The Fall of the House of Usher, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96
Responding to Poe's "The Fall of the House of Usher," Beardsley shows Roderick Usher seated in profile near a curtain. After losing a beloved twin sister Madeline, he placed her body in the family vault, and is shown in a trance-like state "Gazing upon vacancy for long hours, in an attitude of the profoundest attention, as if listening to some imaginary sound." Using a few lines and patches of black against a largely white ground, the artist characterizes the waiting figure’s certainty that his sister will soon emerge from the tomb. This is one of four drawings that Beardsley made to illustrate a new American edition of Poe's "Tales of Mystery and the Imagination," receiving a commission from the Chicago publisher Stone and Kimball in December 1893. The artist responded that he believed the material offered "an admirable chance of picture making," began work in February 1894, and completed four of eight requested designs. Related sets of prints were issued in portfolios to accompany deluxe two volume Japanese vellum sets of the text published in 1895-96.
Artwork Details
- Title: The Fall of the House of Usher, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96
- Artist: Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton)
- Author: Related author Edgar Allan Poe (American, Boston, Massachusetts 1809–1849 Baltimore, Maryland)
- Date: 1894
- Medium: Pen, brush and India ink over graphite
- Dimensions: Sheet: 10 in. × 6 3/8 in. (25.4 × 16.2 cm)
- Classification: Drawings
- Credit Line: Gift of Jacqueline Loewe Fowler, 2020
- Object Number: 2021.16.16
- Curatorial Department: Drawings and Prints
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