Plate 3: The Church of Santissimo Redentore, with two monks in a boat approaching the steps leading to the church in the foreground, a column in the water at left, from 'Six views of Venetian temples' (Prospetti sei di altrettanti Templi di Venezia)

Fabio Berardi Italian

After Canaletto (Giovanni Antonio Canal) Italian

Publisher Joseph Wagner Italian

ca. 1742

Not on view

Artwork Details

Title: Plate 3: The Church of Santissimo Redentore, with two monks in a boat approaching the steps leading to the church in the foreground, a column in the water at left, from 'Six views of Venetian temples' (Prospetti sei di altrettanti Templi di Venezia)
Series/Portfolio: 'Six views of Venetian temples' (Prospetti sei di altrettanti Templi di Venezia)
Artist: Fabio Berardi (Italian, Siena 1728–1788 Venice)
Artist: After Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice)
Publisher: Joseph Wagner (Italian, Thalendorf 1706–1780 Venice)
Date: ca. 1742
Medium: Etching and engraving
Dimensions: Plate: 13 15/16 × 19 7/16 in. (35.4 × 49.3 cm)
Sheet: 19 1/8 × 25 15/16 in. (48.6 × 65.9 cm)
Classification: Prints
Credit Line: Gift of Harry G. Friedman, 1964
Object Number: 64.682.305
Curatorial Department: Drawings and Prints

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Zeus handing the golden apple to Hermes, above the sleeping figure of Paris, Fabio Berardi Italian, Etching and engraving — Zeus handing the golden apple to Hermes, above the sleeping figure of Paris
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The Judgment of Paris, Fabio Berardi Italian, Etching and engraving — The Judgment of Paris
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Plate 5: The Church of San Salvatore in Venice with an obeslisk fountain on the left, from 'Six views of Venetian temples' (Prospetti sei di altrettanti Templi di Venezia)

Multiple artists/makers

ca. 1742

Plate 3: ruins at left with a thatched structure in front, men in boats in the foreground, a fire at center in the background in front of a church, from an untitled series of six Capricci

Multiple artists/makers

ca. 1760–80

Landscape with a church in the distance, at left man directs a monk to the right, a woman is seated with a basket at right, and a horseman with a rifle rides towards the background with hunting dogs and another man

Multiple artists/makers

1760–70

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