Shaka (Shakyamuni), the Historical Buddha, with Two Attendant Bodhisattvas and Sixteen Benevolent Deities
This devotional image would have been hung in a temple during recitations of the Great Perfection of Wisdom Sutra. At center, Shaka sits atop a lotus pedestal, flanked by attendant bodhisattvas, Fugen and Monju. Their radiant bodies are meticulously described using a combination of gold paint and strips of cut gold foil, a technique called kirikane. They are surrounded by a diverse group of benevolent deities charged with protecting the Sutra itself and all those who recite it.
The lengthy Great Perfection of Wisdom Sutra was translated from Sanskrit into Chinese by the prolific translator Xuanzang (602–664), who appears at bottom right carrying a scroll and brush, and wearing a portable chest containing scriptures. The fierce red deity opposite him is the Great General of the Desert (Jinja Daishō), who is said to have protected Xuanzang during his travels.
The lengthy Great Perfection of Wisdom Sutra was translated from Sanskrit into Chinese by the prolific translator Xuanzang (602–664), who appears at bottom right carrying a scroll and brush, and wearing a portable chest containing scriptures. The fierce red deity opposite him is the Great General of the Desert (Jinja Daishō), who is said to have protected Xuanzang during his travels.
Artwork Details
- 釈迦三尊十六善神像
- Title: Shaka (Shakyamuni), the Historical Buddha, with Two Attendant Bodhisattvas and Sixteen Benevolent Deities
- Artist: Unidentified artist Japanese
- Period: Nanbokuchō period (1336–92)
- Date: late 14th century
- Culture: Japan
- Medium: Hanging scroll; ink, color, gold, and cut gold on silk
- Dimensions: Image: 55 x 26 in. (139.7 x 66 cm)
Overall with mounting: 93 1/4 x 34 1/4 in. (236.9 x 87 cm)
Overall with knobs: 93 1/4 x 36 3/8 in. (236.9 x 92.4 cm) - Classification: Paintings
- Credit Line: Purchase, Sue Cassidy Clark Gift, in honor of Donald Keene, 2012
- Object Number: 2012.18
- Curatorial Department: Asian Art
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