows young man in uniform taking his hat off to greet a young woman who stands next a tree, picking flowers.The print first appeared in "A Round of Days" (1866, see 65.629.1), engraved by the Dalziel Brothers and published by Routledge. It was here reissued in "Picture Poesies" (1874) and is the first of two used to illustrate a poem by Dora Greenweel (see 21.94.1(31) for the other).
"The Bookseller," 1865, p. 810 describes the related series as: "eight pictures representing the young squire at the gate and the girl at the window; the pair in the garden and the Phyllis thoughtfully gathering a rose after he has gone, the farmer's dinner and the girl's walk in the fields; the betrothal, a wood scene in which Phyllis and Corydon sit and breathe vows under a hawthorne hedge, and a walk in the moonlit fields when these two have been made one." English songs and poems from the seventeenth-century forward use Corydon and Phyllis to represent pastoral lovers.
A Life in a Year: 2. The Garden (Noon)
By me the valley-lily blows
Unsung amid its shrouding green'
By me unmourned the vilets close
Their dim sweet eyes, and die unseen:
For it was Autumn when I met
Her whom I love: the sunflowers bold
Stood up like guards around her set,
And all the air with mignonette
Was warm within the garden old.
Beside here feet the marigold
Glowed star-like; and the sweet pea sent
A sigh to follow as she went
Slowly adorn the terrrace--there
A saw thee, O my love! and thou wert fair.
She stood in the full noon-day unafraid,
As one beloved of sunlight; for awhile
She lant upon the time-worn balustrade,
The white clematis wooed her, and the clove
Hung all its burning heart upon her smile;
And on her cheek and in her eye was love;
Seemed parting some sweet story to disclose,
The soul of all the Summer lingered-- there
I saw thee, O my love! and though wert fair.
"The Bookseller," 1865, p. 810 describes the related series as: "eight pictures representing the young squire at the gate and the girl at the window; the pair in the garden and the Phyllis thoughtfully gathering a rose after he has gone, the farmer's dinner and the girl's walk in the fields; the betrothal, a wood scene in which Phyllis and Corydon sit and breathe vows under a hawthorne hedge, and a walk in the moonlit fields when these two have been made one." English songs and poems from the seventeenth-century forward use Corydon and Phyllis to represent pastoral lovers.
A Life in a Year: 2. The Garden (Noon)
By me the valley-lily blows
Unsung amid its shrouding green'
By me unmourned the vilets close
Their dim sweet eyes, and die unseen:
For it was Autumn when I met
Her whom I love: the sunflowers bold
Stood up like guards around her set,
And all the air with mignonette
Was warm within the garden old.
Beside here feet the marigold
Glowed star-like; and the sweet pea sent
A sigh to follow as she went
Slowly adorn the terrrace--there
A saw thee, O my love! and thou wert fair.
She stood in the full noon-day unafraid,
As one beloved of sunlight; for awhile
She lant upon the time-worn balustrade,
The white clematis wooed her, and the clove
Hung all its burning heart upon her smile;
And on her cheek and in her eye was love;
Seemed parting some sweet story to disclose,
The soul of all the Summer lingered-- there
I saw thee, O my love! and though wert fair.
Artwork Details
- Title: A Life in a Year–The Garden–Noon, from "Picture Poesies"
- Artist: After Arthur Boyd Houghton (British (born India), Madras 1836–1875 London)
- Engraver: Dalziel Brothers (British, active 1839–93)
- Author: Related author Dora Greenwell (British, Lanchester, Co. Durham 1821–1882)
- Publisher: George Routledge & Sons, London
- Date: first published 1866, reissued 1874
- Medium: Wood engraving
- Dimensions: Image: 4 1/2 × 3 15/16 in. (11.5 × 10 cm)
Sheet: 9 3/4 × 7 5/8 in. (24.7 × 19.4 cm) - Classification: Prints
- Credit Line: Gift of Wilbur Macey Stone, 1921
- Object Number: 21.94.1(32)
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.