Teapot

Manufacturer John Bartlam
ca. 1765–69
On view at The Met Fifth Avenue in Gallery 723
This teapot represents the entrepreneurial and intrepid spirit of eighteenth-century America. Made at the pottery established by John Bartlam in Cain Hoy, South Carolina, outside of Charleston, it was intended to compete with the popular luxury porcelains with underglaze blue decoration that were produced in England and imported to the colonies. Porcelain required specialized clays, deposits of which had only recently been discovered in the Carolinas, and were being mined and shipped to England from Charleston. Josiah Wedgwood feared that the success of the Cain Hoy enterprise would become serious competition to his stronghold in the American market, writing in a letter to Thomas Bentley in 1767, of a "Pottwork in Charles Town" that used Cherokee clay" from the Carolinas to make porcelain. This is one of only seven examples that can be associated with the Bartlam factory, all teawares, and all which feature the Palmetto, a motif not found in English porcelains, but which is a direct reference to South Carolina.

Artwork Details

Object Information
  • Title: Teapot
  • Manufacturer: John Bartlam (Staffordshire, England 1735–1781 Camden, South Carolina)
  • Date: ca. 1765–69
  • Geography: Made in Cain Hoy, South Carolina, United States
  • Culture: American
  • Medium: Soft-paste porcelain with underglaze blue decoration
  • Dimensions: 3 9/16 × 6 7/8 in. (9 × 17.5 cm)
  • Credit Line: Purchase, Ronald S. Kane Bequest, in memory of Berry B. Tracy; Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest; and Richard L. Chilton and Anthony W. and Lulu C. Wang Gifts, 2018
  • Object Number: 2018.156
  • Curatorial Department: The American Wing

Audio

Cover Image for 4003. Teapot, John Bartram (ca. 1765-69)

4003. Teapot, John Bartram (ca. 1765-69)

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CHRISTOPHER BENFEY: This is one of the most exciting little pots in the world. This is not just one more piece of porcelain. This is the real deal.

My name is Christopher Benfey, I’m a cultural critic with a special interest in ceramic history.

If you walk around the teapot, it’s almost like you’re walking around a globe. On one side you’re in South Carolina, palmetto trees and sandhill cranes and there’s a little river with a curved boat.Then you walk around the teapot and suddenly, you’re in China.

This was found at a sale in England, where in 2016, when it was recognized that this is the first example of North American porcelain.

Porcelain was the holy grail of pottery making, especially in the 18th century. It was known as 'white gold’. The English potters are desperately trying to figure out how to make porcelain.And they know it has something to do with the clays. And weirdly, amazingly, the English potters found the clay in Cherokee towns in what is now North Carolina.

John Bartlam thought, “I’m going to cut out the middle man. I can make the pottery here in South Carolina with North American clays and I can sell it to North American colonists directly.”

Our teapot comes from a moment when the serving of food and drink was no longer just a way to sustain people, but to celebrate and show off and introduce some aesthetic appreciation. The tea party became an essential part of civilized life in settlements where the dangerous outback begins about a mile away. This teapot says ”We have refined tastes, we’re civilized, we know what we’re doing. Welcome.”

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