Women’s Kabuki
The focus of this composition is a young woman dressed as a gallant samurai, performing the Kabuki skit Chaya asobi, or “Teahouse Entertainments.” Her comic sidekick, the manservant Saruwaka (Young Monkey)—also played by a woman—holds a branch of maple leaves or flowers.
In its earliest phase, Kabuki was performed by female dancers or courtesans playing both men and women in sexually provocative skits. Kabuki as we know it today—a respected form of classical theater with complex plots performed by male actors in men’s and women’s roles—did not emerge until the end of the seventeenth century. This recently rediscovered work is one of a pair; its mate depicts merrymaking in the Kitano district of Kyoto.
In its earliest phase, Kabuki was performed by female dancers or courtesans playing both men and women in sexually provocative skits. Kabuki as we know it today—a respected form of classical theater with complex plots performed by male actors in men’s and women’s roles—did not emerge until the end of the seventeenth century. This recently rediscovered work is one of a pair; its mate depicts merrymaking in the Kitano district of Kyoto.
Artwork Details
- 狩野孝信工房作 女歌舞伎図屏風
- Title: Women’s Kabuki
- Artist: Studio of Kano Takanobu (Japanese, 1571–1618)
- Period: Edo period (1615–1868)
- Date: mid- to late 1610s
- Culture: Japan
- Medium: Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper
- Dimensions: Image: 31 1/2 in. × 8 ft. 9 11/16 in. (80 × 268.4 cm)
Overall: 36 in. × 9 ft. 2 5/16 in. (91.5 × 280.2 cm) - Classification: Paintings
- Credit Line: Purchase, Mary and James G. Wallach Foundation Gift; Mary Livingston Griggs and Mary Griggs Burke Foundation, Acquisitions, and The Camille M. Lownds Funds, 2017
- Object Number: 2017.730
- Curatorial Department: Asian Art
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Kano Takanobu
ca. 1600
Kano Takanobu
Tetsuzan Sōdon
1616
Japan
early 17th century
Ogata Kōrin
after 1709
Ogata Kōrin
ca. 1704–9
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