Rabbit and Roses
A rabbit crouches by a boulder and a rose bush with vibrant leaves and blossoms. Mori Ransai’s polychrome technique belongs to a tradition established by the Chinese painter Shen Nanpin (active 1725–80) in Nagasaki. The inscription, brushed by the Shingon monk Jiun Onkō, echoes a Zen teaching that asserts that all beings, including inanimate objects, can reach enlightenment. It reads:
有情非情同時成道ときけばげに
うれしくもあるがか 法の友どち
I’m truly delighted to hear it said that “Sentient beings or insentient beings, at the same time, can attain the Way [of spiritual enlightenment],” for those that pursue the Buddhist law together.
有情非情同時成道ときけばげに
うれしくもあるがか 法の友どち
I’m truly delighted to hear it said that “Sentient beings or insentient beings, at the same time, can attain the Way [of spiritual enlightenment],” for those that pursue the Buddhist law together.
Artwork Details
- 森蘭斎筆 慈雲飲光賛 薔薇に兎図
- Title: Rabbit and Roses
- Artist: Painting by Mori Ransai (Japanese, 1731–1801)
- Artist: Inscription by Jiun Sonja (Japanese, 1718–1804)
- Period: Edo period (1615–1868)
- Date: ca. 1776–83
- Culture: Japan
- Medium: Hanging scroll; ink and color on silk
- Dimensions: Image: 42 5/8 × 16 9/16 in. (108.3 × 42 cm)
Overall with mounting: 80 5/16 × 24 1/8 in. (204 × 61.2 cm) - Classification: Paintings
- Credit Line: Mary and Cheney Cowles Collection, Gift of Mary and Cheney Cowles, 2019
- Object Number: 2019.420.26
- Curatorial Department: Asian Art
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