Bookplate for St. John Hutchinson

Subject Relates to St. John Hutchinson British
1918
Not on view
After studying at the University of London's Slade School of Art, Carrington became associated with the Bloomsbury Group. In 1917 she formed a devoted platonic partnership with Lytton Strachey, a bond that survived affairs on both sides as well as Carrington's marriage to Ralph Partridge. Since the artist exhibited rarely, her work was appreciated in her lifetime mostly by friends. Wider attention came late in the 20th century as books and exhibitions revealed her exquisite pastoral landscapes and striking portraits to a wider audience. The artist also produced two dozen small woodcuts and book plates. This example depicts rabbits seated heraldic fashion atop a hutch and punningly refers to St. John Hutchinson, a lawyer married to Strachey's cousin. Both imagery and style demonstrate admiration for English vernacular models and recall William Blake's "Songs of Innocence and Experience" and late woodcuts devoted to Virgil's "Georgics."

Artwork Details

Object Information
  • Title: Bookplate for St. John Hutchinson
  • Artist: Dora Carrington (British, Hereford 1893–1932 Newbury)
  • Subject: Relates to St. John Hutchinson (British, 1884–1942)
  • Date: 1918
  • Medium: Woodcut
  • Dimensions: 3 3/16 × 2 15/16 in. (8.1 × 7.5 cm)
  • Classification: Prints
  • Credit Line: Gift of Bannon and Barnabas McHenry, 2018
  • Object Number: 2018.888.1
  • Curatorial Department: Drawings and Prints

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.